Olga Scheps
was born in a Jewish Family in Moskau, Russia in 1986, both of her parents wore born in the Ukraine. Since 1992 Olga lives with her Family in Germany.

She began studying the piano more intensively after her family moved to Germany in 1992. At an early age she had already developed her own unique style of keyboard playing, which combines intense emotiveness and powerful expressivity with extraordinary pianistic technique. Among those who discovered these talents was Alfred Brendel, who has encouraged the young pianist. A holder of scholarships from the Deutsche Stiftung Musikleben and Studienstiftung des deutschen Volkes, she completed her studies with Professor Pavel Gililov in her adopted home of Cologne in 2013, passing her concert examination with distinction. She rounded out her training with Professor Arie Vardi and Professor Dmitri Bashkirov.

Besides the well-known works for piano, Olga Scheps’s repertory consists of compositions that are rarely heard in the concert hall, including the posthumous Études of Frédéric Chopin, Franz Liszt’s Malédiction, Olivier Messiaen’s Les Oiseaux exotiques, Antonín Dvořák’s Piano Concerto, Arvo Pärt’s Lamentate, and Mieczysław Weinberg’s Piano Quintet.

Her solo recitals are as popular with audiences all over the world as her acclaimed appearances as a soloist with orchestra and her chamber projects.

Such noted conductors as Thomas Dausgaard, Lorin Maazel, José Serebrier, Marcus Bosch, Ralf Weikert, Michel Tabachnik, Antoni Wit, Ivor Bolton, Cristian Mandeal, Christoph Altstaedt, Tugan Sokhiev, Simone Young, Markus Poschner, and Pablo Heras-Casado have invited Olga Scheps to collaborate with them.

Among the leading orchestras with which she has appeared in concert are the Orchestre Philharmonique de Monte-Carlo, the Warsaw Philharmonic Orchestra, the Mozarteum Orchester Salzburg, the Munich Symphony Orchestra, the Royal Scottish National Orchestra, the State Symphony Cappella of Russia (Moscow), the Staatskapelle Weimar, the Zurich Chamber Orchestra, the NDR Radiophilharmonie, the Orchestre National du Capitole de Toulouse, the Prague Philharmonia, the Israel Philharmonic Orchestra, the New Japan Philharmonic Orchestra, the Braunschweig State Orchestra, the Helsingborg Symphony Orchestra and the Real Orquesta Sinfónica de Sevilla.

Olga Scheps now performs with great success in world-famous concert halls such as the Elbphilharmonie, the Berlin and Cologne Philharmonie, the Vienna Konzerthaus, the Cadogan Hall London, the Zurich Tonhalle, and the Suntory Hall Tokyo. She is a sought-after guest at festivals like the Rheingau Musik Festival, Festspiele Mecklenburg-Vorpommern, Kissinger Sommer, Heidelberger Frühling, Klavier-Festival Ruhr, Schleswig-Holstein Musik Festival, MDR Musiksommer, Lucerne Festival am Piano, ACHTBRÜCKEN Festival in Cologne, Mozart Festival Würzburg, Mersin Festival in Turkey, and Menuhin Festival Gstaad.

A passionate chamber musician, she plays regularly with such artists as Alban Gerhardt, Daniel Hope, Adrian Brendel, Jan Vogler, Nils Mönkemeyer, the Danish String Quartet, the Danel Quartet and the Kuss Quartet, with which she recorded Mieczysław Weinberg’s Piano Quintet.

Since 2009 Olga Scheps has been an exclusive Sony Classical artist. Her debut album Chopin immediately won an ECHO Klassik award. The two recordings that followed, Russian Album (2010) and Schubert (2012), were also highly praised by the press. Her fourth Sony Classical CD was released early in 2014 and features Chopin’s Piano Concertos nos. 1 and 2 with the Stuttgart Chamber Orchestra. The success of her solo-album Vocalise, published in 2015, was surpassed by her latest album Satie which Olga Scheps has recorded on the occasion of the French composer’s 150th birthday: It reached top 1 of the German classical music charts at first go. Her CD Tchaikovsky was released in October 2017, and she broke new ground with the album 100 % Scooter – Piano Only, on which she recorded arrangements of the most famous Scooter hits by Sven Helbig. In 2019, Olga Scheps’ album Melody featured repertoire ranging from Bach to Aphex Twin, tracing an arc across four centuries. A further release features her together with the Kuss Quartet performing the Weinberg Piano Quintet. On her 2021 album Family she combines works from the established classical canon with new piano arrangements of highly popular melodies and soundtracks as well as world premiere recordings of compositions by Schiller, Chilly Gonzales and by herself.

Since 2013 Olga has belonged to the select circle of official „Steinway Artists“

Raphaela Gromes
Highly virtuosic and full of drive, passionate and technically brilliant, versatile and charming – there are hardly any other cellists who are able to captivate their audiences the way Raphaela Gromes does. Whether as a soloist with orchestra, as a duo in chamber music or alongside a wind quartet, the young cellist always leaves everyone spellbound with both her fantastically ambitious and remarkably effortless playing.

Raphaela Gromes has been an exclusive artist with Sony Classical since 2016. Her albums are distinguished by creative programming and an explorative spirit. In fact, Gromes features a world premiere recording, such as Jacques Offenbach’s Hommage á Rossini, Klengel’s Cello Concerto No. 3 (with the RSB Orchestra and Nicholas Carter on “Romantic Cello Concertos”) or, in 2020, the original version of the Sonata op. 6 by Richard Strauss.

