Patientia Sara Övinge

• Philip Glass (b. 1937): Violin Concerto No. 2 "The American Four Seasons":
• 1 Glass: Violin Concerto No. 2 "The American Four Seasons": I. Prologue 01:39
• 2 Glass: Violin Concerto No. 2 "The American Four Seasons": II. Movement I 06:13
• 3 Glass: Violin Concerto No. 2 "The American Four Seasons": III. Song No. 1 03:16
• 4 Glass: Violin Concerto No. 2 "The American Four Seasons": IV. Movement II 10:25
• 5 Glass: Violin Concerto No. 2 "The American Four Seasons": V. Song No. 2 01:59
• 6 Glass: Violin Concerto No. 2 "The American Four Seasons": VI. Movement III 06:22
• 7 Glass: Violin Concerto No. 2 "The American Four Seasons": VII. Song No. 3 03:28
• 8 Glass: Violin Concerto No. 2 "The American Four Seasons": VIII. Movement IV 06:53
• Kjetil Bjerkestrand (b. 1955): Violin Concerto No. 1 "Patientia":
• 9 Bjerkestrand: Violin Concerto No. 1 "Patientia": I. Våghals 05:59
• 10 Bjerkestrand: Violin Concerto No. 1 "Patientia": II. En & tyve 03:32
• 11 Bjerkestrand: Violin Concerto No. 1 "Patientia": III. Descent & Ascent 05:42
• 12 Bjerkestrand: Violin Concerto No. 1 "Patientia": IV. Seven 05:20
• 13 Bjerkestrand: Violin Concerto No. 1 "Patientia": V. Ups & Downs 06:11
• 14 Bjerkestrand: Violin Concerto No. 1 "Patientia": VI. Patientia 04:51
• Total Runtime 01:11:50

Info for Patientia

This release marks a musical homecoming for Sara Övinge, since she has chosen a slightly more convoluted career path than most violinists. Sara has sought out and immersed herself in contemporary music, Iranian music, composition, improvisation, and art-pop amongst several other musical pursuits. Her entire M.O. points to a strong and intrinsic need to be a co-creatingmusician, one who leaves her mark on the musical expression in a more comprehensive way than simply playing the notes on the stand. This record is no exception, being a result of her commissioning, her curating, and a substantial dose of willpower. Meeting with Kjetil Bjerkestrand in 2019, Sara found something she was looking for. He is the epitome of the symbiotic musician, drawing on experience and inspirations from a wide range of musical styles, from rock, pop through to contemporary. He describes the composition process as one part search for fixation points in a series of possible events, and one part exploration of friction caused by the union of the elastic and the mechanical. A theme that Sara aimed to pursue in the project was the juxtaposition of the electronic and the organic. Philip Glass's 2nd Piano Concerto is arranged for synthesizer and strings, a kind of updated version of Vivaldi's string orchestra with continuo. But where previous recordings have gone for an electronic sound resembling the baroque harpsichord, Sara wanted to create a more electro-acoustic soundscape, thus achieving a common thread between the two works.

Sara Övinge, violin
Norwegian Chamber Orchestra
Edward Gardner, conductor

No biography found.

Booklet for Patientia