Mendelssohn: Symphony No. 2 London Symphony Orchestra & John Eliot Gardiner

• Felix Mendelssohn (1809 - 1847) Symphony No. 2 in B-Flat Major, Op. 52, MWV A18, "Lobgesang" (Hymn of Praise):
• 1 I. Sinfonia: Maestoso con moto 11:47
• 2 I. Sinfonia: Allegretto un poco agitato 06:06
• 3 I. Sinfonia: Adagio religioso 06:25
• 4 II. Alles was Odem hat (Chorus) 04:09
• 5 II. Lobe den Herrn meine Seele (Soprano, Chorus) 02:44
• 6 III. Recitative: Saget es, die ihr erlöst seid (Tenor) 00:52
• 7 III. Er zahlet unsre Tränen (Tenor) 02:17
• 8 IV. Sagt es, die ihr erloset seid (Chorus) 01:47
• 9 V. Ich harrete des Herrn (2 Sopranos, Chorus) 05:28
• 10 VI. Stricke des Todes hatten uns umfangen (Tenor) 04:04
• 11 VI. Die Nacht ist vergangen (Soprano) 04:17
• 12 VIII. Chorale: Nun danket alle Gott (Chorus) 01:33
• 13 VIII. Chorale: Lob, Ehr' und Preis sei Gott (Chorus) 02:56
• 14 IX. Drum sing' ich mit meinem Liede (Soprano, Tenor) 04:16
• 15 X. Ihr Volker! bringet her dem Herrn (Chorus) 05:22
• Total Runtime 01:04:03

Info for Mendelssohn: Symphony No. 2

Bringing his acclaimed Mendelssohn cycle to a rousing conclusion, John Eliot Gardiner presents the composer’s symphony-cantata, Lobgesang. Mendelssohn wrote that the piece ‘lies very near my heart’, and with its stately grandeur and religiosity, plus its sheer magnitude – double the length of any of his other symphonies – it stands amongst his most impressive works. Posthumously categorised by editors as the composer’s second symphony, it is also known as a ‘song of praise’ and three talented soloists join the LSO and the world-class Monteverdi Choir for this recording.

While Gardiner is well-versed in the German’s output, this release documents his first performance of the work. In an interview for The Arts Desk, he said: It’s a piece I’ve been looking at for years, and I’ve never conducted it. I was a bit sceptical at first, thinking that it was the torso of a symphony with a cantata bolted on. But it isn’t. It’s a delight. It has a lot of the inventiveness and sheer melodic flow of the young Mendelssohn and it’s perfectly calibrated and constructed.’

This is the perfect end to an exploration of a composer whose music known the world over, but also has so much more to offer. Summing up his feelings at the end of the project, Gardiner said: ‘My admiration for Mendelssohn has gone up enormously, as a result of really digging deep into these symphonies...it’s so rewarding with this group of players, they’re willing to go to the last enth degree, in terms of detail of phrasing and articulation, and that’s a joy.’

Lucy Crowe, soprano
Michael Spyres, tenor
Jurgita Adamonytė, mezzosoprano
London Symphony Orchestra
John Eliot Gardiner, conductor

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