Her albums have won a number of awards: in 2019 she received the German Record Critics‘ Award for the CD “Offenbach”as well as the Bavarian Arts Promotion Award in the category “Music and Dance”. In 2020 she received the OPUS KLASSIK in the category chamber music/duo for her CD “Offenbach” together with pianist Julian Riem and was awarded the Diapason Nouveauté for her album “Richard Strauss – Cello Sonatas”. In February 2021 her album “Klengel – Schumann: Romantic Cello Concertos” received the Diapason d’Or.

Her latest album “Imagination’” was released on October 8, 2021 and immediately after release soared to the number 2 spot in the German classical music charts. The album, already the 6th one by the Opus Klassik award winner, has been featured in the media on numerous occasions, including on WDR’s “Kölner Treff”, ZDF’s “Volle Kanne” and Morgenmagazin, as well as on NDR’s “DAS!” program.

Harald Eggebrecht of the Süddeutsche Zeitung comments on the new release in October 2021:

“But out of the standstill [caused by corona] she created something virtuous, pulling together an enjoyable, highly virtuosic fairies and trolls set of elegant romantic pieces and releasing it as a CD (Sony).“

Born in 1991, Raphaela Gromes starts taking cello-lessons at the age of four. Aged seven she appears at the encore of one of her parents’ concerts, both professional cellists.

Her first appearance as a soloist took place in the fall of 2005 with the Cello Concerto by Friedrich Gulda, a performance for which she received resounding acclaim from both audience and press. As a young student, she began her studies at the age of 14 at the University of Music and Theatre Mendelssohn-Bartholdy in Leipzig with Peter Bruns before continuing with Wen-Sinn Yang at the University of Music and Performing Arts in Munich in 2010 and later with Reinhard Latzko at the University of Music and Performing Arts Vienna.

Awards to her name include First Prize at both the 2012 Richard Strauss Competition and the 2016 Concorso Fiorindo Turin, as well as the German Music Competition Prize in the solo cello category. Also since 2012 she has held a scholarship from the German Academic Scholarship Foundation and has been supported by Yehudi Menuhin Live Music Now.

She gained valuable musical inspiration from master classes with renowned cellists such as David Geringas, Yo-Yo Ma, Frans Helmerson, Jens Peter Maintz, László Fenyö, Daniel Müller-Schott, Kristin von der Goltz, Wolfgang Boettcher, Anner Bylsma and Wolfgang Emanuel Schmid.

Raphaela Gromes celebrated her debut at such renowned festivals as the Schleswig-Holstein Music Festival, the Jungfrau Music Festival Interlaken, the Vorsprung Festival of the Audi Summer Concerts in Ingolstadt with Kent Nagano, the Munich Opera Festival, the Marvao International Music Festival, the Edinburgh International Festival, the Rheingau Music Festival, the Ludwigsburg Schlossfestspiele and the Festspiele Mecklenburg-Vorpommern, and has given guest appearances at the Tonhalle Zurich, the Concertgebouw Amsterdam, the Elbphilharmonie and Laeiszhalle Hamburg, and the concert halls of Berlin, Vienna and Dortmund. In 2018, a tour took her to the United States, in 2019 to Korea, and in 2020 to China.

In 21/22, debuts will follow with the Tonkünstler Orchestra, the Frankfurt Radio Symphony, at the Festspielhaus Baden-Baden, the Philharmonie Essen and again at the Elbphilharmonie Hamburg, the Prinzregententheater Munich and, for the first time, at the Isarphilharmonie Munich, plus concerts in the Netherlands, France and Central America. In the 2022/23 season, she will be Artist in Residence at the Staatstheater Augsburg and will make her debut with the Belgian National Orchestra in Brussels.

Raphaela Gromes‘ performances together with her pianist Julian Riem are acclaimed for being perfectly-executed duets: “The two of them really do redefine instrumental duet playing in their own way: Gromes and Riem play chamber music symbiotically”, raves “Die Presse” following their debut at the Vienna Konzerthaus. In addition to her regular duo partner Julian Riem, other chamber music partners of Gromes include Andreas Ottensamer, the piano duo Yaara Tal and Andreas Groethuysen, Lis de la Salle, Anais Gaudemard, Daniel Dodds, Christian Altenburger, Isabelle von Keulen, Patrick Demenga and Mischa Maisky.

Furthermore, a number of cello concertos have already been dedicated to her: Dominik Giesriegl’s Cello Concerto in 2012 and Valentin Bachmann’s Cello Concerto in 2013. Her third world premiere, the double concerto Chroma composed for Raphaela Gromes and Cécile Grüebler by Mario Bürki in 2014, teamed the young cellist up with the Swiss Military Orchestra.

2022 included the world premiere of the work Arcobaldo della vita for cello, piano and string orchestra by Igor Loboda, dedicated by the composer to the duo Gromes – Riem, and performed with the Georgian Chamber Orchestra Ingolstadt under the baton of Ruben Gazarian.

Raphaela Gromes plays a cello by Carlo Bergonzi dating from around 1740 provided to her from a private source.

She is a cultural ambassador for SOS Children’s Villages worldwide and an ambassador for the José Carreras Leukemia Foundation.