For Crying Out Loud (Deluxe) Kasabian

• 1 Ill Ray (The King) 03:39
• 2 You're In Love With a Psycho 03:35
• 3 Twentyfourseven 03:01
• 4 Good Fight 03:50
• 5 Wasted 04:07
• 6 Comeback Kid 04:19
• 7 The Party Never Ends 03:52
• 8 Are You Looking for Action? 08:22
• 9 All Through the Night 03:31
• 10 Sixteen Blocks 04:19
• 11 Bless This Acid House 03:44
• 12 Put Your Life On It 04:35
• 13 Underdog (Live at King Power Stadium) 06:10
• 14 bumblebeee (Live at King Power Stadium) 04:33
• 15 Shoot the Runner (Live at King Power Stadium) 03:50
• 16 eez-eh (Live at King Power Stadium) 03:47
• 17 Fast Fuse (Live at King Power Stadium) 04:18
• 18 Days Are Forgotten (Live at King Power Stadium) 04:56
• 19 I.D. (Live at King Power Stadium) 05:55
• 20 British Legion (Live at King Power Stadium) 03:24
• 21 Doberman / Take Aim (Live at King Power Stadium) 06:55
• 22 Put Your Life On It (Live at King Power Stadium) 04:39
• 23 Stuntman (Live at King Power Stadium) 05:47
• 24 L.S.F. (Live at King Power Stadium) 07:03
• 25 stevie (Live at King Power Stadium) 06:08
• 26 Vlad the Impaler (Live at King Power Stadium) 05:56
• 27 Fire (Live at King Power Stadium) 04:29
• Total Runtime 02:08:44

Info for For Crying Out Loud (Deluxe)

Kasabian sind zurück: drei Jahre nach ihrem UK-Nummer-Eins-Album "48:13" veröffentlicht das britische Quartett mit "For Crying Out Loud" sein sechstes Studioalbum. Der Longplayer enthält zwölf Tracks, die all das beinhalten, was Kasabian zu einer der besten Bands des Vereinten Königreichs macht. Geschrieben und produziert wurden die Songs von Serge Pizzorno, die Aufnahmen fanden in seinem Sergery Studio in Leicester statt.

Ich habe mir sechs Wochen Zeit gegeben, um ein Album wie in den guten alten Zeiten zu schreiben und das hat mich sehr inspiriert , erklärt Serge. Ich habe genau darauf geachtet, dass kein Gramm zu viel an den Liedern war. Schließlich sollten es klassische Songs werden ganz ohne Maßlosigkeit und ohne Unnötiges, das nicht auf die Platte gehört. Berry Gordy hat einmal behauptet: Wenn man es nicht in den ersten vier Takten schafft, die Hörer zu fesseln, dann hat man verloren. Und mit dieser Old School-Einstellung habe ich mich ans Songwriting gemacht.

Für den Nachfolger des eher elektronisch geprägten Albums 48:13 aus dem Jahr 2014 haben sich Kasabian nun wieder vorgenommen, ein wahrhaft großartiges Gitarrenalbum zu produzieren. Es war einfach der Ehrgeiz da, Gitarrenmusik von ihrem aktuellen Pfad zu befreien - wo auch immer sie sich gerade hinbewegt. Wir versuchen sie davor zu retten, als 'alte Musik' abgestempelt zu werden. Unser Ziel war es, ein positives Album voller Hoffnung und Gitarren zu basteln, das die Leute daran erinnern soll, dass diese Art von Musik immer noch relevant ist.

Kasabian

Kasabian
took the British press by storm in the early 2000s by mixing traces of the Stone Roses, Happy Mondays, and Primal Scream with Oasis-sized confidence and DJ Shadow-influenced electronics. Named after Linda Kasabian, Charles Manson's getaway driver turned state witness, the Leicester-based group also stole a page from the Band by moving into a remote farmhouse to brew its music. Communal life and a slew of shared influences produced an electronic, rock-oriented sound that harked back to the Madchester days of baggy pants and druggy dancing. Kasabian expanded that sound on later albums, but the band's foundation remained rooted in swaggering, fragmented dance textures and boisterous rock & roll.

With his acerbic approach to interviews, swaggering lead singer Tom Meighan quickly became a darling of the press during the band's infancy, and Kasabian's revolutionary logos and sleeve art only added to the excitement. Foldout poster sleeves, 10" versions, and hand-stenciled covers accompanied singles like "Club Foot," "L.S.F," and "Processed Beats." The hype paid off as Kasabian's self-titled debut cracked the Top Five in October 2004, just one month after its U.K. release. Four singles landed in the Top 20 within six months, establishing the bandmates as rock & roll royalty in the process.

Founding guitarist Chris Karloff left the lineup two years later, citing creative differences with the remaining members. Kasabian's second album, Empire, had already been recorded, and guitarist Jay Mehler was brought aboard to replace Karloff during live performances. (Mehler eventually became an official member in 2008.) Empire was ultimately released in August 2006 and debuted atop the U.K. charts, with the title track soon becoming the band's third Top Ten hit. The band took home an NME Award in 2007 and began work on another album later that year. Dan the Automator was brought in to share production duties with Sergio Pizzorno, and the resulting U.K. chart-topper West Ryder Pauper Lunatic Asylum appeared in 2009. Automator would return for the 2011 album Velociraptor!, featuring the leadoff single "Switchblade Smiles." In 2013, Mehler left the group and joined former Oasis frontman Liam Gallagher in his group Beady Eye, but the band carried on as a four-piece and recorded a new album with Pizzorno in the producer's chair. Named after the album's total running time, 48:13 arrived in 2014, featuring the lead single "Eez-eh."

Booklet for For Crying Out Loud (Deluxe)