Mozart Concertos 3 & 5 Rondo / Adagio Susanna Yoko Henkel & Lithuanian Chamber Orchestra
Album info
Album-Release:
2011
HRA-Release:
27.10.2011
Album including Album cover Booklet (PDF)
- Concerto No.3 in G for Violin and Orchestra, K.216
- 1 Allegro 08:09
- 2 Adagio 07:35
- 3 Rondau Allegro 06:05
- Concerto No.5 in A for Violin and Orchestra, K.219
- 4 Allegro aperto - Adagio - Allegro aperto 08:30
- 5 Adagio 10:02
- 6 Rondau Tempo di Menuetto 08:08
- Concerto in C for Violin and Orchestra, K.373
- 7 Rondo 05:28
- Concerto in E for Violin and Orchestra, K.261
- 8 Adagio 07:18
Info for Mozart Concertos 3 & 5 Rondo / Adagio
With her new album of Mozart works, the freshly-announced winner of the ECHO Klassik Award Susanna Yoko Henkel makes a dream of hers come true: the young German-Japanese violinist has executed her very own interpretations of these beloved classics from the violin repertoire. For the first time, she was not only performing as a soloist, but also as the leader of the excellent Lithuanian Chamber Orchestra.
Susanna Yoko Henkel has purposely sought a chamber-music-like, transparent ensemble sound, and, to this end, she had occupied herself with the musical practice of the era. Susanna Yoko Henkel also brings back to life an almost forgotten art that used to be completely normal in Mozart‘s time: the young violinist plays her own cadenzas, as free improvisations to the Mozart concertos. The complete experience has brought forth a recording that shakes up the existing listening habits and lets Mozart appear in a completely new light: gripping, passionate, fresh and contemporary.
Susanna Yoko Henkel, Violin
Lithuanian Chamber Orchestra
Award:
German-japanese violinst Susanna Yoko Henkel is honoured with the ECHO Klassik award 2011 for her recording of the Tchaikovsky violin concerto (concerto recording of the year 19th century / violin). Susanna Yoko Henkel: 'I am absolutely thrilled about receiving the ECHO Klassik award 2011. A dream comes true - the ECHO Klassik as the most renowned award in classical music means a huge recognition for my artistic work.'
Susanna Yoko Henkel
Susanna Yoko Henkel belongs to the leading violinists of the young generation. In 2007, the German “Welt am Sonntag” declared her to be one of Anne Sophie Mutter’s heiresses, the renowned US music journal “Strings” featured her on the cover of its January 2007 issue, and her recordings were highly praised in the trade press.
Susanna Yoko Henkel was born into a German- Japanese musical family and began to play the violin at the age of two, receiving lessons from her mother. Later, she received instruction from Conrad von der Goltz. At the tender age of 12, she enrolled at the Academy of Music in Freiburg/Germany, where she became a young protégé of Prof. Rainer Kussmaul. Later, she spent five years completing her studies at the Munich Academy under the tutelage of Ana Chumachenco.
During her studies Susanna Yoko Henkel already won numerous prizes at international competitions, among them the “Queen Elisabeth Competition” in Brussels, the “Mozart Competition” in Salzburg and the “Tibor Varga Competition” in Sion. In 1998 she placed first at the German Music Competition in Berlin, followed by a scholarship from the Dortmund Mozart Society and the “Deutsche Stiftung Musikleben”.
Her achievements in competitions were followed by an intense career as a performing soloist, appearing with leading orchestras such as the Berlin Radio Broadcasting Orchestra, the Radio Symphony Orchestras of the SWR and the MDR Leipzig, the Symphony Orchestras Aachen and Duisburg, the Orchestra of the Beethovenhalle Bonn, the Stuttgart Chamber Orchestra, the Symphony Orchestra of the Mozarteum Salzburg and the KBS Symphony Orchestra in Seoul. In 2003 Susanna Yoko Henkel was engaged as a soloist for the acclaimed “Toyota Classics” tour, leading to performances of the Mendelssohn violin concerto in Southeast Asia.
In addition to her career as a soloist Susanna Yoko Henkel is a passionate chamber musician. In 2006 she founded her own chamber music festival in Zagreb/Croatia. It is now well established as one of the country’s major cultural events and has been televised by Croatian public television HTV since 2007. Among her partners in chambermusic are Itamar Golan, Lauma Skride, Pavel and Maxim Rysanov at renowned music festivals such as the Ansbacher Bachwoche, the Ludwigsburger Schlossfestspiele, the Rheingau-Musik-Festival and the concerts in the Paris Chatelet. During the 2009/2010 season, Susanna Yoko Henkel is “Artist in Residence” of the Duisburg Philharmonic and in this capacity will not only perform and record Tschaikovsky’s Violin Concerto, but also take part in several Chamber Music projects and Youth events.
Her discography includes the Complete Recordings of Johann Sebastian Bach’s Sonatas and Partitas for Solo Violin, the chamber music works of Maurice Ravel, Sergei Prokofjev and Richard Strauss, the solo works of Ysaye, Bartók and Isang Yun and duo works for violin and violoncello by Handel/Halvorsen, Eisler, Schulhoff and Kodály.
Susanna Yoko Henkel performs on the 1710 “Ex Leslie Tate” Stradivarius, kindly loaned by a private owner
Lithuanian National Philharmonic Society
was established on December 4th, 1940. At the beginning the Society consisted of a symphony orchestra, mixed choir, and folk song and dance ensemble. LNPh’s activities were terminated in 1943, and restarted in August of 1944. In 1958–1966 it housed the Lithuanian Orchestra of Popular Music (dir. J. Tiškus). In 1963, the Concert Hall was enriched with new organ. Among other collectives, the Society involved Wind Quintet (1965–1990), Lithuanian String Quartet (1945–1996), and choir Polifonija (a member of LNPh from 1986 to 1997), as well as popular music ensembles (Nerija, Estradinės melodijos, Plius minus, V. Kernagis’ ensemble). LNPh held its divisions in Klaipėda (1963–2003) and Šiauliai (1982–2003).
Directors: J. Kardelis (1940–1941), J. Lenktaitis (1941–1943), V. Pečiūra (1944–1945), P. Sagaitis (1945–1949), B. Fedaravičius (1949–1970), D. Trinkūnas (1970–1973), P. Mendelsonas (1973–1974 and 1979–1985), G. Želvys (1975), R. Žigaitis (1975–1978), A. Budrys (1986–1988). Artistic directors: M. Šteimanas (1944–1946), B. Fedaravičius (1946–1963), R. Žigaitis (1963–1986). General directors: G. Kėvišas (1988–2000), E. Mikšys (2001–2006), R. Prusevičienė (since 2006).
Booklet for Mozart Concertos 3 & 5 Rondo / Adagio