Persistence Michael Weiss

• 1 Persistence 05:18
• 2 Second Thoughts 05:09
• 3 Après Vous 05:54
• 4 Only The Lonely 04:53
• 5 Jitterbug Waltz 06:47
• 6 Epistrophy 06:38
• 7 Once I Loved 06:50
• 8 Birthday Blues 06:59
• Total Runtime 48:28

Info for Persistence

Michael Weiss will celebrate 40 years of living and working in NYC next year; a major milestone in a city full of brilliant jazz pianists. One of the busiest pianists and composers in jazz, Michael was a key member of the Johnny Griffin quartet for over 15 years, and is himself entering the status of jazz legend alongside some of his peers. A true double threat as a dazzling pianist along with a thoughtful and deep composer, Michael was recognized early on as a bright light in jazz, having won the BMI Thelonious Monk composer competition and place second in the Monk International Jazz Piano competition. With these accolades, it is fitting that Michael and the quartet choose to cover the Monk classic 'Epistrophy' on this fantastic album, his debut for Cellar Music Group. In addition to the nod to Monk, Michael selects 4 of his original compositions on his Cellar Music Group debut, coupled with some lesser known standards by Jimmy van Heusen and Antonio Carlos Jobim, finished off with the Fats Waller staple, Jitterbug Waltz. The band for this recording is truly stellar. Eric Alexander is himself one of the great instrumentalists of his generation, and the perfect foil to Michael on this exciting recording. Paul Gill and Pete van Nostrand are veterans of the New York jazz scene and the feeling of joyful swing and near-kinetic interplay are immediately apparent from the first song. Together, this quartet of burning New York jazz veterans bring a sophistication and soul to the recordings that can only be attained from decades of playing in the jazz capital of the world. Persistence is an apropros title for an album of musicians who have never given up on the mastery of their instrument, or this music.

Michael Weiss, piano
Eric Alexander, tenor saxophone
Paul Gill, bass
Pete Van Nostrand, drums

Michael Weiss
grand prize winner of the 2000 BMI/Thelonious Monk Institute Composers Competition, has established a formidable reputation working with such names as Johnny Griffin, Art Farmer, Frank Wess, George Coleman, Jimmy Heath, Lou Donaldson, and Wynton Marsalis.

The veteran jazz critic Ira Gitler probably summed it up best: "The music of Michael Weiss has those qualities which touch the heart, the soul, the mind and the 'call it whachawanna'."

Born in Dallas, Michael began piano studies at age six. Beyond his classical training, Weiss developed a quick ear picking out pop songs on the keyboard. At fifteen, he discovered the world of jazz at the Interlochen academy in Michigan. There Weiss studied arranging and subsequently penned several big band scores while in high school. He continued his studies at Indiana University while gaining invaluable bandstand experience with Indianapolis jazz veterans, Al Kiger and Pookie Johnson. After earning a bachelors degree, Weiss moved to New York and soon landed his first "name" gig with Jon Hendricks.

In the early eighties, Weiss was heard regularly as a member of the house band at the Star Cafe with Junior Cook. Engagements followed with the Junior Cook/Bill Hardman Quintet, Slide Hampton and Lou Donaldson. Weiss also had the opportunity to lead groups featuring such acclaimed soloists as David Fathead Newman, Pepper Adams, Frank Wess and Clifford Jordan.

Weiss first gained international exposure with the release of his debut recording, Presenting Michael Weiss (Criss Cross). It was awarded Stereo Review's "Best Recording of the Month" and was "Jazz Pick of the Year" on National Public Radio's Morning Edition. In 1987 Weiss began touring the USA regularly as a member of Johnny Griffin's quartet. Weiss' fifteen year association with the "little giant," which includes four recordings, has earned the pianist widespread critical recognition as a soloist, accompanist and arranger. In the Chicago Tribune, Howard Reich wrote that "whether playing ferociously fast right-hand lines or two-fisted blues chords, Weiss matched the tenor and tone of Griffin's work."

In addition to his work with Griffin, Weiss has served as accompanist to several jazz legends such as Art Farmer, George Coleman, Jimmy Heath, Charles McPherson, Frank Wess, Gary Bartz, the Jazztet, Jackie Paris, Tom Harrell and Al Foster. He also has extensive big band experience, performing with the Smithsonian Jazz Masterworks, Mingus Epitaph, and Vanguard Jazz Orchestras. Jazz at Lincoln Center has employed Weiss several times: as featured soloist in the PBS broadcast, Live From Lincoln Center: The City of Jazz, as commentator in Wynton Marsalis' NPR series, Making the Music, and as educator, conducting master classes for high schools competing in the annual Duke Ellington competition. Michael's commitment to jazz education is extensive. In addition to faculty positions at Queens College, Juilliard and the Hartt School of Music, Weiss' educational activities include serving as artist in residence in universities and secondary schools, presenting jazz workshops and master classes.

In the late eighties, Weiss' international reputation increased from touring as a sideman with Griffin, Farmer, the Jazztet and others. Back in New York, Weiss' engagements as a leader included regular trio and quartet performances at New York's legendary piano room, Bradley's. There he concentrated his repertoire on rarely played standards and obscure compositions of the jazz masters. His knowledge of the music of Bud Powell and Thelonious Monk resulted in several notable achievements: Weiss won second prize in the Thelonious Monk International Piano Competition of 1989. As a National Endowment for the Arts grant recipient in 1990, Weiss produced and performed Monk, Bud and Bird: Rediscovered Rarities with Charles McPherson and Tom Harrell. After a concert of Monk's compositions in Washington, Weiss and his trio were invited to perform and discuss the language of bebop on the CBS News digest program, Nightwatch. Barry Harris, a long-time mentor and friend, collaborated with Weiss in the liner notes to the Complete Bud Powell Recordings on Verve, analyzing every track. They also performed in a two-piano concert series entitled, Bud Powell: Two Generations. As a soloist and bandleader, Weiss has been featured on several NPR programs including Jazzset, The Jazz Piano Christmas Special and Marian McPartland's Piano Jazz.

In the early-nineties Weiss began focusing greater attention to composition. He formed a sextet which served as a workshop for developing his new arrangements. His current septet headlined at the 2000 Detroit International Jazz Festival and was featured on NPR's Jazzset. Other notable engagements include the Smithsonian Institution and NYC's Blue Note. In 2002, Weiss was awarded Chamber Music America's New Works: Creation and Presentation grant to compose a new extended work for the septet. Debuting in 2006 as a leader at the Village Vanguard, "he demonstrated a strong sense of both leadership and organization," said the New York Times.

This album contains no booklet.