Forces of Nature: Live at Slugs' (Remastered) McCoy Tyner, Joe Henderson, Henry Grimes, Jack DeJohnette

• 1 In ’N Out (Live) 26:40
• 2 We'll Be Together Again (Live) 14:12
• 3 Taking Off (Live) 28:14
• 4 The Believer (Live) 10:01
• 5 Isotope (Live) 07:03
• Total Runtime 01:26:10

Info for Forces of Nature: Live at Slugs' (Remastered)

Unveröffentlichte Live-Aufnahme von 1966!

Eine Jazz-Entdeckung von Gewicht: "Forces of Nature: Live at Slugs'" ist eine bislang unveröffentlichte, energiegeladene Live-Aufnahme der beiden Jazzlegenden McCoy Tyner und Joe Henderson an der Spitze eines gemeinsamen Quartetts mit Bassist Henry Grimes und Schlagzeuger Jack DeJohnette, mitgeschnitten 1966 im ehemaligen New Yorker Jazzheiligtum Slugs' Saloon.

Aufgenommen wurde das Konzert von Toningenieur Orville O'Brien, der berühmte Jazzalben der 1960er Jahre wie Alice Coltranes „Journey to Satchidananda“, Freddie Hubbards „The Night of the Cookers“ und Charles Tollivers „Music Inc.“ aufnahm. Seit 1966 befand sich das Band in Jack DeJohnettes persönlichem Archiv und erblickt hier zum allerersten Mal das Licht der Welt.

DeJohnette reflektierte über die Aufnahme und sagte: „...wie es der Zufall wollte, ergab sich die Gelegenheit, mit dieser Kombination bei Slugs' zu spielen. Es gab eine gewisse Erwartung, dass dies wirklich großartig werden würde. Und tatsächlich, alle haben gespielt, als gäbe es kein Morgen. Glücklicherweise haben wir dieses Dokument von dieser Woche mit diesem unglaublichen Personal, das diese unglaubliche Musik mit dieser Intensität und Hingabe machte. Das ist selten... Diese Aufnahme repräsentiert eine Zeit und einen Zeitraum, in dem die Musiker wirklich spielten, intensiv suchten und mit neuen Dingen experimentierten. Es war damals eine sehr kreative Zeit. Musiker probierten Dinge aus, und natürlich gab es Veranstaltungsorte wie Slugs', wo die Leute tatsächlich spielen und ihr Handwerk entwickeln konnten. Es gab Bands, in denen man spielen und sich entwickeln konnte. Zu dieser Zeit veränderten sich die Dinge in der Musik, hin zu einer, sagen wir mal, experimentierfreudigeren Musik. Und dieses Umfeld förderte diese Entdeckungen.“

"Eigentlich hätte man gleich das komplette Quartett als Interpret aufführen können, denn mit dem Bassisten Henry Grimes und dem Schlagzeuger Jack DeJohnette ist auch die Rhythmusgruppe wahrlich nicht von schlechten Eltern. Das All-Star-Quartett versenkt sich auf dieser Live-Aufnahme, die im Frühjahr 1966 im legendären Slug’s (der Trompeter Lee Morgan wurde dort 1972 erschossen) im New Yorker East Village mitgeschnitten wurde, unter anderem in „Isotope“, das gerade erst auf Hendersons Album „Inner Urge“ veröffentlicht worden war, und in Tyners „The Believer“, das dieser noch als Teenager geschrieben hatte. Der einzige Standard – und die einzige Ballade – auf „Forces Of Nature“ ist „We’ll Be Together Again“. In seinem Solo zitiert Henderson den irischen „Swallowtail Jig“ – und zwar gleich zweimal, ein Zufall wird es also nicht gewesen sein. Nicht nur solch kleine Delikatessen machen das Live-Album zu einem wichtigen Stück Jazzgeschichte." (Rolf Thomas, Jazz thing 156)

McCoy Tyner, Klavier
Joe Henderson, Tenorsaxophon
Henry Grimes, Bass
Jack DeJohnette, Schlagzeug

Live aufgenommen bei Slugs’ in New York, NY im Jahr 1966

Produziert von Zev Feldman, Jack DeJohnette, Lydia DeJohnette
Ausführender Produzent: Don Was
Assoziierter Produzent: Zak Shelby-Szyszko
Live aufgenommen von Orville O’Brien bei Slugs’, New York, NY im Jahr 1966
Gemastert von Matthew Lutthans im The Mastering Lab, Salina, KS

Digital remastered

McCoy Tyner
Phenomenal jazz pianist McCoy Tyner was born December 11, 1938, in Philadelphia, Pennsylvania, of parents with roots in North Carolina. Tyner attended Martha Washington Grade School and Sulzberger Jr. High School. Tyner, with the encouragement of his teacher Ms. Addison and his mother, Beatrice Stephenson Tyner, began taking beginning piano lessons from a neighbor, Mr. Habershaw. Later, a Mr. Beroni taught Tyner classical piano. Although inspired by the music of Art Tatum and Thelonius Monk, it was his neighborhood Philadelphia musicians that pushed Tyner’s musical development. He engaged in neighborhood jam sessions with Lee Morgan, Bobby Timmons and Reggie Workman. Tyner was hand picked by John Coltrane in 1956, while still a student at West Philadelphia High School. Around this same time, Tyner converted to Islam.

