Family Tree Grégory Privat with Linley Marthe & Tilo Bertholo

• 1 Le Bonheur 04:11
• 2 Riddim 06:21
• 3 Family Tree 06:15
• 4 Zig Zagriyen 04:58
• 5 Le Parfum 05:36
• 6 Size 05:24
• 7 Filao 06:59
• 8 Ladja 05:24
• 9 Seducing the Sun 06:16
• 10 Happy Invasion 07:52
• 11 La Maga 04:27
• 12 Galactica 08:23
• Total Runtime 01:12:06

Info for Family Tree

Nominated for the Victoires du Jazz 2015 as Jazz Revelation of the year, Martinique-born, Paris-based Grégory Privat continues his rise into the big league. “Family Tree” is his first trio recording and ACT debut.

“Grégory always puts great spirit into the music. He is a real performer. As soon as I started listening to the album, I got carried away and did not want it to stop.” (Lars Danielsson)

The tree of jazz has many roots. One of them is to be found on the islands where the biguine began. It happened in the 1920’s in the Caribbean, or - to be more precise - in the two French “Départements d’Outre Mer” of Martinique and Guadeloupe. The beguine emerged as a swing dance, normally quite slow, which drew its inspiration from the Afro-Caribbean rhythms of the Gwoka and Bèlè, from the French musette, and from elements of Creole-American jazz. In the heyday of “Négritude” it was incredibly popular, which meant that it not only left a durable mark on jazz in France, but also on “Zouk,” the dominant pop music of Martinique and Guadeloupe.

The musical tradition of his native Martinique is, perhaps unsurprisingly, one of the defining strands in the musical DNA of pianist Grégory Privat, who was born there in 1984. He is the youngest and latest of the exceptional pianists in the ACT family of artists. And in his debut album on the label, “Family Tree” he demonstrates that this exalted company is precisely where he belongs.

The earliest musical influence on Grégory Privat was his father, a pianist and a member of one of the best-known Martinican bands, “Malavoi.” He was already encouraging the young Grégory to take piano lessons from the age of six. After ten years of classical piano training, Privat fils started composing and improvising: jazz became his musical home territory. For the next stage of his playing, it was a steep learning curve of sessions and gigs in Toulouse, the French city to which Privat had moved in order to pursue studies to qualify as an engineer. That experience garnered in Toulouse served him well when he moved to Paris, where his name started to become known on the jazz scene. The French capital‘s jazz life is vibrant and relatively open to different styles. At 27, Privat took the plunge, abandoned his well-paid office job for good, and finally began to concentrate solely on music. Before long he was playing with the most illustrious of the musicians originally from Guadeloupe such as the saxophonist Jacques Schwarz-Bart, the trumpeter and Miles Davis devotee Franck Nicolas and the master of Gwoka, the percussionist and drummer Sonny Troupé, who was to become his musical companion and close friend. Privat also worked with some of the key figures on the European scene, such as Stéphane Belmondo, Rémi Vignolo and a musician currently making major breakthroughs with his highly individualistic style of jazz-rock, Guillaume Perret.

Privat also recently joined the Liberetto Ensemble, which is run by his Swedish ACT label-mate, the world class bassist Lars Danielsson. Beyond the France, Privat has made the most impact until now with his 2013 project “Tales of Cypris.” This work is his setting to music or the story of the lone surviver of the 1902 Martinique eruption in which the Mont Pelée volcano buried the town of Saint-Pierre under ashes and rubble. That piece was the blueprint for “Family Tree,” an album in which he has brought all of his very fine qualities as musician to the fore.

Privat is a highly gifted storyteller. He has taken the almost ritualistic call-and-response “crick-crack” folktale tradition, a standard entertainment during extended outdoor gatherings in many Caribbean islands, and has continued the patterns of it into music. The title track “Family Tree” shows straight away the masterful way in which Privat sketches out elegiac melodies and brings them to life by timbres, voicings and moods that point directly to his Caribbean origins. Then there is his compelling, almost intuitive way of handling rhythm, to be found for example in the programmatic track “Riddim.” This is a virtuoso piece in which the underlying theme goes through dramatically bold tempo changes, but without ever losing touch with the core pulse. And there is “Ladja” which is inspired by the traditional martial art from Martinique and is based on Bèlè music. “Happy Invasion,” on the other hand, is a dialogue between two very different elements: rhythmically asserted chord clusters versus fine flowing single-note lines.

