To Begin at the Beginning Tony Gould & Carl Mackey

• 1 The Italians 04:49
• 2 Ravel 03:49
• 3 Resolution 05:32
• 4 Touch Her Soft Lips And Part 05:11
• 5 The French 03:42
• 6 Time Passes. Listen 06:23
• 7 The Irish 04:11
• Total Runtime 33:37

Info for To Begin at the Beginning

A former Head of Music at the Victorian College of the Arts Tony has had a profound influence on many musicians through his open minded approach and encouraging individuality as a musician develops. He's been a professional musician and pianist since the '60s having performed and recorded with Brian Brown, Ted Vining, John Sangster, Graeme Lyall, John Hoffman, Peter Petrucci and many others. As well as being the recipient of the Don Banks Music Award he has also recorded many albums as a leader and collaborator. As our Artist in Residence Tony has chosen some of his projects alongside some favourite musicians such as Miles Davis, Bill Evans, Oscar Peterson, Keith Jarrett as well as Australians including Colin Hopkins, Tim Stevens, James Sherlock, Andrea Keller and many more.

Tony Gould, piano
Carl Mackey, saxophone

Tony Gould
has received many accolades for his contribution to music In Australia, the most recent being the prestigious Don Banks Award from the Australia Council for the Arts. In 2008 he was awarded an Order of Australia (AM).

He has performed with and accompanied many internationally renowned artists including Clark Terry, Mark Murphy, Ernestine Anderson, Ronnie Scott, David Jones, Don Burrows, John Sangster, Graeme Lyall, John Hoffman and Bobby Shew. He has been guest artist with the Melbourne Symphony Orchestra, Orchestra Victoria, Queensland Philharmonic Orchestra and appeared as associate artist with the Art Ensemble of Chicago, Dave Brubeck, Sarah Vaughan, the LA Four and many others.

Among a long list of recordings (which include many of his own works from quartet to large orchestral pieces, embracing both classical music and African American genres) is an album of Australian poetry and music with the renowned Australian actor John Stanton. Gould also wrote the music for and collaborated with Stanton in a concert performance of Dylan Thomas’ Under Milkwood. and most recently in 2009 the highly acclaimed theatre piece, And When He Falls. In April 1996 he released a CD trilogy of original music, compositions across a wide spectrum of musical genres, including works for concert and film.

His CD River Story, with guitarist Peter Petrucci, received an ARIA Award nomination as did his earlier Concerto for Saxophones and Orchestra titled The Subtlety of Time. Gould and Petrucci received a Playing Australia grant 2001 and have recorded a second CD titled From Within. and collaboration with the brilliant trumpeter Keith Hounslow McJad Goes Organic (Church Organ and Trumpet,) two CDs with the brilliant young Australian singer, Emma Gilmartin, titled Tomorrow Just You Wait and See and Home, and as solo artist with John Hoffman’s orchestra on the recording titled Pianamente.

His latest solo piano recording on ABC Classics titled At the End of the Day was released to critical acclaim in April 2005, and a recording with the noted New York saxophonist/flautist Andrew Sterman (Phillip Glass Ensemble) is in production. A recording was released in 2008 with the eminent American composer/pianist David Ward-Steinman, with original works, and two major compositions for two pianos by John Lewis (Modern Jazz Quartet) and the French pianist/composer Martial Solal.

Tony performs and lectures at major universities in Australia, the Asia pacific region, the United States and elsewhere on a wide range of topics.

He has the uncommon distinction of having degrees from three of Melbourne's most prestigious universities: a Bachelor of Music from the University of Melbourne, a Master of Arts from Monash University and a Doctor of Philosophy from La Trobe University. His career embraces performances of a wide cross-section of music throughout Australia and the world as well as composition, arranging, conducting, teaching, music criticism, contributions to literature (Groves, Oxford Companion) and adjudicating on international judging panels. He was chief music critic for the Herald Sun for 20 years. He has been Deputy Chair of the Music Board, Australia Council for the Arts, and deputy Chair of National Australia Council of Tertiary Music.

In early 2005 Tony resigned his position as Head (Dean) of and Associate Professor at the School of Music, Victorian College of the Arts to pursue his performance and composition career.

In 2006 he recorded for Move Records the two piano version of Stravinsky’s “Rite of Spring”, with Australian pianist Rosa Scaffidi, and a quartet recording with the distinguished American trumpet player John Hoffman.

He is currently making several new recordings, one with the saxophonist Robert Burke, one with guitarist Stephen Magnusson, one with cellist Imogen Manins, and another with singer Rebecca Barnard.

Carl Mackey
Melbourne based saxophonist, Carl Mackey has been a stalwart on the Australian jazz landscape for more than three decades. Renowned for his versatile and emotionally charged playing style, he has shared the stage with a diverse array of artists, including Lionel Hampton, Kurt Elling, Sammy Figueroa, Ben Wendel, James Morrison, Kate Ceberano, Boy and Bear, Blur, Noel Gallagher, and the Melbourne Symphony Orchestra.

He has supported international stars such as James Brown, Harry Connick Jnr, The Yellowjackets, Ray Charles and Dianne Reeves.

Co-leader of award-winning group Speedball, he is a member of the Sam Anning Sextet, Australian National Jazz Orchestra, lead alto in the Vanessa Perica Orchestra and can be heard in groups as diverse as Andrea Keller’s Composer’s Circle through to latin powerhouse, La Influencia.

A two time James Morrison Scholarship finalist, and a Freedman Fellowship finalist in 2006, Mackey has toured extensively with appearances in the United States, UK, Italy, India, and is a regular fixture on the national jazz festival scene with regular performances at the Melbourne, Perth, Wangaratta, Brisbane and Sydney International Jazz Festivals.

Highly regarded as an educator, previously lecturing at the West Australian Academy of Performing Arts for 11 years, he has been on faculty at the James Morrison Academy in Mount Gambier for the last 6 years.

Most recently, he was featured as a soloist with the MSO to perform Mark Anthony Turnage’s epic magnum opus, ‘Blood on the Floor.’

This album contains no booklet.