Unity Remixes The KVB

• 1 Blind (Drab Majesty Remix) 05:23
• 2 Unbound (Moa Moa Remix) 03:28
• 3 Structural Index (The KVB After-Hours Version) 07:25
• 4 Lumens (Trentemøller Remix) 04:05
• 5 Unité (Principleasure Remix) 05:43
• 6 Ideal Living (maXIon Remix) 05:26
• Total Runtime 31:30

Info zu Unity Remixes

The KVB releases a remix EP that includes reworks from Drab Majesty, trentemøller, Moa Moa, Principleasure, maXlon and the band themselves.

“It is always fascinating for us to hear other artists remix our work and each one of these remixes takes our tracks in its own unique electronic direction, without ever losing the sense of the original song. We were also glad to continue our tradition of reinterpreting one of our own tracks on ‘Structural Index (After Hours Version)’, which is something we have done for each of our last three albums. We strongly suggest turning these up loud and losing yourself in the rhythms of a new kind of Unity.”

Underground coldwave duo The KVB are back with their most potent and immediate record yet. Produced and mixed by Andy Savours (Black Country New Road, My Bloody Valentine, The Horrors) ‘Unity’ represents an exciting development in the band’s sonic journey.

The initial writing sessions for the album took place in Spain in early 2019, where the duo found influence from “half built luxury villas, still unfinished from the crash in 2008. There was something eerie and beautiful about the desolate landscapes and concrete in the sunshine.” There has always been an element of dystopia through their sound, but now there is also more of a rapturous release.

Throughout the album lyrical themes combine double meanings and a sleight of hand is present; Le Corbousier’s brutalist ‘Unité d’habitation’ informs the title track and via the French-to-English translation ‘Unité' becomes ‘Unity’ - a rallying cry to totality on the dancefloor. ‘Unbound’ is informed by the classic shoegaze stylings of Slowdive and Ride but also late-modern poet Keston Sutherland and the idea of recreating a special moment lost to the past . Beginning with a blast of electronic drums, lead single ‘World on Fire’ instantly kicks in with a euphoric blend of guitars and synths beneath Nicholas Wood’s and Kat Day’s breathy-yet-powerful vocal duet. Second single ‘Unité’ is built around a pulsing synth arpeggio that wouldn’t sound out of place on Trans Europe Express, but is augmented by detached, deadpan vocals and dream-pop sonics.

The KVB
Blending reverb-soaked shoegaze with minimalist electronic production, the KVB's music reflected Nicholas Wood and Kat Day's mastery of atmosphere even as their sound evolved over the course of the 2010s. Early releases such as 2012's debut album, Always Then, dealt in brittle beats and sonic blasts that evoked Cabaret Voltaire and the Jesus and Mary Chain in equal measure, but the duo's style became more streamlined and sharp-edged on later efforts such as 2018's Only Now Forever.

Formed in 2010 by singer/songwriter/multi-instrumentalist Nicholas Wood as a solo project, the KVB got started with a number of limited cassette and vinyl releases that included the single "The Black Sun" on FLA Records and the Into the Night EP on Downwards Records. Vocalist/keyboardist/visual artist Kat Day joined Wood in 2011, and the KVB released its debut album, Always Then, in 2012 on Clan Destine Records. The duo kicked off a busy 2013 with the release of its second full-length, Immaterial Visions, for the Minimal Wave imprint Cititrax that February, then followed it with a remix EP featuring contributions by Regis and Silent Servant that May; in November, a reissue of 2011's previously limited-edition cassette release Minus One arrived on Brian Jonestown Massacre mastermind Anton Newcombe's A Records label.

The following year, the duo ventured to Newcombe's Berlin studio to track what would become the Out of Body EP, which A Records released later that year. This session marked the KVB's first recordings made outside of the duo's own home studio as well as the first time working with drummer Joe Dilworth, known for his work with Stereolab and Cavern of Anti-Matter. Wood and Day collected some of the more experimental output they recorded in 2014 on Mirror Being, which Invada released the following June. The duo continued to move in a more experimental, heavily electronic direction on 2016's Of Desire, which the KVB recorded with vintage synths from Invada head Geoff Barrow's collection. The Fixation/White Walls EP followed in 2017, and that year the duo also issued a remastered, five-year anniversary edition of Always Then. For 2018's Only Now Forever, Day and Wood took a freer, more independent approach, recording on their own in their Berlin apartment for the better part of a year. (Heather Phares, AMG)

Dieses Album enthält kein Booklet