Bronco Orville Peck

• 1 Daytona Sand 03:15
• 2 The Curse of the Blackened Eye 04:10
• 3 Outta Time 04:18
• 4 Lafayette 03:02
• 5 C'mon Baby, Cry 03:30
• 6 Iris Rose 02:48
• 7 Kalahari Down 04:49
• 8 Bronco 03:28
• 9 Trample Out the Days 03:48
• 10 Blush 03:36
• 11 Hexie Mountains 03:11
• 12 Let Me Drown 03:19
• 13 Any Turn 02:16
• 14 City of Gold 04:04
• 15 All I Can Say 03:56
• Total Runtime 53:30

Info for Bronco

Inspired by country rock, ’60s & ‘70s psychedelia, California, and bluegrass. Bronco is the new album from country artist and songwriter Orville Peck. A consummate storyteller, the country rock inspired Bronco plays upon the horse theme so often found in Orville’s work, but this time with an exploration of freedom, breaking free from that which binds us and all that is wild and untamed. Bronco builds upon and follows Peck’s previous album Pony and EP Show Pony, which explored themes of love, loss and loneliness but advances the story arc in a bolder, newer and warmer trajectory.

“This is my most impassioned and authentic album to date,” says Peck. “I was inspired by country rock, 60s & 70s psychedelic, California and even bluegrass with everything being anchored in country. Bronco is all about being unrestrained and the culmination of a year of touring, writing in isolation and going through and ultimately emerging from a challenging personal time.”

Combining the lulling ambiance of shoegaze with the iconic melodies and vocal prowess of classic American outlaw country music, Orville Peck croons about love and loss from the badlands of North America. The resulting sound takes the listener down dusty rose-colored desert highways; through a world where worn out gamblers, road-dogs, and lovesick hustlers drift in and out of his masked gaze.

Orville Peck, vocals
Kris Bowering, drums (tracks 1–3, 5, 7, 9, 13), percussion (tracks 7, 9, 13)
Laura Epling, violin (track 7)
Duncan Jay Hennings, electric guitar (tracks 1–3, 5, 7, 9, 13), keyboards (tracks 2–3), organ (track 7)
Tobias Jesso Jr., acoustic guitar (track 5)
Jay Joyce, keyboards (tracks 1–3, 5, 7, 13), electric guitar (tracks 2, 5, 11), percussion (track 3), programming (track 5)
Austin Hoke, cello (track 7)
Nicole Neely, viola (track 7)
Kyle Connolly, bass (tracks 1–3, 5, 7, 9, 11)
Noam Pikelny, banjo (track 11)
Bria Salmena, background vocals (tracks 1–3, 5, 7, 9), electric guitar (tracks 1–3, 9, 13), acoustic guitar (tracks 7, 9), keyboards (track 11)
Luke Schneider, steel guitar (tracks 2–3, 5, 7)
Chris Stracey, organ (track 5)
Kristin Weber, violin (track 7)
Jordan Lehning, string arrangement (track 7)

Orville Peck
Combining the lulling ambiance of shoegaze with the iconic melodies and vocal prowess of classic American country music, outlaw cowboy, Orville Peck croons about love and loss from the badlands of North America. The resulting sound is one entirely his own - taking the listener down dusty rose-colored desert highways; through a world where worn out gamblers, road-dogs, and lovesick hustlers drift in and out of his masked gaze.

Somewhere out in the badlands of North America, in-between the desert and mountain ranges of the Western state of Nevada, you’ll find enigmatic troubadour Orville Peck. Having lived in a lot of places, from Canada to Africa, and played in a bunch of badass bands over the years, Peck is now going it alone, armed with his anthems of love and loss for road dogs and lonely gamblers.

Peck’s is a handsome as hell sound that’s full of twangy guitars, shuffling 50’s percussion, and banjos. On tracks like debut single “Dead Of Night”, which tells the story of a biker hustler’s whirlwind romance and its tragic end, Peck throws back to a bygone era of queer lovin’ by channeling the cruising stories of artist David Wojnarowicz. With his inked torso and Stetson firmly on, Peck cuts an unmistakable figure. Saddle up as we head out into the dust to meet the man behind the mask.

This album contains no booklet.