Arvo Pärt: Tabula Rasa (Remastered 2015) Gidon Kremer & Kremerata Baltica

• Arvo Pärt (1935)
• 1 Fratres (For Violin and Piano) 11:33
• 2 Cantus in Memory of Benjamin Britten 05:08
• 3 Fratres (For 12 Celli) 11:59
• 4 Tabula rasa - I. Ludus 09:36
• 5 Tabula rasa - II. Silentium 16:50
• Total Runtime 55:06

Info for Arvo Pärt: Tabula Rasa (Remastered 2015)

In celebration of Arvo Pärt's 80th birthday, ECM presents the remastered 'Tabula rasa' in 96 kHz. This recording launched the New Series in 1984, and the interpretations of Pärt's unique compositions by a cast including Gidon Kremer, Keith Jarrett, Dennis Russell Davies and Alfred Schnittke changed the landscape of contemporary music.

This epochal recording is being reissued together with a 200-page book that includes previously unpublished facsimile manuscripts in Pärt's hand, as well as study scores of 'Tabula rasa', 'Cantus in memory of Benjamin Britten', and 'Fratres' in versions for violin/piano and 12 cellos - all the pieces that comprised the now-legendary Tabula rasa album. Additionally the book includes Wolfgang Sandner's original liner notes, a new introductory essay by Paul Griffiths, photos, discography and work list.

This highly attractive edition will be of intense interest to newcomers to Arvo Pärt as well as to those who loved this music the first time around. Moreover it will provide illumination for musicians and music students. It closely follows the release on ECM New Series of the world premiere recording of Pärt's Symphony No. 4.

„This seminal album now almost seems like the manifesto for a whole new strain of minimalism that has found an enormously receptive audience. It represented a breakthrough for Estonian composer Arvo Pärt, whose music--like that of his European colleagues John Tavener and Henryk Górecki--pursues an austerely beautiful simplicity that suggests spiritual illumination. Fratres, given here in two versions, one for piano and violin and the other for 12 cellos, repeatedly intones a sequence resembling chant to convey a sensibility that seems at once archaic and beyond time. Violinist Gidon Kremer, for whom Pärt wrote the exquisitely contemplative and hypnotic title work, grasps the music's koan-like idiom, allowing an inner fullness to resonate through the most fragile, ethereal wisps of tone against the mysterious clangings of prepared piano. The tolling of the tubular bells in Cantus in Memory of Benjamin Brittenis an emotionally charged lament, based on a simple minor descending scale, that introduces Pärt's fascination with what he calls 'tintinnabulation': the literal and metaphorical sound of ringing bells. This recording is also famous for the acoustically warm presence produced by ECM's Manfred Eicher, which magnificently captures the mystical simplicity of Pärt's sound world.“ (Thomas May)

Gidon Kremer, violin
Keith Jarrett, piano
Staatsorchester Stuttgart
Dennis Russell Davies, conductor
The 12 Cellists of the Berlin Philharmonic Orchestra
Tatjana Grindenko, violin
Alfred Schnittke, prepared piano
Lithuanian Chamber Orchestra
Saulus Sondeckis, conductor

Recorded October 1983, Basel; January 1984, Stuttgart; February 1984, Berlin; November 1977, Bonn
Engineered by Dieter Frobeen, Eberhard Sengpiel, Heinz Wildhagen, Peter Laenger
Produced by Manfred Eicher

Digitally remastered

Gidon Kremer
Among the world’s leading violinists, Gidon Kremer has perhaps pursued the most unconventional career. He was born on 27 February 1947 in Riga, Latvia, and began studying at the age of four with his father and grandfather, both distinguished string players. At the age of seven, he enrolled as a student at Riga Music School where he made rapid progress, and at sixteen he was awarded the First Prize of the Latvian Republic. Two years later he began his studies with David Oistrakh at the Moscow Conservatory. Gidon Kremer went on to win a series of prestigious awards, including prizes in the 1967 Queen Elisabeth Competition in Brussels and 1969 Montreal International Music Competition and first prize in both the 1969 Paganini and 1970 Tchaikovsky International Competitions.

Over the past five decades he has established and sustained a worldwide reputation as one of the most original and compelling artists of his generation. He has appeared on almost every major concert stage as recitalist and with the most celebrated orchestras of Europe and North America, and has worked with many of the greatest conductors of the past half century.

Gidon Kremer’s repertoire is unusually wide and strikingly varied. It encompasses the full span of classical and romantic masterworks for violin, together with music by such leading twentieth and twenty-first century composers as Berg, Henze and Stockhausen. He has also championed the work of living Russian and Eastern European composers and has performed many important new compositions by them, several of which have been dedicated to him. His name is closely associated with such composers as Alfred Schnittke, Arvo Pärt, Giya Kancheli, Sofia Gubaidulina, Valentin Silvestrov, Luigi Nono, Edison Denisov, Aribert Reimann, Pēteris Vasks, John Adams, Victor Kissine, Michael Nyman, Philip Glass, Leonid Desyatnikov and Astor Piazzolla, whose works he performs in ways that respect tradition while being fully alive to their freshness and originality. It is fair to say that no other soloist of comparable international stature has done more to promote the cause of contemporary composers and new music for violin.

