Eric Alexander
Boasting a warm, finely burnished tone and a robust melodic and harmonic imagination, tenor saxophonist Eric Alexander has been exploring new musical worlds from the outset. He started out on piano as a six-year-old, took up clarinet at nine, switched to alto sax when he was 12, and converted to tenor when jazz became his obsession during his one year at the University of Indiana, Bloomington (1986-87). At William Paterson College in New Jersey he advanced his studies under the tutelage of Harold Mabern, Joe Lovano, Rufus Reid, and others. "The people I listened to in college are still the cats that are influencing me today," says Alexander. "Monk, Dizzy, Sonny Stitt, Clifford Brown, Sonny Rollins, Jackie McLean, Joe Henderson--the legacy left by Bird and all the bebop pioneers, that language and that feel, that's the bread and butter of everything I do. George Coleman remains a big influence because of his very hip harmonic approach, and I'm still listening all the time to Coltrane because I feel that even in the wildest moments of his mid- to late-Sixties solos I can find these little kernels of melodic information and find ways to employ them in my own playing."

During the 1990s, after placing second behind Joshua Redman in the 1991 Thelonious Monk International Saxophone Competition, Alexander threw himself into the whirlwind life of a professional jazz musician. He played with organ trios on the South Side of Chicago, made his recording debut in 1991 with Charles Earland on Muse Records, and cut his first album as leader in 1992 (Straight Up for Delmark). More recordings followed for numerous labels, including Milestone and others, leading to 1997's Man with a Horn; the 1998 collaborative quartet session with George Mraz, John Hicks, and Idris Muhammad, Solid!; and, that same year, the first recording by One For All, Alexander's ongoing band with Jim Rotondi, Steve Davis, Joe Farnsworth, Peter Washington, and Dave Hazeltine.

Eric has appeared in many capacities on record, including leader, sideman, producer as well as composing a number of the tunes he records. By now, Alexander has lost count of how many albums feature his playing; he guesses 80 or 90. While he has garnered critical acclaim from every corner, what has mattered most has been to establish his own voice within the illustrious bop-based jazz tradition.

In 2004, Eric signed an exclusive contract with the New York-based independent jazz label, HighNote Records where he has amassed a considerable discography of critically-acclaimed recordings. Most recent among them is “Chicago Fire” HCD 7262, “The Real Thing” with Pat Martino HCD 7278 and “Second Impression” HCD 7296. Eric’s most recent HighNote release, “Song of No Regrets,”(HCD 7311) was featured in Downbeat’s “Hot Box”. He is currently working on a new recording project which will see commercial release in mid-2019.

Eric continues to tour the world over to capacity audiences. Using NYC as his home base he can regularly be seen in the city’s most prestigious jazz clubs.

Mike LeDonne
started playing piano at the age of 5 and was raised in his parent’s music store. By the age of 10 his father, a jazz guitarist, began booking him on gigs. He is now an internationally renowned pianist and organist with the unique experience of having played with a wide spectrum of jazz masters from Benny Goodman to Milt Jackson and Sonny Rollins. He has won praise not only from critics but from master musicians: Oscar Peterson picked him as one of his favorite pianists of today.

At age 21, Mike graduated from New England Conservatory in 1979 and moved to New York City with the Widespread Jazz Orchestra. In 1981, he left Widespread to travel to the UK with Panama Francis and the Savoy Sultans. On returning, he began a two-year stint as the house pianist at Jimmy Ryan’s, then one of New York’ s oldest jazz clubs. It was there that he came under the influence of and played with many old masters such as Roy Eldridge, Papa Jo Jones and Vic Dickenson. He spent 1982-1983 with the Benny Goodman sextet and went on to play with Buddy Tate, Al Grey, Ruby Braff and many others. Later he worked 1 year with the Art Farmer-Clifford Jordan Quintet, went to Paris with Grady Tate, and played with more modern masters like James Moody, Dizzy Gillespie, Stanley Turrentine, Charles McPherson, Sonny Rollins and Bobby Hutcherson. He also spent time as accompanist to singers Ernestine Anderson, Annie Ross and Etta Jones.

In 1988 he started playing with the Milt Jackson Quartet (along with Mickey Roker and Bob Cranshaw). Mr. Jackson recorded Mike’s compositions and arrangements. Mike also became the band’s musical director. In the fall of 1992, Mike was chosen to be part of a group of top young musicians for the Phillip Morris Superband World Tour. Mike served as musical director for that group, which featured Ryan Kisor on trumpet, Joshua Redman on tenor saxophone, Jesse Davis on alto saxophone, Christian McBride on bass and Lewis Nash at the drums. Around this time, Mike toured with the Newport All-Stars in lineups that featured Harry “Sweets” Edison and Clark Terry. Mike has been playing and recording with Benny Golson since 1997. He has also been leading trios that have included greats like Ron Carter, Jimmy Cobb, Billy Hart, Pete LaRoca and Louis Hayes.

Mike is on over 100 CD’s as a sideman and starting in 1988 recorded his first of 16 CD’s as a leader. Five on Criss Cross Jazz, three on Double Time Records, seven on Savant and one on Cellar Live. Many of hem award winning and include the greatest musicians around today including Tom Harrell, Gary Smulyan, Dennis Irwin, Kenny Washington, Steve Nelson, Ryan Kisor, Jim Rotondi, Joshua Redman, Lewis Nash, Peter Washington, Peter Bernstein, Eric Alexander, Jeremy Pelt, Joe Farnsworth, John Webber, Bob Cranshaw, Mickey Roker and Ron Carter.

In 2003 Mike recorded his first CD as a leader on the Hammond Organ, an instrument he’s been playing since he was 10. It documented the music of his organ band The Groover Quartet with Eric Alexander, Peter Bernstein and Joe Farnsworth. The CD went to #1 and together they’ve held down a now legendary gig on Tuesday nights at Smoke in NYC. He has since released 3 more CD’s of this band, on the Savant label, which he calls The Groover Quartet. They’ve toured in Europe and Japan as well as the States. Mike also caught the ears of George Coleman, Lou Donaldson and David Fathead Newman who all hired him to play organ in their bands. The Jazz Journalists Association nominated Mike for Best Keyboards 2012 for his “Keep The Faith” CD. Also in 2012, Mike won the Downbeat Rising Star Award for Organ.

Mike is the co-author of Jim Snidero’s Jazz Conception for Piano and Piano Comping books, on Advance Music. In Sept. In 2002 he joined the faculty at the Juilliard School of Music and spent 4 years there. He is also one of the founders of the Jazz For Teens program at the New Jersey Performing Arts Center in Newark, N.J.