Sparkle And Fade (Remastered) Everclear

• 1 Electra Made Me Blind 03:44
• 2 Heroin Girl 02:23
• 3 You Make Me Feel Like A Whore 02:46
• 4 Santa Monica 03:14
• 5 Summerland 03:43
• 6 Strawberry 02:34
• 7 Heartspark Dollarsign 02:52
• 8 The Twistinside 04:37
• 9 Her Brand New Skin 02:02
• 10 Nehalem 01:54
• 11 Queen Of The Air 03:00
• 12 Pale Green Stars 04:17
• 13 Chemical Smile 01:50
• 14 My Sexual Life 03:49
• Total Runtime 42:45

Info zu Sparkle And Fade (Remastered)

A combination of the same classic '70s rock that drives Foo Fighters or Queens Of The Stone Age and the melodic punk that inspired Nirvana, Everclear emerged on the pop culture landscape as part of the wave The Pixies and Husker Dü ushered in, a time when abrasive guitars aligned with naked emotional expression to beat back the scourge of vapidity. Everclear shifted the culture alongside bands like Smashing Pumpkins, The Toadies and Weezer; all diverse acts who shared a forceful authenticity. Frontman Art Alexakis has been candid about his past. His dad split when he was young. He and his mother lived in housing projects. He lost those closest to him to drugs and suicide and nearly lost himself in both, as well. This isn't the stuff of VH1's Behind The Music - this is the man's life pre-music, a life he's cracked open and explored in his art. It's there in "Heroin Girl," from the band's platinum commercial breakthrough, Sparkle and Fade (1995) and further hit singles "Santa Monica," and "Heartspark Dollar Sign," and it still resonates 20 years later.

"Everclear's major-label debut is a tough, melodic set of gnarled post-punk hard rock. An easy comparison is Nirvana, but Everclear's music is closer to the country-rock leanings of Screaming Trees -- underneath their loud, grungy guitars there is a distinct rootsiness lacking in most Seattle bands and that gives Sparkle and Fade its edge." ( Stephen Thomas Erlewine, AMG)

Art Alexakis, guitar, vocals
Greg Eklund, drums
Craig Montoya, bass

Produced by Art Alexakis

Digitally remastered

Everclear
Considering Everclear has written and recorded some truly iconic ’90s alt-rock hits, it would be all too easy these days for the band to be a victim of its past successes, relegated to performing as a glorified jukebox, existing to satisfy the nostalgic cravings of Gen Xers everywhere. But singer-guitarist Art Alexakis isn’t about to start phoning it in now.

Although the band hasn’t released a new studio album since 2015’s triumphant Black Is The New Black, Everclear continues to tour actively. And while it’s a virtual surety that no Everclear gig is complete without a rendition of “Santa Monica” and “Father of Mine,” lately the band has found that exploring the full range of past material—especially the “deep cuts”—not only gives fans a rare treat, it also injects new life into the band’s live dynamic.

“By mixing it up and digging into the catalogue, it still makes it fun and relevant for us, and I think for the fans as well,” says Alexakis. “It’s still important to play the hits, but by playing those other songs as well, it makes it all seem more vibrant and real. Even though I recorded some of those songs 20 years ago, I haven’t played them in a long time, so it’s like reinventing the wheel. I’m having more fun now than I have in years. I think all of us are.”

Formed by Alexakis in 1991 in Portland, Oregon, Everclear has enjoyed a lengthy career spanning 11 studio releases, numerous videos, thousands of shows and accolades that include a 1998 Grammy nomination. Like a true survivor, Alexakis has soldiered on through multiple lineup changes over the years: During the “classic” era, the band also included Craig Montoya on Bass and Greg Eklund on drums; the current touring lineup features longtime members Dave French (guitar) and Freddy Herrera (bass), as well as drummer Brian Nolan (also with American Hi-Fi), who has performed with Everclear on multiple past tours.

Everclear spent May and June of 2017 touring in honor of the 20th anniversary of So Much For The Afterglow, the band’s massively successful sophomore major-label release. The 40-date run was an incredibly emotional and personally satisfying experience for Alexakis, who was able to perform obscure cuts from that time period for the first time in many years. Connecting with fans in that setting also reinforced the lasting impression the album has made.

“The tour was phenomenal. It left me and the band stunned at how important that record was to so many people, and to be a part of that, both then and now,” says Alexakis. “The legacy of it is still vibrant for so many people. It was great just watching people react when we were playing not just the hits, but deeper songs on that record. I always liked the deeper songs—they were usually my favorite songs—and when the band would play those, it would be really exciting and important for me. That was fun, seeing that reaction, and just talking to people after the show.”

Prior to that, Everclear experienced a career resurgence thanks to 2015’s Black Is The New Black, which not only proved the band could still rock, but also that Everclear remains creatively relevant, decades after their platinum years. As is common for many artists these days, Black didn’t set records for traditional album sales, but the release did see significant streaming activity and sparked a heightened social media presence, putting the group firmly back in the listening public’s mind. The band continues to ride this latest wave of interest.

“I personally think [Black] is one of the best records Everclear has ever made,” Alexakis says. “It sounds like both old Everclear and new Everclear: It has a contemporary production sound, but it’s just old-school, angry rock songs. It’s kind of dark, very reminiscent of the early stuff. The sales weren’t great on it, but a lot of people streamed it. It got millions and millions of streams, so people were listening to it, and it resonated.” “We might make another record in a couple years,” he says. “Maybe later on this year I’ll feel like it. I don’t know yet.”

That said, the band’s live itinerary certainly makes up for its recent studio absence. Alexakis is excited to revisit songs from fan favorite records like Afterglow, Sparkle and Fade and the double album Songs From The American Movie, but also compositions from more underrated collections, like 2012’s Invisible Stars.

“There are people asking for songs, so we’ll just try and learn songs as we go,” Alexakis says. “If we get a lot of response from people to play a certain song, we’re going to learn it and go on the road and play it. You don’t think, ‘Wow, I can’t sing that high anymore.’ We’re not going to worry about it. We’re going to play some rock n’ roll, and just do it.”

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