An exceptionally prolific recording artist, Gidon Kremer has made over 120 albums. Many of these have received prestigious international awards and prizes in recognition of his exceptional interpretative insights. The artist’s list of awards includes, among many others, the Grand prix du Disque, the Deutscher Schallplattenpreis, the Ernst von Siemens Musikpreis, the Bundesverdienstkreuz, the Premio dell’ Accademia Musicale Chigiana, the Triumph Prize 2000 (Moscow), the Unesco Prize in 2001, the Saeculum Glashütte Original MusikFestspielPreis from Dresden in 2007, the Rolf Schock Prize for the Musical Arts from Stockholm in 2008, the Lifetime Achievement Award of the Istanbul Music Festival in 2010, and the Una Vita Nella Musica – Artur Rubinstein Prize from Venice in 2011. In 2016 Gidon Kremer has received a Praemium Imperiale prize that is widely considered to be the Nobel Prize of music.

In 1997 Maestro Kremer founded Kremerata Baltica chamber orchestra to foster outstanding young musicians from the three Baltic States – Estonia, Latvia and Lithuania. The ensemble and its founder have toured extensively together over the past two decades, appearing at the world’s leading festivals and concert venues. They have also recorded two dozen albums for the Teldec, Nonesuch, Burleske, Deutsche Grammophon and ECM labels. During 2016-17 they will jointly celebrate the ensemble’s 20th anniversary and Maestro Kremer’s 70th birthday year with extensive tours of the United States, Europe and the Far East. The violinist will also appear as a concerto soloist with, among others, the Philharmonisches Staatsorchester Hamburg and Kent Nagano, the Berliner Philharmoniker and Christian Thielemann, the Boston Symphony Orchestra and Juanjo Mena, and the National Symphony Orchestra and Christoph Eschenbach.

In February 2002 Gidon Kremer and Kremerata Baltica received the Grammy Award in the “Best Small Ensemble Performance” category for After Mozart on Nonesuch; the album was awarded an ECHO Klassik later that year. Their 2014 release on ECM of works by Mieczysław Weinberg was nominated for a Grammy in 2015.

In 2015 Deutsche Grammophon released New Seasons, comprising Gidon Kremer and Kremerata Baltica’s recording of Philip Glass’s Violin Concerto No 2, The American Four Seasons, and works by Pärt, Kancheli and Shigeru Umebayashi. Their latest album, issued on ECM in October 2015 to mark Giya Kancheli’s 80th birthday year, pairs the Georgian composer’s Chiaroscuro for violin, string orchestra and percussion and Twilight for two violins and string orchestra, with Maestro Kremer and Patricia Kopatchinskaja as soloists. Both titles attracted high critical praise and a substantial international audience within weeks of their release.

To mark the 70th birthday of the violinist, Deutsche Grammophon has issued a limited CD Box in October 2016 – a total of 22 CDs of complete recordings of violin concertos for the label with two extraordinary concept albums by Kremerata Baltica, including the premiere recording of Schnittke’s Concerto for Three, not previously released. ECM New Series marked the occasion with a new album of all Mieczyslaw Weinberg’s chamber symphonies, released in the January 2017, recorded together with Kremerata Baltica.

Gidon Kremer plays an instrument made by Nicola Amati in 1641. He is the author of four books, of which the latest is Letters to a Young Pianist (2013). These writings have been translated into many languages and reflect the breadth of his artistic pursuits and aesthetic outlook.

Kremerata Baltica
Founded in 1997 by renowned violinist Gidon Kremer, the Grammy-Award winning chamber orchestra Kremerata Baltica is considered to be one of Europe’s most prominent international ensembles. Maestro Kremer intentionally selected young, enthusiastic musicians to stave off the dreaded “orchestritis” that afflicts many professional orchestral players. Essential to Kremerata Baltica’s artistic personality is its creative approach to programming, which often ranges beyond the mainstream and has given rise to world premieres of works by composers such as Arvo Pärt, Giya Kancheli, Pēteris Vasks, Leonid Desyatnikov and Alexander Raskatov.

Since its establishment Kremerata Baltica has played in more than 50 countries, performing in 600 cities and giving more than 1000 concerts worldwide. The orchestra’s wide-ranging and carefully chosen repertoire is also showcased in its numerous and much-praised recordings. Its album of works by Mieczysław Weinberg on ECM was nominated for a 2015 Grammy Award, its recording of Shostakovich’s piano concertos with Anna Vinnitskaya won the ECHO Klassik 2016. The recording of Weinberg’s symphonies No. 2 and No. 21, a joined adventure with the City of Birmingham Symphony Orchestra and Mirga Gražinytė-Tyla, received a Gramophone Award in 2020.

Due to the coronavirus restrictions in 2020 the orchestra wasn’t able to meet, rehearse, perform concerts and travel the world as usual. But the members, living in different countries, didn’t loose their desire to perform music and bring joy to people. The members of Kremerata Baltica who live in Lithuania started preparing programs and performing concerts there, and those who live in Latvia started performing in Latvia and Estonia. This gave the beginning to Kremerata Lithuanica and Kremerata Lettonica.

The Kremerata Baltica also serves as a medium to share Gidon Kremer’s rich artistic experience with the new generation and, at the same time, to promote and inspire the musical and cultural life of the Baltics.

Booklet for Arvo Pärt: Tabula Rasa (Remastered 2015)