Greatest Hits Amendola vs. Blades

• 1 Lima Bean 05:46
• 2 Slow Zig 07:27
• 3 Addis 06:18
• 4 32nd Street 07:31
• 5 Deep Eyes 04:41
• 6 Mae Mae 07:00
• 7 Oladipo 08:56
• Total Runtime 47:39

Info zu Greatest Hits

Wil Blades and Scott Amendola conjure various sonic deities though only a duo. For the past 10 years, their live shows have been generating a buzz around the San Francisco Bay Area. The two got their start as a group when Scott had the vision of performing Duke Ellington's Far East Suite in duo with Wil. While quite a daunting task translating a suite (originally written for a big band) into duo, the Hammond Organ had previously been used in the 1940s and 1950s to emulate the sound of big bands. With Wil's knowledge of this tradition and Scott s desire to push boundaries, they were able to pull it off in an explorative, yet cohesive manner. The duo continues to perform pieces from the Ellington suite, while also developing their original material. Their live performances are fun and playful, yet deeply musical. They can cover everything from Avant Garde to Funk, Bebop to Rock, sometimes within one song. In June 2015, at Duende in Oakland, CA, they set up shop for two nights and recorded in front of a live audience. The resulting release, entitled 'Greatest Hits', is due in October 2016 and will feature versions of both Scott and Wil's original compositions.

"By the time that cut concludes, bringing Greatest Hits to an emphatic conclusion, Wil Blades and Scott Amendola have proven themselves two artful, agile musicians who have imbued serious truth into this facetiously-titled effort of theirs. That, in turn, renders fully and completely justified the inclusion, at the very end, of the only audible audience response on the record, a hearty round of applause and hollers in keeping with the celebratory mood of this music." (AllAboutJazz)

"Lean and mean, the AMENDOLA vs. BLADES duo has firmly established itself as one of the liveliest acts in the Bay Area" (Forrest Dylan Bryant, Jazz Observer online)

Wil Blades, Hammond B-3, clavinet
Scott Amendola, drums, cymbals

Wil Blades
rom cookin’ with Blues legend John Lee Hooker, organ summits with B-3 master Dr. Lonnie Smith, television and radio appearances, Wil Blades is gaining critical acclaim and international recognition. Blades, a native Chicagoan, has become the San Francisco Bay Area’s first call organist and is rapidly gaining momentum internationally. He has been named “Rising Star” for organ in the Downbeat critics poll every year since 2006. Wil has been wowing audiences with groups such as “O.G.D.,” “Amendola Vs. Blades”, “Stanton Moore Trio”, “Steppin” and Billy Martin Wil Blades Duo". In 2007 Blades released his much anticipated debut record, “Sketchy”, on Doodlin’ Records. In addition to performing with legendary artists such as John Lee Hooker and Dr. Lonnie Smith, Wil has performed and recorded with Melvin Sparks, Idris Muhammad, Joe Louis Walker, Don Braden, Donald Harrison, Nicholas Payton, Karl Denson, Will Bernard, Scott Amendola, Charlie Hunter, Stanton Moore, Billy Martin, Anders Osborne, Jason Marsalis, Herlin Riley, Betty Joplin, Eddie Marshall, Herbie Lewis, and many others.

Born in 1979, Wil began playing drums at the age of 8, guitar at 13, and then found his true calling on Hammond B-3 at 19. While studying Jazz at New College of California with bassist Herbie Lewis, Wil landed weekly gigs at John Lee Hooker’s Boom Boom Room in San Francisco. Barely of legal age, veteran musicians, such as trumpeter Oscar Myers, took him under their wings. Being self-taught on organ, the weekly gigs proved to be the best lessons of all. In the years since, Wil has received tutelage from Jazz Organ master, Dr. Lonnie Smith. “Yeah, he does it...he’s on it. He is the future to carry on the legend, the legacy of the organ, [of] the B-3.”

Wil has kept the traditional sounds of Jimmy Smith, Larry Young, and “Groove” Holmes alive, while creating a more personal, modern sound. In Wil’s words, “I feel indebted to the tradition and masters of the Hammond Organ, but while trying to keep it going, I’m also focused on bringing my contemporary influences to the table.” His playing is rhythmic, funky and bluesy, yet his original compositions are harmonically intriguing and unique.

Wil currently leads his own groups around the San Francisco Bay Area, tours internationally and is dedicating his time to teaching the Hammond B-3 Organ privately. Current musical collaborations include groups with guitarist Will Bernard, Stanton Moore Trio and two different duo projects with drummers Scott Amendola and Billy Martin. Billy Martin and Wil Blades Duo debut record, “Shimmy”, is now out on Amulet/Royal Potato Family Records.

Scott Amendola
For Scott Amendola, the drum kit isn’t so much an instrument as a musical portal. An ambitious composer, savvy bandleader and capaciously creative foil for some of the world’s most inventive musicians, Amendola applies his rhythmic virtuosity to a vast array of settings. His closest musical associates include guitarists, Nels Cline, Jeff Parker, Charlie Hunter, Hammond B-3 organist Wil Blades, violinists Regina Carter and Jenny Scheinman, clarinetist Ben Goldberg, players who have each forged a singular path within and beyond the realm of jazz.

No project better displays Amendola’s big ears and musical ambitions than “Fade To Orange”, an orchestral piece commissioned as part of the Oakland East Bay Symphony’s Irvine Foundation-funded New Visions/New Vistas initiative. The roiling work premiered to critical acclaim at Oakland’s Paramount Theater on April 15, 2011.

As a sideman, Amendola has performed and recorded with a vast, stylistically varied roster of artists, including Bill Frisell, John Zorn, Mike Patton, Mondo Cane, John Scofield, Cibo Matto, John Dieterich from Deerhoof, Wadada Leo Smith, Bruce Cockburn, Madeleine Peyroux, Joan Osborne, Jacky Terrasson, Shweta Jhaveri, Phil Lesh, Sex Mob, Kelly Joe Phelps, Larry Klein, Carla Bozulich, Wayne Horvitz, Johnny Griffin, Julian Priester, Sonny Simmons, Pat Martino, Jim Campilongo, Bobby Black, Larry Goldings, Paul McCandless, Rebecca Pidgeon, and the Joe Goode Dance Group.

Over a career spanning more than three decades, Amendola has forged deep ties across the country, and throughout the world. As an ambitious composer, savvy bandleader, electronics explorer, first-call accompanist, and capaciously creative foil for some of the world’s most inventive musicians, Amendola applies his wide-ranging rhythmic virtuosity to a vast array of settings. He’s never more than one degree away from a powerful musical hook-up.

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