Weber: Complete Chamber Music for Clarinet Davide Bandieri, Matteo Fossi & Quartetto Savinio

• Carl Maria Von Weber (1786 - 1826): Clarinet Quintet in B-Flat Major, Op. 34:
• 1 Weber: Clarinet Quintet in B-Flat Major, Op. 34: I. Allegro 10:31
• 2 Weber: Clarinet Quintet in B-Flat Major, Op. 34: II. Fantasia. Adagio ma non Troppo 05:34
• 3 Weber: Clarinet Quintet in B-Flat Major, Op. 34: III. Menuetto. Capriccio Presto 05:31
• 4 Weber: Clarinet Quintet in B-Flat Major, Op. 34: IV. Rondo. Allegro Giocoso 06:12
• Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33:
• 5 Weber: Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: I. Andante con Moto 01:45
• 6 Weber: Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: II. Variation I. 01:18
• 7 Weber: Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia 01:10
• 8 Weber: Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: IV. Variation III. Poco Adagio 03:06
• 9 Weber: Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: V. Variation IV. Tempo primo animato e con fuoco variation V. 02:43
• 10 Weber: Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: VI. Variation VI. Lento 03:05
• 11 Weber: Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: VII. Variation VII. Allegro 02:08
• Gran duo concertant in E-Flat Major, Op. 48:
• 12 Weber: Gran duo concertant in E-Flat Major, Op. 48: I. Allegro con Fuoco 08:52
• 13 Weber: Gran duo concertant in E-Flat Major, Op. 48: II. Andante con Moto 05:15
• 14 Weber: Gran duo concertant in E-Flat Major, Op. 48: III. Rondo. Allegro 06:44
• Total Runtime 01:03:54

Info zu Weber: Complete Chamber Music for Clarinet

Carl Maria von Weber had a special fondness for the clarinet, finding it the ideal instrument for expressing the profound Romanticism he had made his own.

He borrowed from a youthful composition, his opera Silvana completed at the age of 24, for his Opus 33 Clarinet variations. Encouraged by critics to rework the opera’s ‘overly instrumental’ vocal parts, he deleted two arias, but the following year reused the melody of the second of these for his Seven Variations for clarinet and piano Op.33 (1811). He develops the instantly hummable theme with its cheerful dotted rhythm stylishly, imaginatively and virtuosically, showcasing the full extent of the clarinettist’s abilities while also allowing the piano to shine in two of the seven variations. The piece was premiered in Prague at a private residence by Weber and his friend and touring partner Heinrich Bärmann, whom he had met a few months earlier in Darmstadt. The clarinettist Bärmann had instantly won Weber over with his prodigious technique and highly expressive sound.

In 1815, Weber left Prague for Munich to meet with Bärmann, and there he composed the second and third movements of what would become the Grand Duo concertant Op.48 with the addition of an opening movement in November 1816. In this work Weber gets the very best out of two quintessentially Romantic instruments, but – well aware of his own abilities (Weber was an excellent concert pianist, with exceptionally large hands) – he also challenges himself with a demanding piano part, presenting two co-protagonists ‘competing’ enthusiastically with one another through myriad arpeggios, scales and virtuoso passages.

Another piece from 1815, is the Quintet for clarinet and string quartet Op.34, premiered on 26 August at Bärmann’s home. While the first sketches date back to 1811, when Weber first met Bärmann and composed the Concertino Op.26, the two Concertos Opp. 73 & 74 and the aforementioned Seven Variations for him, he would continue working on it in 1812 in Munich and 1813 in Prague, before completing it in Munich in 1815.

The work is almost concerto-like, with the strings supporting the clarinet and falling away at just the right moment to allow it to express itself, before returning immediately afterwards, in a refined yet playful dialogue.

Carl Maria von Weber (1786-1826) marked the transition from the Classical to the Romantic period. His works, while adhering to the formal style of the Viennese School, abound in dramatic contrasts and glittering instrumental virtuosity. His instrumental works are hugely enjoyable, full of “Spielfreude” and many a good tune.

Weber had a special predilection for the clarinet: for him, it was the ideal instrument for expressing the romantic feelings inspired by a trip through the Swiss Alps - where the landscape had a profound effect on his poetic soul. From his friend Heinrich Baermann, the greatest clarinet virtuoso of his time, he learned the technical characteristics of the instrument and he wrote some exquisite works for it: the famous Quintet for clarinet and string quartet Op.34, the Grand Duo Concertant Op.48 and a set of variations on a theme from the opera Silvana.

Played by Italian master clarinetist Davide Bandieri, who played solo clarinet in the Lucerne Festival Orchestra and Mahler Chamber Orchestra conducted by Claudio Abbado. For this recording he secured the collaboration of such eminent instrumentalists as pianist Matteo Fossi and the Quartetto Savinio.

Davide Bandieri, clarinet
Matteo Fossi, piano
Quartetto Savinio

Davide Bandieri
was born in Florence, Italy in 1979. In 1997 he graduated from the Mascagni Institute in Livorno where he studied with Dario Goracci. He furthered his studies with clarinetists Fabrizio Meloni, Karl Heinz Steffens and Alessandro Carbonare in the Academy of the Arturo Toscanini Foundation in Bologna. In 2002 he received a Master of Music in chamber music at the Incontri col Maestro Academy in Imola where he formed a duo with pianist Luca Torrigiani and studied with Mº Pier Narciso Masi.

Since 2012 he is the Solo Clarinet of “Orchestre de Chambre de Lausanne“.

Since 2004 to 2011 he has occupied the position of principal Piccolo clarinet in the Madrid Symphony Orchestra (Orchestra of the Teatro Real).

He has performed with Luzern Festival Orchestra, Mahler Chamber Orchestra, Orchestra dell’Accademia nazionale di S. Cecilia, Orchestra del Maggio Musicale Fiorentino, Orchestra della Toscana, Orchestra del Teatro dell’Opera di Roma performing with maestros Claudio Abbado, Daniel Harding, Riccardo Muti, Giuseppe Sinopoli, Gianluigi Gelmetti, Bruno Bartoletti, Roberto Abbado, Lu Jia, Myung-Wung Chung, Pinchas Steinberg, Tugan Sohiev, Jiri Belohlavek.

In 2002 he won the First Prize in the Selmer Young Artists Competition.

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