Beethoven: Complete Music for Cello & Piano Robert DeMaine & Peter Takács

• Ludwig van Beethoven (1770 - 1827): Cello Sonata No. 1 in F Major, Op. 5 No. 1:
• 1 Beethoven: Cello Sonata No. 1 in F Major, Op. 5 No. 1: I. Adagio sostenuto - Allegro 16:58
• 2 Beethoven: Cello Sonata No. 1 in F Major, Op. 5 No. 1: II. Rondo. Allegro vivace 06:59
• Cello Sonata No. 2 in G Minor, Op. 5 No. 2:
• 3 Beethoven: Cello Sonata No. 2 in G Minor, Op. 5 No. 2: I. Adagio sostenuto e espressivo - Allegro molto più tosto presto 15:25
• 4 Beethoven: Cello Sonata No. 2 in G Minor, Op. 5 No. 2: II. Rondo. Allegro 08:31
• Cello Sonata No. 3 in A Major, Op. 69:
• 5 Beethoven: Cello Sonata No. 3 in A Major, Op. 69: I. Allegro, ma non tanto 12:30
• 6 Beethoven: Cello Sonata No. 3 in A Major, Op. 69: II. Scherzo. Allegro molto 05:28
• 7 Beethoven: Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile - Allegro vivace 08:39
• Cello Sonata No. 4 in C Major, Op. 102 No. 1 "Free":
• 8 Beethoven: Cello Sonata No. 4 in C Major, Op. 102 No. 1 "Free": I. Andante - Allegro vivace 07:29
• 9 Beethoven: Cello Sonata No. 4 in C Major, Op. 102 No. 1 "Free": II. Adagio - Allegro vivace 07:17
• Cello Sonata No. 5 in D Major, Op. 102 No. 2:
• 10 Beethoven: Cello Sonata No. 5 in D Major, Op. 102 No. 2: I. Allegro con brio 06:24
• 11 Beethoven: Cello Sonata No. 5 in D Major, Op. 102 No. 2: II. Adagio con molto sentimento d'affetto 08:43
• 12 Beethoven: Cello Sonata No. 5 in D Major, Op. 102 No. 2: III. Allegro 04:19
• 12 Variations on a Theme from Handel's "Judas Maccabaeus", WoO 45:
• 13 Beethoven: 12 Variations on a Theme from Handel's "Judas Maccabaeus", WoO 45 12:16
• 12 Variations on "Ein Mädchen oder Weibchen", Op. 66 (After Mozart's "Die Zauberflöte"):
• 14 Beethoven: 12 Variations on "Ein Mädchen oder Weibchen", Op. 66 (After Mozart's "Die Zauberflöte") 09:38
• 7 Variations on "Bei Männern welche Liebe fühlen", WoO 46 (After Mozart's "Die Zauberflöte"):
• 15 Beethoven: 7 Variations on "Bei Männern welche Liebe fühlen", WoO 46 (After Mozart's "Die Zauberflöte") 09:18
• Total Runtime 02:19:54

Info for Beethoven: Complete Music for Cello & Piano

Das in Halifax ansässige Plattenlabel Leaf Music freut sich, die Veröffentlichung des Doppelalbums des Cellisten Robert DeMaine und des Pianisten Peter Takács mit Beethovens Gesamtwerk für Klavier und Cello anzukündigen. Diese atemberaubende Sammlung, die am 8. Juli 2022 erscheinen wird, zeigt Beethovens beispiellose Texturen und formale Innovationen in seinen Sonaten für Cello und Klavier. DeMaine ist ein Meister des konversationellen Tons und der technischen Schnörkel Beethovens und spielt mit "lapidarer technischer Präzision und einer überzeugenden Identifikation mit dem Idiom der jeweiligen Musik", während Takács die Harmonie- und Formexperimente des Komponisten mit seiner bekannten Fähigkeit, musikalische Interpretationen zu vermitteln, präsentiert.

Robert DeMaine, Violine
Peter Takács, Klavier

Robert DeMaine
Praised by the New York Times as “an artist who makes one hang on every note,” ROBERT deMAINE is the Principal Cellist of the Los Angeles Philharmonic. A highly sought-after solo artist and chamber musician, he is a frequent guest artist at many of the world's premier chamber music festivals, including those of Marlboro, Seattle, Great Lakes, Limoges, Heidelberg Schlossfest, Chamberfest Cleveland, Montréal, Seoul’s Ditto Festival, and most recently featured as a soloist at the 2016 Piatigorsky Cello Festival. His playing is noted for its "beautiful singing tone, lapidary technical precision, and a persuasive identification with the idiom of the music at hand." As a soloist, he performs the great works of the repertoire both old and new from concertos by Haydn, Dvorak, Elgar and Penderecki, as well as more recent works by John Williams and Christopher Theofanidis. As a recitalist the great works for cello and piano as well as the suites of J.S. Bach remain staples of his repertoire, and as one critic noted, his playing was "magnificent" and that his "technical brilliance is surpassed only by the beauty of tones he produces."

