Emily Howard: Magnetite Elias String Quartet

• 1 Magnetite 10:04
• 2 Threnos 07:36
• 3 Mesmerism 18:07
• 4 Leviathan 13:01
• 5 Solar 06:21
• 6 Afference 23:15
• Total Runtime 01:18:24

Info for Emily Howard: Magnetite

Emily Howards degree in maths and computer science has informed her work, but, as she stresses, ""Im a composer, not a mathematician. My compositions embrace a diverse range of extra-musical influences including science, mathematics, philosophy, poetry, sport and chess, often simultaneously"".

Magnetite (2007) was Howards first major orchestral commission for the Royal Liverpool Philharmonic Orchestra. Magnetite is the oldest known magnetic substance and Howard describes this piece as ""a journey deep inside one of these crystals"". Continuing a similar theme, Solar (2010) creates a musical image of our sun, using luminous, resonant sonorities and bursts of energy.

Mesmerism (2011) for piano and chamber orchestra is one in a series of works inspired by Ada Lovelace, the pioneering mathematician and daughter of Byron. This piece won a British Composer Award in 2012 with the BASCA judges commenting that 'the harmonic language of the music is lucid and beautiful, sustaining at the heart of the piece a great sense of stillness.

This is an original voice'. Works for smaller forces on this album include Afference (2014) for string quartet; Leviathan (2014-15) for baritone saxophone and percussion and Threnos (2015), a three-part song for bass and soprano voices (including the bass voice in falsetto).

„Magnetite [is a] sumptuous, powerful piece ... an engaging introduction to Howard's music, expertly played“ (The Observer)

„A confident, major orchestral debut ... Scientific ideas brilliantly articulated in a score whose shimmering colours and essentially tonal trajectory are easily assimilated' BBC Record Review 'Magnetite [is] a sumptuous, powerful piece...an engaging introduction to Howard's music, expertly played.“ (The Guardian)

Royal Liverpool Philharmonic Orchestra
Andrew Gourlay, conductor
Lucy Goddard, mezzo-soprano
Simon Whiteley, bass
Alexandra Dariescu, piano
scapegoat
Elias String Quartet

The Elias String Quartet
is internationally acclaimed as one of the leading ensembles of their generation. Known for their intense and vibrant performances, the quartet has travelled the globe collaborating with some of the finest musicians and playing in the world’s great halls.

2015 sees them complete their groundbreaking Beethoven Project: performing and recording the complete string quartets of Beethoven. Broadcast by BBC Radio 3 and performed in 11 major venues in the UK, the Quartet have also recorded the cycle for the “Wigmore Hall Live” record label. Six albums in total, the first was released in January 2015. The Elias will soon take all-Beethoven programmes to Carnegie Hall (New York) and San Francisco Performances. They have documented their journey on a dedicated website supported by the Borletti-Buitoni Trust: www.thebeethovenproject.com.

Highlights of 2014/2015 include a month long tour of the USA and Canada, their debut at the Theatre des Champs-Elysees in Paris, a return to The Concertgebouw in Amsterdam and concerts in Turkey, Holland, Belgium and Germany. They continue residencies with Glasgow Concert Halls, Turner Simms Concert Hall (Southampton) and The Brighton Festival. The Quartet will premiere a work written for them by young British composer Emily Howard at the Wigmore Hall and collaborate with various artists including Jonathan Biss, Francois-Rene Duchable and the Kungsbacka Trio.

The Quartet was chosen to participate in BBC Radio 3’s New Generation Artists’ Scheme 2009-11 and is the recipient of a 2010 Borletti-Buitoni Award. They were awarded the 2010 BBC Music Magazine’s Newcomer of the Year Award and were nominated in 2013 and 2014 for an RPS Award and in 2014 for an Australian Art Music Award. In 2013 they were awarded a Mentoring Scholarship from the Beethoven-Haus in Bonn. They received 2nd prize and the Sidney Griller Prize at the 9th London String Quartet Competition. They have performed in some of the world’s most prestigious venues including the Vienna Musikverein, Berlin Konzerthaus, Amsterdam Concertgebouw, New York’s Carnegie Hall, the Washington Library of Congress and the Wigmore Hall in London. The 13/14 Season saw the quartet take on major tours to the USA, Australia and Sweden as well as further performances across Europe in Vienna, Salzburg, Amsterdam, Luxembourg, Bonn, Venice and Padua.

They have performed alongside such artists as Leon Fleisher, Michael Collins, Christian Zacharias, Pascal Moragues, Ralph Kirshbaum, Dame Anne Murray, Joan Rogers, Mark Padmore, Michel Dalberto, Peter Cropper, Malin Broman, Simon Crawford-Philips, Piers Lane, Ettore Causa, Anthony Marwood, Huw Watkins, Roderick Williams, Allan Clayton, Melvyn Tan and the Endellion, Vertavo, Navarra, Heath, Belcea and Jerusalem Quartets.

The Elias are passionate about new music and have premiered pieces by Sally Beamish, Colin Matthews, Matthew Hindson and Timo Andres. They worked with Henri Dutilleux on his string quartet “Ainsi la Nuit” and recently recorded Huw Watkin’s “In My Craft or Sullen Art ” with Mark Padmore for NMC label.

The Quartet is steadily building a recording catalogue that has been met with widespread critical acclaim. Alongside three releases on the Wigmore Live label they have released discs of Mendelssohn and Britten. They have also released a disc of French harp music with harpist Sandrine Chatron for the French label Ambroisie, Goehr’s Piano Quintet with Daniel Becker for Meridian Records and most recently Schumann and Dvorak Piano Quintets with Jonathan Biss.

The Quartet take their name from Mendelssohn’s oratorio, Elijah, of which Elias is the German form. They formed at the Royal Northern College of Music in Manchester where they worked closely with the late Dr. Christopher Rowland and later became Junior Fellows and Associate Quartet. They also spent a year studying at the Hochschule in Cologne with the Alban Berg String quartet. Other mentors in the quartet’s studies include Peter Cropper, Hugh Maguire, Gyorgy Kurtag, Gabor Takacs-Nagy and and Rainer Schmidt. For four years they were resident string quartet at Sheffield’s “Music in the Round” as part of Ensemble 360, taking over from the Lindsay Quartet.

This album contains no booklet.