Klas Torstensson: Lantern Lectures, Vols. 1-4 Norrbotten NEO & Christian Karlsen

• Klas Torstensson (b. 1951): Lantern Lectures, Vol. 1:
• 1 Torstensson: Lantern Lectures, Vol. 1: Brass Link I 03:23
• 2 Torstensson: Lantern Lectures, Vol. 1: Solid Rocks I 17:02
• Lantern Lectures, Vols. 1 & 2:
• 3 Torstensson: Lantern Lectures, Vols. 1 & 2: Brass Link II 03:25
• Lantern Lectures, Vol. 2:
• 4 Torstensson: Lantern Lectures, Vol. 2: Solid Rocks II 11:00
• Lantern Lectures, Vol. 3:
• 5 Torstensson: Lantern Lectures, Vol. 3: Brass Link III 02:57
• 6 Torstensson: Lantern Lectures, Vol. 3: Aurora Borealis 14:34
• Lantern Lectures, Vol. 4:
• 7 Torstensson: Lantern Lectures, Vol. 4: Brass Link IV 03:34
• 8 Torstensson: Lantern Lectures, Vol. 4: Giant's Cauldron 14:20
• Total Runtime 01:10:15

Info for Klas Torstensson: Lantern Lectures, Vols. 1-4

Obwohl in Schweden geboren, hat Klas Torstensson nach seinem Studium in Utrecht in den frühen 1970er Jahren den größten Teil seines Arbeitslebens in den Niederlanden verbracht. Stilistisch mag er an Varèse, Xenakis und - vielleicht etwas weiter entfernt - an Strawinsky erinnern. Vor allem aber ist Torstenssons Musik persönlich und unverwechselbar. Sie wird oft von seinen Naturerfahrungen genährt: rauer Granit, das Meer, das Eis der zugefrorenen Ostseebuchten, die Polkappe. Seine Laternenvorträge entstanden im Anschluss an seine Oper Die Expedition, die von einer unglücklichen Reise zum Nordpol handelt. Da er während der Arbeit an der Oper Aufträge von verschiedenen Ensembles erhalten hatte, beschloss er, einen Zyklus von Werken für diese Ensembles zu schreiben - Kompositionen, die einzeln oder als "Sätze" aufgeführt werden können und ein größeres Ganzes bilden.

Die vier Vorträge stellen grundlegende Elemente und Phänomene der nordischen Natur dar: Gestein mit geschichteten Erinnerungen an seine gewaltsame Entstehung (Solid Rocks I & II), Spuren des Nordlichts (Aurora Borealis) und Potholes, zylindrische Löcher, die von Gletschern in das Gestein gebohrt wurden (Giant's Cauldron). Sie sind alle mit 12 bis 15 Musikern besetzt und werden durch Brass Links, kurze Zwischenspiele für Trompete, Horn und Posaune, miteinander verbunden. Lantern Lectures wird hier von Norrbotten NEO aufgeführt, einem Ensemble, das sich der Förderung zeitgenössischer Kammermusik widmet und von Christian Karlsen geleitet wird.

Norrbotten NEO
Christian Karlsen, Dirigent

Norrbotten NEO
was formed in 2007 with the mission to promote contemporary chamber music. The seven permanent members of the ensemble play the flute, clarinet, percussion, piano, violin, viola and cello – a complement that, in various combinations, makes it possible to perform a broad spectrum of works from the past hundred years, and which can be expanded with other instruments when necessary. The players are also section principals in the Norrbotten Chamber Orchestra and take part in the productions staged by Piteå Chamber Opera. Norrbotten NEO regularly commissions new works and has premièred music by international as well as Swedish composers, including Chaya Czernowin, Kaija Saariaho, Francisco Coll García, Per Mårtensson, Fredrik Hedelin and Andrea Tarrodi. Collaboration with composer training schemes is also an important part of the ensemble’s work, with current partners being the School of Music in Piteå, the Royal Academy of Music in Stockholm, Gotland School of Music Composition and the University of Gothenburg. Since its inception Norrbotten NEO has premièred more than 150 works and has developed into a vibrant platform for a wide variety of musical ideas. For this, the ensemble was rewarded with the Swedish Society of Composers’ Interpreters’ Prize in 2012, and the ensemble’s sterling reputation has led to invitations from many of Sweden’s regional music organizations and concert halls.

Christian Karlsen
Having begun his career as assistant to Esa-Pekka Salonen, Christian Karlsen has rapidly established himself as one of the most gifted and innovative conductors of his generation. He has worked with orchestras including the London Philharmonic Orchestra, ORF Radio-Symphonieorchester Wien, BBC Philharmonic, Frankfurt Radio Symphony Orchestra, Swedish Radio Symphony Orchestra and Gothenburg Symphony Orchestra, as well as conducting at opera companies such as Deutsche Oper Berlin and the Dutch National Opera. Since 2017 Christian Karlsen has been the artistic director of the acclaimed ‘Gränslandet – symfonisk fest’ in Stockholm, a festival with classical music for young adults. Previously he worked as artistic director of the New European Ensemble (2008–14) and the Festival Dag in de Branding (Netherlands) (2015–17). A strong advocate for the music of our time, Karlsen has led numerous world premières and collaborated with composers such as Sir George Benjamin, Kaija Saariaho, Sofia Gubaidulina, Steve Reich and Karlheinz Stockhausen. He is also a frequent guest with new music ensembles including the Ensemble Modern, London Sinfonietta, Asko | Schönberg and ICE International Contemporary Ensemble. He studied at the Royal Conservatoire The Hague and with John Carewe in London.

Booklet for Klas Torstensson: Lantern Lectures, Vols. 1-4