Brahms: Violin Concerto in D Major, Op. 77 & Berg: Violin Concerto To the Memory of an Angel (Live) Christian Tetzlaff, Deutsches Symphonie-Orchester Berlin & Robin Ticciati

• Johannes Brahms (1833 - 1897): Violin Concerto in D Major, Op. 77:
• 1 Brahms: Violin Concerto in D Major, Op. 77: I. Allegro non troppo (Live) 20:38
• 2 Brahms: Violin Concerto in D Major, Op. 77: II. Adagio (Live) 07:52
• 3 Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace (Live) 07:23
• Alban Berg (1885 - 1935): Violin Concerto "To the Memory of an Angel":
• 4 Berg: Violin Concerto "To the Memory of an Angel": I. Andante. Allegretto 11:21
• 5 Berg: Violin Concerto "To the Memory of an Angel": II. Allegro. Adagio 15:20
• Total Runtime 01:02:34

Info for Brahms: Violin Concerto in D Major, Op. 77 & Berg: Violin Concerto To the Memory of an Angel (Live)

In this new concerto album one of the greatest violinist of his generation, Christian Tetzlaff, offers profound interpretations of two deeply dramatic and lyrical concertos – those of Brahms and Berg – together with the Deutsches Symphonie-Orchester Berlin conducted by Robin Ticciati.

“Reasons of substance justify the recording of the Violin Concertos of Johannes Brahms and Alban Berg on a single album: both works concern existential human states of being. For me, the concerto by Johannes Brahms is a work that in a violin concerto dares to address very dangerous, abysmal, and profound states of the soul. Here an enormous contrast between ecstasy and total lonely isolation is in evidence. (...) Brahms also has a lot to say about pain. That’s rare in violin concertos – and links the Brahms concerto to the one by Alban Berg. I’ve been playing both concertos for 40 years – and I’ve played both of them, taken together, much more than 300 times. Here it seems to me as though the experience of these pieces changes one’s own life.” (Christian Tetzlaff’s liner notes)

Christian Tetzlaff, violin
Deutsches Symphonie-Orchester Berlin
Robin Ticciati, conductor

Christian Tetzlaff
is considered one of the world’s leading international violinists and maintains a most extensive performing schedule. Musical America named him ‘Instrumentalist of the Year’ in 2005. His recording of the Bartók Violin Concertos (ODE 1317-2) received both Gramophone and ICMA Awards, and the recording was also a finalist for the BBC Music Award in 2019. His recording of the Violin Concertos by Mendelssohn and Schumann, released on Ondine in 2011 (ODE 1195-2), and Bach Sonatas and Partitas released in 2017 (ODE 1299-2D) received the ‘Preis der deutschen Schallplattenkritik’. In addition, in 2015 ICMA awarded Christian Tetzlaff as the ‘Artist of the Year’, and he also received ECHO ‘Instrumentalist of the Year’ award in 2017. His recordings on Ondine with Brahms’ Trios (ODE 1271-2D) and Violin Concertos by Dvorák and Suk (1279-5), released in 2015 and 2016, earned GRAMMY nominations.

Deutsches Symphonie-Orchester Berlin (DSO Berlin)
For more than 70 years the Deutsches Symphonie-Orchester Berlin (DSO Berlin) has distinguished itself as one of Germany’s leading orchestras. Founded as the RIAS Symphony Orchestra in 1946, it was renamed the Radio Symphony Orchestra Berlin in 1956 and has borne its current name since 1993. Robin Ticciati has led the DSO as its music director since the 2017–18 season. Since its inception, the orchestra has been able to retain outstanding artist personalities, including Ferenc Fricsay, Lorin Maazel, Riccardo Chailly, Vladimir Askenazy, Kent Nagano, Ingo Metzmacher, and Tugan Sokhiev.

Robin Ticciati
has been Music Director of the Deutsches Symphonie-Orchester Berlin since 2017 and Music Director of Glyndebourne Festival Opera since 2014. He was Principal Conductor of the Scottish Chamber Orchestra from 2009–18. His highly acclaimed discography includes recordings of works by Berlioz, Haydn, Schumann, Brahms, Dvořák, Bruckner, Duparc and Ravel. Born in London, Robin Ticciati is a violinist, pianist and percussionist by training. He was a member of the National Youth Orchestra of Great Britain when, aged fifteen, he turned to conducting under the guidance of Sir Colin Davis and Sir Simon Rattle. He holds the position of ‘Sir Colin Davis Fellow of Conducting’ at the Royal Academy of Music.

Booklet for Brahms: Violin Concerto in D Major, Op. 77 & Berg: Violin Concerto To the Memory of an Angel (Live)