Nicodemus Passion Duo Enssle-Lamprecht & Susanne Ansorg

• Anonymous: Pange lingua gloriosi (hymn) [Arr. for Recorder and Organ by Philipp Lamprecht]:
• 1 Anonymous: Pange lingua gloriosi (hymn) [Arr. for Recorder and Organ by Philipp Lamprecht] 02:50
• Monk of Salzburg: Passion song based on the Nicodemus Gospel, G23:
• 2 Salzburg: Passion song based on the Nicodemus Gospel, G23: I. Die nacht wirt schier dez hymmels gast, G23 03:45
• 3 Salzburg: Passion song based on the Nicodemus Gospel, G23: II. Gein Zedron ging Jhesus, G23 02:38
• Anonymous: Contemplatio (Instrumental):
• 4 Anonymous: Contemplatio (Instrumental) 01:56
• Monk of Salzburg: Passion song based on the Nicodemus Gospel, G23:
• 5 Salzburg: Passion song based on the Nicodemus Gospel, G23: III. Zu prymzyt, G23 02:17
• Anonymous: Tenebrae (Estampie):
• 6 Anonymous: Tenebrae (Estampie) 02:26
• Monk of Salzburg: Passion song based on the Nicodemus Gospel, G23:
• 7 Salzburg: Passion song based on the Nicodemus Gospel, G23: IV. Geseczet wart Jhesus, G23 02:48
• Anonymous: Christe qui lux es et dies (hymn) [Arr. for Recorder, Drums and Vielle by Anne-Suse Enssle]:
• 8 Anonymous: Christe qui lux es et dies (hymn) [Arr. for Recorder, Drums and Vielle by Anne-Suse Enssle] 03:34
• Monk of Salzburg: Passion song based on the Nicodemus Gospel, G23:
• 9 Salzburg: Passion song based on the Nicodemus Gospel, G23: V. Die juden teilten sin gewant, G23 02:24
• Instrumental based on G23 (Arr. for Harp and Dulcimer by Philipp Lamprecht):
• 10 Salzburg: Instrumental based on G23 (Arr. for Harp and Dulcimer by Philipp Lamprecht) 01:52
• Anonymous: Instrumental "Planctus" (Arr. for Recorder and Drums by Anne-Suse Enssle):
• 11 Anonymous: Instrumental "Planctus" (Arr. for Recorder and Drums by Anne-Suse Enssle) 03:34
• Monk of Salzburg: Passion song based on the Nicodemus Gospel, G23:
• 12 Salzburg: Passion song based on the Nicodemus Gospel, G23: VI. Jhesus enpfalch sin muter, G23 02:44
• Instrumental based on a melisma from G23 (Arr. for Recorder and Salterio by Philipp Lamprecht):
• 13 Salzburg: Instrumental based on a melisma from G23 (Arr. for Recorder and Salterio by Philipp Lamprecht) 02:37
• Anonymous: Estampie super "Crux fidelis" (hymn) (Arr. for Recorder and Castanets by Anne-Suse Enssle):
• 14 Anonymous: Estampie super "Crux fidelis" (hymn) (Arr. for Recorder and Castanets by Anne-Suse Enssle) 02:46
• Monk of Salzburg: Passion song based on the Nicodemus Gospel, G23:
• 15 Salzburg: Passion song based on the Nicodemus Gospel, G23: VII. Man brach den schachern ire beyn, G23 02:22
• Anonymous: Stabat mater (Sequence):
• 16 Anonymous: Stabat mater (Sequence) 06:38
• Monk of Salzburg: Passion song based on the Nicodemus Gospel, G23:
• 17 Salzburg: Passion song based on the Nicodemus Gospel, G23: VIII. Zu complet, G23 02:37
• Anonymous: Lubilatio (Instrumental) [Arr. for Triangle and Bells by Philipp Lamprecht]:
• 18 Anonymous: Lubilatio (Instrumental) [Arr. for Triangle and Bells by Philipp Lamprecht] 00:33
• Estampie super "Christus factus est" (gradual):
• 19 Anonymous: Estampie super "Christus factus est" (gradual) 02:50
• Monk of Salzburg: Passion song based on the Nicodemus Gospel, G23:
• 20 Salzburg: Passion song based on the Nicodemus Gospel, G23: IX. Ein absteig die besliessung, G23 (Arr. for Recorder and Bells by Anne-Suse Enssle) 01:26
• Eya der grossen liewe (G24) [Arr. for Voice, Recorder and Vielle by Philippe Lamprecht]:
• 21 Salzburg: Eya der grossen liewe (G24) [Arr. for Voice, Recorder and Vielle by Philippe Lamprecht] 02:21
• Total Runtime 56:58

Info for Nicodemus Passion

The fascinating and elusive figure of the Monk of Salzburg, whose actual name we will probably never know, has been enriched by a further work. A Passion setting that can be linked to the apocryphal Gospel of Nicodemus and which the Enssle-Lamprecht duo sensually and poetically bring to life with their incomparable virtuosity and an astonishing arsenal of medieval instruments.

Duo Enssle-Lamprecht
Susanne Ansorg, violin

Duo Enssle-Lamprecht
Virtuosic, unconventional, and brimming with the joy of playing – that is how Anne Suse-Enßle (recorder) and Philipp Lamprecht (percussion) present themselves in front of their audience. Always on the lookout for new and offbeat ideas, they take their audiences on journeys into the manifold soundscapes of our present. With a seemingly inexhaustible array of various recorder and percussion instruments, the duo focusses on the most recent contemporary music as well as music from the Middle Ages.

Formed in 2008 in Salzburg, the ensemble specialises in performing contemporary works as and sound installations as well as medieval music (dances, troubadour songs, and religious music of the time). Every once in a while, the musicians commission new compositions. Workshops at music universities in Austria and Germany are also part of both musicians’ activities. Moreover, Anne-Suse Enßle and Philipp Lamprecht also compose their own musical pieces.

Recent projects include a number of children’s concerts in collaboration with the Salzburg Mozarteum Foundation and PODIUM Esslingen as well as a complete performance concert series of the 14th-century minstrel “Mönch von Salzburg”’s oeuvre. For this concert series, the ensemble is expanded to include a range of cooperation partners (partners include the International Paul Hofhaymer Society Salzburg and others).

In 2012, the ensemble was awarded a Start Scholarship by the Austrian Ministry of Education.

Susanne Ansorg
born and raised in Arnstadt, started taking violin lessons at the age of four. From the age of 13 she learns the guitar and recorder, and later the piano. From 1989 Susanne Ansorg studied German, musicology and music education at the University of Leipzig and played in various ensembles. From 1994 she studied medieval string instruments and music theory of the Middle Ages at the Schola Cantorum Basiliensis with Randall Cook and Crawford Young.

She has performed throughout Europe, North and South America, Japan and Australia with various medieval music ensembles including Sequentia, Sarband, The Harp Consort, Boston Camerata, Belladonna, La Ziriola, Ars Choralis Coeln and Ala Aurea.

She also researches in the field of medieval instrumentology and performance practice. Susanne Ansorg holds various teaching positions and gives workshops on medieval music. She is the artistic director and coordinator of the music festival "montalbâne".

Booklet for Nicodemus Passion