“All the elements of Caribbean music are present in me,” says Privat. “They find their way intuitively and naturally into my music. But I always try to go somewhere else, to discover new styles each and every day. It is a great privilege to meet musicians from other cultures. I’m really grateful that I am able to gather together such amazing experiences.”

With Grégory Privat, another strong personality is stepping forward into the spotlight of the international jazz scene. “Family Tree” singles him out as being in the foremost rank of creative talents who use all the musical means at their disposal to create a form of jazz which is modern and universal, while emphasizing its individual expression, and also its antecedents.

“My aim is to find a voice of my own which brings something new into the music,” he says. “I want to be surprised myself by what I do. I want to create music capable of making the world a more magical place.” It is no exaggeration to say that in “Family Tree” he has successfully accomplished this. On this album he has used the world language of music - and his own authentic and persuasive Caribbean accent - to tell new and completely magical stories.

Grégory Privat, piano
Linley Marthe, double bass
Tilo Bertholo, drums

Recording, mixing & mastering on January 24 - 26th, 2016 at Recall Studio (30), France
Engineered by Philippe Gaillot
Produced by Grégory Privat

Grégory Privat
is a French jazz pianist who was born in Martinique (French West Indies) in 1984. His earliest musical influence was his father, José Privat who was the pianist of the famous Caribbean band Malavoi. José Privat who was a self-taught pianist encouraged Grégory to take piano lessons. In this way, Grégory began to play the piano at the age of six with a private teacher. He studied classical music for ten years and at barely 16 years old, he began composing music for the section of his high school where he became one of the most active members. He dropped out of classical music and moved to jazz and improvisations.

A few years later, Grégory moved to Toulouse (France) to attend an engineering school. While studying, he began performing in solo and sometimes with a trio at jam sessions in local clubs. After graduating from his engineering school, he moved to Paris and founded the trio “Trioka”, playing a mixture of jazz, and Caribbean melodies. Despite strong performances, the band dissolved a year later. In the years that followed, Grégory had the opportunity to meet other valuable musicians including: Orlando “Maraca” Valle, Jacques Schwarz-Bart, Stéphane Huchard, Dominique Di Piazza, Rémi Vignolo, Catia Werneck, Sonny Troupé, Guillaume Perret, Stéphane Belmondo and worked with them as a sideman.

The desire to excel and progress in his music encouraged him to enter several international piano competitions and in July 2008 he is rewarded with a place to the Semifinal Jazz Piano Competition at the “Montreux Jazz Festival,” and in 2010 at the “Martial Solal International Jazz Piano Competition” in Paris. Soon after, Grégory creates a new more personal band that leads him to play his compositions at major jazz clubs in Paris. Thanks to this, in 2011 he releases his first album called “Ki Koté”.

After “Ki Koté” which has been pointed out by the media and the public in 2013, Grégory releases his second album “Tales of Cyparis”, on the record label “Plus Loin / Abeille Musique.” “Tales of Cyparis” is an illustration of the story of Louis-Auguste Cyparis, a former sailor and one of the rare survivors of the tragic eruption of Mount Pelée that destroyed Saint-Pierre, former capital of Martinique in 1902. This album takes Grégory among the most prominent musicians of the new Jazz scene.

On January 26, 2015 this status is strengthened when he records his third studio album: “Luminescence” on the record label “Jazz Family.” In this one Grégory teams up to form a duo with his friend Sonny Troupé, drummer, percussionist and great master of “Gwo Ka” (Traditional music from Guadeloupe based on a percussion called “Ka”). This album is the result of the perfect chemistry between the two musicians and at the same time a real poetry between the piano and the ka.

Booklet for Family Tree