Falla, Poulenc & Bacarisse: Harpsichord Concertos Silvia Márquez

• Manuel de Falla (1876 - 1946): Falla: Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin & Cello:
• 1 Falla: Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin & Cello: I. Allegro 03:23
• 2 Falla: Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin & Cello: II. Lento. Giubiloso ed energico 06:34
• 3 Falla: Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin & Cello: III. Vivace. Flessibile, scherzando 04:29
• Francis Poulenc (1899 - 1963): Poulenc: Concert champêtre, FP 49:
• 4 Poulenc: Concert champêtre, FP 49: I. Allegro molto 11:00
• 5 Poulenc: Concert champêtre, FP 49: II. Andante 06:54
• 6 Poulenc: Concert champêtre, FP 49: III. Finale. Presto 08:35
• Salvador Bacarisse (1898 - 1963): Bacarisse: Concerto pour clavecin et petit orchestre, Op. 124:
• 7 Bacarisse: Concerto pour clavecin et petit orchestre, Op. 124: I. Allegro con brio 05:50
• 8 Bacarisse: Concerto pour clavecin et petit orchestre, Op. 124: II. Grave 03:07
• 9 Bacarisse: Concerto pour clavecin et petit orchestre, Op. 124: III. Allegro 05:06
• Total Runtime 54:58

Info zu Falla, Poulenc & Bacarisse: Harpsichord Concertos

In addition to including three harpsichord concertos composed in the 20th century, this album offers suggestive interweavings: The concertos by Falla and Poulenc were both composed for Wanda Landowska (1879-1959), the great Polish harpsichordist who decisively contributed to the rediscovery of much 17th- and 18th-century music and to the renaissance of the harpsichord, not only as an ancient instrument, but also as a source of inspiration for 20th-century musicians. Poulenc’s Concert champêtre is the immediate heir of Falla’s Concerto. Accordingly, in the orchestral score of Poulenc’s Concert belonging to Falla, we can read the following autograph dedication by the French composer: “For you, my dear Falla, the little brother of your so magnificent Concerto. Fr. Poulenc”. The three concertos share a neoclassical aesthetic, albeit from different approaches: in his Concerto Falla explores and uses the ancient sources of Hispanic music; Poulenc evokes the French Baroque; and Bacarisse adopts stylistic elements typical of the neoclassicism of the 1920s.

Silvia Márquez, harpsichord

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Booklet für Falla, Poulenc & Bacarisse: Harpsichord Concertos