DeMaine has appeared on the stages of Carnegie Hall and Lincoln Center, the Kennedy Center, Teatro Colón, Amsterdam’s Concertgebouw, the Berlin Philharmonie, Vienna Konzerthaus, and Moscow's Tchaikovsky Hall, Auditorium du Louvre, Suntory Hall and the Seoul Arts Center, as well as the Shanghai Oriental Arts Center and Conservatory and London's Wigmore Hall, among others. He is the recipient of a career grant from the Helen M. Saunders Foundation, and the gift of a Vuillaume cello from the Cecilia Benner Foundation. His principal teachers include Leonard Rose, Stephen Kates, Steven Doane, Paul Katz, Luis García-Renart and Aldo Parisot. Masterclasses and additional studies were undertaken with Bernard Greenhouse, János Starker, Boris Pergamenschikow, Felix Galimir, and Jerome Lowenthal.

DeMaine studied at The Juilliard School, the Eastman School of Music, the University of Southern California, Yale University, and the Kronberg Academy in Germany. A first-prize winner in many national and international competitions, deMaine was the first cellist ever to win the grand prize at San Francisco’s prestigious Irving M. Klein International Competition for Strings. As soloist, he has collaborated with many of the world’s most distinguished conductors, including Neeme Järvi, Rafael Frühbeck de Burgos, Gustavo Dudamel, Esa-Pekka Salonen, Peter Oundjian, Mark Wigglesworth, Joseph Silverstein, Mirga Gražinytė-Tyla, and Leonard Slatkin, and has performed nearly all the major cello concertos with the Detroit Symphony Orchestra, where he served as principal cello for over a decade. DeMaine has also served as guest Principal Cellist of the Saint Paul Chamber Orchestra, the Toronto Symphony, and the Bergen Philharmonic in Norway. A founding member of the Ehnes Quartet in 2010, he also performs in a piano trio with violinist Hilary Hahn and pianist Natalie Zhu.

Robert deMaine has recorded for Naxos, Chandos, Onyx, CBC, DSO, Elysium, and Capstone and has been featured on the BBC, PBS, NPR's Performance Today, the Canadian Broadcasting Company, France Musique, and RAI, among others. His recording of the John Williams Cello Concerto (Detroit Symphony, Leonard Slatkin conducting) was released by Naxos in fall 2015. Robert deMaine is an exclusive Thomastik-Infeld artist, and performs on a cello made in 1684 by Antonio Stradivari, the “General Kyd, ex-Leo Stern.”

Peter Takács
Hailed by the New York Times as “a marvelous pianist,” Peter Takács has performed widely, receiving critical and audience acclaim for his penetrating and communicative musical interpretations. Takács was born in Bucharest, Romania, and started his musical studies before his fourth birthday. After his debut recital at age 7, he was a frequent recitalist in his native city until his parents’ request for immigration to the West, at which point all his studies and performances were banned. He continued studying clandestinely with his piano teacher until his family was finally allowed to immigrate to France, where, at age 14, he was admitted to the Conservatoire de Paris. Upon Takács’ arrival in the United States, his outstanding musical talents continued to be recognized with full scholarships to Northwestern University and the University of Illinois, and a three-year fellowship for doctoral studies at the Peabody Conservatory, where he completed his artistic training with renowned pianist Leon Fleisher.

Takács has performed as guest soloist with major orchestras in the U.S. and abroad, as well as at important summer festivals such as Tanglewood, Music Mountain, Chautauqua Institution, ARIA International, Schlern Music Festival in the Italian Alps, Tel Hai International Master Classes in Israel, and Sweden’s Helsingborg Festival. Since 2008, he has been a member of the faculty at the Montecito Summer Music Festival in Santa Barbara, California. He has performed and recorded the cycle of 32 Beethoven piano sonatas, which were released on the Cambria label to critical acclaim in 2011.

Takács’ success as a teacher is attested to by the accomplishments of his students, who have won top prizes in competitions in the United States, Canada, Europe, and South Africa. They have been accepted at major graduate schools such as the Curtis Institute, Juilliard School, and Peabody Conservatory, among many others. Takács has given master classes in the U.S., Europe, and Asia, and has been a jury member at prestigious national and international competitions such as the San Antonio International Keyboard Competition, the Canadian National Competition, the Cleveland International Piano Competition, and the Hilton Head International Piano Competition. Takács has taught piano at Oberlin since 1976.

This album contains no booklet.