Beethoven: Piano Trios, Vol. 1 TrioVanBeethoven

• Ludwig van Beethoven (1770-1827): Piano Trio No. 1 in E-Flat Major, Op. 1 No. 1:
• 1 I. Allegro 09:53
• 2 II. Adagio 07:21
• 3 III. Scherzo: Allegro assai 05:01
• 4 IV. Finale: Presto 07:44
• Piano Trio No. 5 in D Major, Op. 70 No. 1 "Ghost Trio":
• 5 I. Allegro vivace e con brio 06:50
• 6 II. Largo assai ed espressivo 10:14
• 7 III. Presto 08:13
• Piano Trio in E-Flat Major, WoO 38:
• 8 I. Allegro moderato 04:32
• 9 II. Scherzo: Allegro ma non troppo 04:53
• 10 III. Rondo: Allegretto 05:26
• Total Runtime 01:10:07

Info zu Beethoven: Piano Trios, Vol. 1

Beethoven als Symbol der Verbundenheit mit den Meistern der Wiener Klassik, aber auch als Visionär und Ventil für Neues - dies passt zum "Haupt-Thema" des TrioVanBeethoven: Die Pflege der klassischen Trio-Literatur, aber auch Kompositionsaufträge für Uraufführungen oder Crossover-Projekte prägen seine Tätigkeit. Ungeachtet dessen verschreiben sich Clemens Zeilinger, Verena Stourzh und Franz Ortner mit ihrer ersten CD-Einspielung dem Namensgeber ihres Ensembles mit einem Bogen von Beethovens erstem gelisteten Werk, dem Klaviertrio in Es-Dur op. 1/1, dem noch zuvor entstandenen Trio Es-Dur WoO 38 (Werk ohne Opus) hin zu einem der bekanntesten Werke dieses Genres, dem Klaviertrio Nr. 5 in D-Dur op. 70/1, welchem ob seiner im langsamen Satz mitunter mystischen Stimmungen später der Beiname "Geister-Trio" gegeben wurde.

Warum „van Beethoven"? Beethoven steht für Unabhängigkeit im Denken, für das Revolutionäre, für das über seine Zeit Hinausweisende. So ist er einerseits Einzelgänger, andererseits zentrale Basis für viele Kompositionstraditionen der Zukunft, die sich auf ihn beriefen - wie zum Beispiel für die Achse von Brahms bis zu Schönberg.

In seinem Gründungsjahr 2011 gab das Trio sein Debut bei den renommierten Tagen der Alten Musik in Herne (Deutschland). Seither trat das Ensemble in Österreich, Deutschland, Italien, Frankreich, England, Polen, Serbien und Griechenland auf. In jüngster Zeit setzt das TrioVanBeethoven Schwerpunkte mit zwei Konzertreihen in Oberösterreich (Schloss Kremsegg) und in der Steiermark (Stift Rein). Für das renommierte österreichische Label Gramola bringt das Trio die Gesamteinspielung der Klaviertrios von Ludwig van Beethoven heraus.

TrioVanBeethoven

TrioVanBeethoven
Why „van Beethoven“? Beethoven stands for independence of mind, for revolutionary ideas, for music that reaches far beyond his own time. Beethoven was a “lone wolf”, but at the same time the central point of departure for new traditions of composing, like for example the line from Brahms to Schönberg. Beethoven as a symbol of the three musicians’ closeness to the works of the Viennese Classic, but also as a visionary and creator of a new mode of composing - this fits the main purpose of theTrioVanBeethoven: the care of the classical trio works, but also the commissioning of new compositions or Crossover projects.

Jointly with the the Scottish singers Lorna Anderson (soprano) and Jamie MacDougall (tenor), the TrioVanBeethoven puts a focus on Beethoven’s and Haydn’s folksong arrangements, in order to present this unique combination of classical music and folksong tradition to a broader public.

In its foundation year in 2011, the Trio held its debut at the renowned Festival Tage der Alten Musik in Herne (Germany). Since then, the ensemble has appeared in Austria, Germany, Italy, France, the UK, Poland, Serbia and Greece. In 2014, the TrioVanBeethoven has set accents with two concert series in Upper Austria (Kremsegg Castle) and Styria (Rein Monastery) to be continued this year. Besides the Trio will perform at the Klassikmusikfest Mühlviertel, at the International Brucknerfest Linz, in London (Kings Place), as well as in Italy, Slovenia, Belgium and Lithuania.

The ensemble is releasing a complete recording of the piano trios by Ludwig van Beethoven for the renowned Austrian label Gramola.

Clemens Zeilinger, 2011/12 “Artist in Residence” at the Brucknerhaus Linz, counts among Austria’s leading pianists. He was winner of the European Youth Musik Competition in Antwerp and won awards at the European Chamber Music Competition in the Hague and at the Beethoven Competition in Vienna. As soloist he performed with several renowned orchestras like the Orchestra of the Royal Academy in London, the Bruckner Orchester in Linz, the Mozarteum Orchestra in Salzburg and the Lower Austrian Symphony. He gave concerts in many European countries, in the USA and Japan as well as in Korea, Morocco, Iran and Oman.

In 2008, Clemens Zeilinger played all of Beethoven’s piano sonatas at the Brucknerhaus in Linz, in 2010 he presented a series of Schubert’s piano works at the same venue. He teaches at the University of Music in Vienna and at the Anton-Bruckner University in Linz.

Verena Stourzh was a member of the Haydn Trio Eisenstadt from 1998 to its disbanding in 2010 and has an impressive record of numerous concert appearances in Austria and abroad: She has performed at the Konzerthaus and the Musikverein in Vienna, at the Haydn Festival in Eisenstadt (annual subscription concerts), at the Cheltenham Festival in England, in Amsterdam (Concertgebouw), Basel (Stadtcasino), Paris (Louvre), London (King’s Place), Bonn (Beethovenfest), Potsdam (Musikfestspiele Sanssouci), New York City (Metropolitan Museum) and Washington, D.C. (Library of Congress), as well as in Canada, South America, South Africa, Australia and East Asia.

As violinist of the Haydn Trio Eisenstadt Verena Stourzh has presented complete CD-recordings of the piano trios of Haydn, Mozart, Beethoven and Schubert as well as the first complete recording of Haydn’s 429 folksong arrangements of Scottish and Welsh folk songs (with Lorna Anderson and Jamie MacDougall).

Franz Ortner very early established his reputation as soloist and member of chamber music ensembles. He is prize winner of the International Brahms Competition 2004 and the „Gradus ad Parnassum“ Cello Competition in 2005. Furthermore he was recipient of a stipend of the Lucerne Festical Academy directed by Pierre Boulez.

2006-2008 he was the principal cellist of the Lisbon Metropolitan Orchestra (Portugal), 2009-2014 he held the position of first cellist of the Esbjerg Ensemble in Denmark, currently he is a member of the Musikkollegium Winterthur.

In 2010 Franz Ortner released a CD with french pianist Caroline Boirot comprising works of Brahms, Fuchs, Kirchner and Schumann, in 2011 he recorded a live-CD featuring Antonin Dvořák’s cello concerto with the Kammerorchester Niederösterreich (Austria).

As a soloist he has recently appeared with the Chamber Orchestra Miskolc (Hungary), the Philharmonie Bad Reichenhall (Germany) and the Kammerorchester Rheinland-Pfalz (Germany). In 2013 he made his debut with the Estonian National Symphony Orchestra.

Booklet für Beethoven: Piano Trios, Vol. 1