Augustin Hadelich
is recognized worldwide as one of the great violinists of our time. Often referred to by colleagues as a "musician's musician," he was recently nominated for a Grammy Award for his new recording, Bohemian Tales, which includes a LIVE performance of the Dvořák Violin Concerto with the Bavarian Radio Orchestra conducted by Jakub Hrůša.

Mr. Hadelich has appeared numerous times with all of North America's leading orchestras: these include the symphony orchestras of Boston, Cleveland, New York, Philadelphia, Montréal, Cincinnati, Pittsburgh, San Francisco, Minnesota,

Houston, Indianapolis, Oregon, Seattle, Toronto, and numerous others. Along with a much-acclaimed debut with the Leipzig Gewandhaus Orchestra and a tour of Spain's Basque country this past fall, his worldwide appearances include the London Philharmonia, Danish National Symphony, Finnish Radio Orchestra, Bavarian Radio Orchestra, NDR Elbphilharmonie/Hamburg (where he has been named Associate Artist), Dresden Philharmonic, and the WDR/Cologne, in addition to major orchestras in the Far East, South America, New Zealand, and Australia.

Augustin Hadelich is the winner of a 2016 Grammy Award for his recording of Dutilleux’s Violin Concerto, L’Arbre des songes, with the Seattle Symphony conducted by Ludovic Morlot (Seattle Symphony MEDIA). A Warner Classics artist, Mr. Hadelich’s first release on the label – Paganini’s 24 Caprices – was released in January 2018. His second CD for Warner Classics, the Brahms Concerto (with his originally composed cadenza) and the Ligeti Concerto (with a cadenza composed by Thomas Adès) followed in 2019. A new disc will be released for Warner Classics this summer of Bach's complete Sonatas and Partitas, which Mr. Hadelich plays on a Baroque bow.

Born in Italy, the son of German parents, Augustin Hadelich is now an American citizen. After winning the Gold Medal at the 2006 International Violin Competition of Indianapolis, concerto and recital appearances on many of the world’s top stages quickly followed. Other distinctions include an Avery Fisher Career Grant (2009); a Borletti- Buitoni Trust Fellowship in the UK (2011); the inaugural Warner Music Prize (2015); an honorary doctorate from the University of Exeter in the UK (2017); and the “2018 Instrumentalist of the Year,” awarded by Musical America.

Augustin Hadelich plays the violin "Leduc, ex-Szeryng" by Giuseppe Guarneri del Gesù of 1744, generously loaned by a patron through the Tarisio Trust.

“The essence of Hadelich’s playing is beauty: reveling in the myriad ways of making a phrase come alive on the violin, delivering the musical message with no technical impediments whatsoever, and thereby revealing something from a plane beyond ours.” (The Washington Post)

Orion Weiss
One of the most sought-after soloists in his generation of young American musicians, the pianist Orion Weiss has performed with the major American orchestras, including the Chicago Symphony, Boston Symphony, Los Angeles Philharmonic, and New York Philharmonic. His deeply felt and exceptionally crafted performances go far beyond his technical mastery and have won him worldwide acclaim. With a warmth to his playing that reflects his personality, Orion has performed with dozens of orchestras in North America and has dazzled audiences with his passionate, lush sound.

Recent seasons have seen Weiss in performances for the Lucerne Festival, the Denver Friends of Chamber Music, the University of Iowa, the Chamber Music Society of Lincoln Center, the Kennedy Center’s Fortas Series, the 92nd Street Y, and the Broad Stage, and at Aspen, Bard, and Grand Teton summer festivals. Other highlights include his third performance with the Chicago Symphony, a performance of Beethoven's Triple Concerto with the Saint Paul Chamber Orchestra, the release of his recording of Christopher Rouse’s Seeing, and recordings of the complete Gershwin works for piano and orchestra with his longtime collaborators the Buffalo Philharmonic and JoAnn Falletta.

Named the Classical Recording Foundation’s Young Artist of the Year in September 2010, in the summer of 2011 Weiss made his debut with the Boston Symphony Orchestra at Tanglewood as a last-minute replacement for Leon Fleisher. In recent seasons, he has also performed with the Los Angeles Philharmonic, San Francisco Symphony, Philadelphia Orchestra, Pittsburgh Symphony, Toronto Symphony Orchestra, National Arts Centre Orchestra, and Orpheus Chamber Orchestra, and in duo summer concerts with the New York Philharmonic at both Lincoln Center and the Bravo! Vail Valley Festival. In 2005, he toured Israel with the Israel Philharmonic Orchestra conducted by Itzhak Perlman.

Also known for his affinity and enthusiasm for chamber music, Weiss performs regularly with the violinists Augustin Hadelich, William Hagen, Benjamin Beilman, James Ehnes, and Arnaud Sussman; the pianist Shai Wosner; the cellist Julie Albers; and the Ariel, Parker, and Pacifica Quartets. As a recitalist and chamber musician, Weiss has appeared across the U.S. at venues and festivals including Lincoln Center, the Ravinia Festival, Sheldon Concert Hall, the Seattle Chamber Music Festival, La Jolla Music Society SummerFest, Chamber Music Northwest, the Bard Music

Festival, the Bridgehampton Chamber Music Festival, the Kennedy Center, and Spivey Hall. He won the 2005 William Petschek Recital Award at Juilliard, and made his New York recital debut at Alice Tully Hall that April. Also in 2005 he made his European debut in a recital at the Musée du Louvre in Paris. He was a member of the Chamber Music Society Two program of the Chamber Music Society of Lincoln Center from 2002-2004, which included his appearance in the opening concert of the Society’s 2002-2003 season at Alice Tully Hall performing Ravel’s La Valse with Shai Wosner.

Weiss’s impressive list of awards includes the Gilmore Young Artist Award, an Avery Fisher Career Grant, the Gina Bachauer Scholarship at the Juilliard School and the Mieczyslaw Munz Scholarship. A native of Lyndhurst, OH, Weiss attended the Cleveland Institute of Music, where he studied with Paul Schenly, Daniel Shapiro, Sergei Babayan, Kathryn Brown, and Edith Reed. In February of 1999, Weiss made his Cleveland Orchestra debut performing Liszt’s Piano Concerto No. 1. In March 1999, with less than 24 hours’ notice, Weiss stepped in to replace André Watts for a performance of Shostakovich’s Piano Concerto No. 2 with the Baltimore Symphony Orchestra. He was immediately invited to return to the Orchestra for a performance of the Tchaikovsky Piano Concerto in October 1999. In 2004, he graduated from the Juilliard School, where he studied with Emanuel Ax.