Schubert Sonate Arpeggione D821 / Sonatina, D384 - Lieder transcriptions Anne Gastinel & Claire Desert
Album info
Album-Release:
2013
HRA-Release:
02.09.2014
Label: Naive
Genre: Classical
Subgenre: Concertos
Artist: Anne Gastinel & Claire Desert
Composer: Franz Peter Schubert (1797-1828)
Album including Album cover
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- 1 I. Allegro moderato 11:52
- 2 II. Adagio 04:29
- 3 III. Allegretto 09:08
- 4 No. 4. Standchen (Serenade) (arr. A. Gastinel for cello and piano) 03:53
- 5 An die Musik, Op. 88, No. 4, D. 547 (arr. A. Gastinel fo cello and piano) 02:06
- 6 I. Allegro molto 04:52
- 7 II. Andante 04:17
- 8 III. Allegro vivace 04:22
- 9 Am Tage aller Seelen, D. 343, Litanei auf das Fest aller Seelen (arr. A. Gastinel for cello and piano) 02:54
- 10 Die Forelle, D. 550 (arr. A. Gastinel for cello and piano) 02:13
- 11 No. 13. Der Doppelgänger (arr. A. Gastinel for cello and piano) 04:44
- 12 Auf dem Wasser zu singen, Op. 72, D. 774 (arr. A. Gastinel for cello and piano) 03:25
- 13 Winterreise, Op. 89, D. 911: No. 19. Tauschung (arr. A. Gastinel for cello and piano) 01:25
- 14 Die schöne Müllerin, Op. 25, D. 795: No. 19. Der Müller und der Bach (arr. A. Gastinel for cello and piano) 03:28
Info for Schubert Sonate Arpeggione D821 / Sonatina, D384 - Lieder transcriptions
In 2005 Anne Gastinel and Claire Désert recorded this Schubert programme and were rewarded with a RTL d’or and a Gramophone Editor’s Choice.
The magic of this iconoclastic programme (Anne Gastinel transcribed the lieder herself) lies in assimilation rather than imitation. The cello absorbs sonata, sonatina and lieder as though they had all been written for it: in fact it is the cello that has saved the sonata for posterity now that the arpeggione is long forgotten.
Since winning the Rostropovich Competition in 1990, Anne Gastinel, has had scant regard for her “classical” image. Through her close rapport with pianist Claire Désert she has recreated a repertory of songs by a composer that she loves, without the absence of words taking anything away from the capacity to move. “Delicate, fine, natural. Never overstated, never the slightest trace of sentimentality, yet constantly singing, [this performance] is, warm and noble”, wrote Le Nouvel Observateur.
Anne Gastinel, cello
Claire Désert, piano
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