Handel: Orlando Bejun Mehta
Album Info
Album Veröffentlichung:
2014
HRA-Veröffentlichung:
19.04.2014
Label: Deutsche Grammophon (DG)
Genre: Classical
Subgenre: Opera
Interpret: Bejun Mehta, B’Rock Baroque Orchestra & René Jacobs
Komponist: George Frideric Handel (1685-1759)
Das Album enthält Albumcover Booklet (PDF)
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- 1 Ouverture 04:49
- 2 1. Acc. Gieroglifici eterni 02:21
- 3 2. Cavatina Stimulato della gloria 01:58
- 4 Rec. Purgalo ormai / 3. Sinfonia / Rec. Mira 01:46
- 5 4. Aria Lascia Amor 03:54
- 6 5. Acc. Imagini funeste / 6. Aria Non fu già 06:58
- 7 7. Acc. Quanto diletto / Rec. Io non so / 8. Acc e Rec. Itene pur 02:54
- 8 9. Aria Ho un certo rossore 03:10
- 9 Rec. M'hai vinto al fin / 10. Duettino Ritornava al suo bel viso / Rec. Spera, mio ben 03:04
- 10 11. Aria Chi possessore / Rec. Ecco Dorinda 04:49
- 11 12. Aria Se'l cor mai ti dirà 03:42
- 12 Rec. Povera me! / 13. Aria O care parolette / Rec. Noti a me sono 04:10
- 13 Rec. Noti a me sono 02:52
- 14 14. Aria Se fedel vuoi 04:08
- 15 Rec. T'ubbidiro / 15. Aria Fammi combattere 04:02
- 16 Rec. Angelica, deh ! lascia... 02:19
- 17 16. Terzetto Consolati, o bella 04:51
- 18 17. Cavatina Quando spieghi / Rec. Perchè, gentil Dorinda 04:44
- 19 18. Aria Se mi rivolgo al prato 05:44
- 20 Rec. È questa la mercede / 19. Aria Cielo! se tu il consenti 04:58
- 21 Rec. A qual rischio vi espone / 20. Aria Tra caligini profonde 05:02
- 22 Rec. Da queste amiche piante / 21. Aria Verdi allori 05:50
- 23 Rec. Dopo tanti perigli / 22. Aria Non potrà dirmi ingrato / Rec. Dove guidate 05:38
- 24 23. Aria Verdi piante 07:28
- 25 Rec. Ah! perfida / 24. Acc. Ah! stigie larve 09:39
- 26 25. Sinfonia / Rec. Di Dorinda alle mura 02:13
- 27 26. Aria Vorrei poterti amar 03:06
- 28 Rec. Più obbligata gli sono / 27. Aria e Rec. Unisca amor in noi 03:55
- 29 28. Già lo stringo 02:10
- 30 Rec. Di Dorinda all'albergo / 29. Aria così giusta è questa speme 05:44
- 31 Rec. S'è corrisposto un core / 30. Aria Amor è qual vento 05:34
- 32 Rec. Impari ogn'un da Orlando / 32. Aria Sorge infausta une procella 05:44
- 33 Rec. Dorinda, e perchè piangi? 01:50
- 34 33. Duetto Finchè predi ancora il sangue / Rec. Vieni! Vanne precipitando / 34. Acc.Già per la man d'Orlando 04:42
- 35 35. Arioso Già l'ebbro mio ciglio 04:23
- 36 Rec. Ecco il tempo prefisso / 36. Acc. Tu, che dal gran Tonante / 37. Sinfonia / Rec. Ah! che fate, Signor? 03:05
- 37 Rec. Dormo ancora, o son desso? / 38. Duettino Per far, mia diletta / Rec. Che vedo, oh Dei! 03:49
- 38 39. Acc. Vinse incanti / 40. Coro Tronfa oggi'l mio cor 02:56
Info zu Handel: Orlando
Just as in Alcina and Ariodante, Handel's Orlando was inspired by Ludovico Ariosto's Orlando furioso. Orlando is desperately in love with the pagan princess Angelica, who is in turn in love with an African prince; in this hopeless situation Orlando is driven to madness from which only the magician Zoroastro can save him. Handel wrote this 'opera seria in tre atti' for a small orchestra of only five soloists when he was at the height of his opera career. As the theme appealed more to the aristocracy than the middle classes, the work was only moderately successful in the 18th century, but since its rediscovery in the 20th century it has become one of the most frequently performed operas, in particular due to its incredible scene of madness. The use of period instruments conducted by the great Handel expert and baroque specialist René Jacobs goes hand in hand with the contemporary interpretation of stage director Pierre Audi.
„The success that Jacobs has achieved could never have happened without the sheer vitality of his music making.“ (The New York Times)
„One thing is for sure: whether you like Baroque opera or not, you will never be bored by an opera conducted by René Jacobs. By shaking up convention with his subtle readings, sometimes even rewriting the composer s score, the Belgian conductor is the one of those rare few who always find an elegant way to bring the repetitive mannerisms of the Baroque to life.“ (Bachtrack.com)
„The title role, written for the legendary castrato Senesino, is sung by its finest modern exponent, Bejun Mehta, one of the most commanding, exhilarating countertenors of the modern era.“ (New York Times)
Bejun Mehta, Countertenor
Lenneke Ruiten, Soprano
Sophie Karthäuser, Soprano (in Beaune and Bruges)
Kristrina Hammarström, Mezzo-soprano
Sunhae Im, Soprano
Konstantin Wolff, Bass-baritone
Baroque Orchestra B'Rock
René Jacobs, Conductor
Keine Biografie vorhanden.
Booklet für Handel: Orlando