Wonder Woman 1984 (Original Motion Picture Soundtrack) Hans Zimmer

• 1 Themyscira 03:51
• 2 Games 05:17
• 3 1984 07:04
• 4 Black Gold 04:55
• 5 Wish We Had More Time 02:54
• 6 The Stone 02:13
• 7 Cheetah 03:13
• 8 Fireworks 02:38
• 9 Anything You Want 04:45
• 10 Open Road 05:36
• 11 Without Armor 03:46
• 12 The White House 07:44
• 13 Already Gone 05:04
• 14 Radio Waves 08:02
• 15 Lord of Desire 02:43
• 16 The Beauty In What Is 03:48
• 17 Truth 04:45
• 18 Lost and Found (Bonus Track) 11:55
• Total Runtime 01:30:13

Info for Wonder Woman 1984 (Original Motion Picture Soundtrack)

From director Patty Jenkins and starring Gal Gadot in the title role, in “Wonder Woman 1984” the fate of the world is once more on the line, and only Wonder Woman can save it. This new chapter in the Wonder Woman story finds Diana Prince living quietly among mortals in the vibrant, sleek 1980s—an era of excess driven by the pursuit of having it all. Though she’s come into her full powers, she maintains a low profile, curating ancient artifacts and only performing her superheroic acts incognito. But now, Diana will have to step directly into the spotlight and muster all her wisdom, strength and courage in order to save mankind from a world of its own making.

Patty Jenkins discussed her work with Hans Zimmer, saying, “As someone I consider to be one of the most exceptional composers of all time, I was so thrilled to have Hans Zimmer return to the DC universe with me on Wonder Woman 1984. Not only did the film require the multiple themes that had to relate to the era of the 1980s, but on top of that, Diana, our Wonder Woman, was now unfolding into a much more complex character with many new subtle layers of emotion, most of which were radically different from the gorgeous original theme Hans had written for the Wonder Woman character.

“It was very important to both of us,” continued the director, “to include and celebrate that beloved battle cry of a track that has now become so beloved and synonymous with her character, but Diana also now required a much purer and more heroic theme. And Hans provided the most mind-blowing suites of themes for Wonder Woman to now use, all related to and unfolded from his original track.

“He also gave Diana and Steve a love theme for the ages. He wrote Max, Barbara, and the Dreamstone their own extremely specific theme suite of emotional tracks that all veered from almost camp lightness of the era, to dire, to the profound and emotional.

“Hans is the perfect collaborator for the score of this film. And Wonder Woman’s world of music is now filled out into a thousand shades of emotion and story. We will all be hearing the themes for many years to come.”

Hans Florian Zimmer
(1957) is a German film score composer and record producer. Since the 1980s, he has composed music for over 150 films. Zimmer was born in Frankfurt am Main. As a young child, he lived in Königstein-Falkenstein, where he played the piano at home but had piano lessons only briefly as he disliked the discipline of formal lessons : "My formal training was 2 week(s) of piano lessons. I was thrown out of 8 schools. But I joined a band. I am self-taught. But I've always heard music in my head. And I'm a child of the 20th century; computers came in very handy. In a speech at the 1999 Berlin Film Festival, Zimmer stated that he is Jewish, and talked about his mother surviving World War II thanks to her escape from Germany to England in 1939. He said of his parents "My mother was very musical, basically a musician and my father was an engineer and an inventor. So, I grew up modifying the piano, shall we say, which made my mother gasp in horror, and my father would think it was fantastic when I would attach chainsaws and stuff like that to the piano because he thought it was an evolution in technology."

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