After high school, Tyner toured with Bennie Golson and Art Farmer, and can be heard on their hit record, Killer Joe and the album Meet The Jazztet. In 1960, he became a part of John Coltrane’s legendary quartet that included Elvin Jones and Jimmy Garrison. Later, the group included Eric Dolphy, Pharoah Sanders and others exploring themes of spirituality and African identity. Tyner can be heard on Africa Brass, A Love Supreme, My Favorite Things and Kulu Se’ Mama. He also recorded as a leader on Impulse! Records’ Inception, Night of Ballads, Blues, Live at Newport and several others.

Leaving Coltrane in 1965, Tyner played with a who’s who of jazz greats including: Joe Henderson, Freddie Hubbard, Gary Bartz, Ron Carter, Billy Cobham, Roy Haynes, Stanley Clarke, Sonny Rollins, and many others. He can be heard on a number of albums, including: The Real McCoy, 1967, Asante, 1970, Sahara, 1972, Trident, 1975, The Greeting, 1978, Inner Voices, 1990, and Infinity, 1995, displaying his variety and flexibility as a jazz musician. An innovator, Tyner performed with strings on 1976’s Fly With The Wind and with a big band on The Turning Point , 1991. With over eighty albums to his credit and five Grammy Awards, Tyner was nominated at the 45th Grammy Awards for Best Instrumental Jazz Recording for McCoy Tyner Plays John Coltrane: Live at the Village Vanguard, and in 2004, Tyner’s Illuminations won a Grammy for Best Jazz Album, Individual or Group. Like John Coltrane, Tyner strives to elevate his listeners’ consciousness.

Tyner’s energetic style embraces African, Latin, Eastern and bebop rhythms, which he plays in bright clusters. His block chords, pentatonic scales and modal structures have earned him international recognition among the top jazz pianists of all time. Tyner is the recipient of numerous honors including the National Endowment of the Arts’ Jazz Master Award in 2002 and the 2003 Heroes Award from the Philadelphia Chapter of the Recording Academy. In 2005, Tyner received an honorary doctorate of music from Berklee College in Boston, Massachusetts.

Tyner passed away on March 6, 2020. (Source: thehistorymakers.org)

Joe Henderson
One of the more distinctive tenor saxophone voices to have emerged during the 1960s, Joe Henderson's rich tone and strong sense of rhythm influenced scores of tenor saxophonists who followed him. In concert, his aggressive playing was often tempered by a melodic touch on ballads.

Growing up in Lima, Ohio, he first played the drums, switching to tenor saxophone at age 13. After high school he studied at Kentucky State College, then Wayne State in Detroit from 1956-60, as well as under the private tutelage of pianist Barry Harris. One of his first jazz jobs was alongside saxophonist Sonny Stitt. In 1960, he then led his own band in Detroit until entering the Army that year, playing in the Army band until 1962.

After leaving the Army, Henderson eventually moved to New York, where he worked with organist Jack McDuff, then co-led a band with Kenny Dorham during 1962-63. His first recording as a leader in 1963, Page One, was one of the most popular releases for the Blue Note label, and led to one of his richest recording periods both as a leader and sideman. He played with Horace Silver in 1964-66, and Andrew Hill in 1965, both Blue Note artists. His work on Lee Morgan's album The Sidewinder, especially on the hit title track, contains some of his best solos of the period. During the late 1960s, he was part of the cooperative band, the Jazz Communicators, with Freddie Hubbard and Louis Hayes.

At the end of the decade he spent more than a year with the Herbie Hancock Sextet (1969-70), and joined the pop band Blood, Sweat & Tears for a short time in 1971. Thereafter he worked mainly as a leader and freelance saxophonist. His bands employed a number of outstanding musicians and, following his Blue Note years, he made a series of rewarding discs for the Milestone label.

In the 1990s, Henderson experienced a resurgence in popularity with a series of well-received albums on the Verve label. His recordings of the music of Billy Strayhorn, Miles Davis, and Antonio Carlos Jobim in inventive arrangements were inspired, and he showed a skill for big band arrangement with his 1996 release, Big Band. Henderson stopped performing in 1998 after suffering a stroke. (Source: www.arts.gov)

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