Sings Lonely and Blue Roy Orbison

• 1 Only the Lonely 02:24
• 2 Bye Bye Love 02:14
• 3 Cry 02:41
• 4 Blue Avenue 02:19
• 5 I Can't Stop Loving You 02:43
• 6 Come Back to Me (My Love) 02:27
• 7 Blue Angel 02:51
• 8 Raindrops 01:52
• 9 (I'd Be) A Legend in My Time 03:08
• 10 I'm Hurtin' 02:42
• 11 Twenty-Two Days 03:07
• 12 I'll Say It's My Fault 02:21
• Total Runtime 30:49

Info for Sings Lonely and Blue

Roy's Monument era began here! This 1961 album has his breakthrough hits 'Only the Lonely' (perhaps the definitive Orbison ballad); 'Blue Angel,' and 'I'm Hurtin'.'. Roy Orbison's first album recorded for Monument was released in 1961 and features 'Come Back To me (My Love)' and 'Only The Lonely'. The third single for Fred Foster’s Monument label was “Only the Lonely”, which became the first song that truly probed the frightening potential of Roy Orbison’s voice, and established his uniqueness. The song peaked at number 2 on the Billboard Charts and became number 1 in the UK.

A few things contributed to Roy Orbison’s success. The songs, the production, and the performance were key factors. The songs were completely original in structure, sound and style. Totally innovative compositions, that didn’t exist until then. It became a style. Fred Foster really went for quality instead of quantity. He was willing to splash money on a session without any guarantee of payback. He was also willing to take a chance on a sound that did not conform to accepted market norms.

Roy Orbison was one of the few hit-makers to hold his ground, and even to increase his popularity in the wake of the so-called British Invasion. He did it by maintaining a matchless quality of releases, with an original variety of content, structure, tempo and rhythm. He was also an extremely subtle song craftsman, making changes during the course of a session, or between sessions, adding the final commercial gloss to a song.

'Not only a breakthrough for Roy Orbison... but also for rock & roll. Up to that point, apart from Elvis Presley -- who was in a class by himself -- few white rock & rollers had even tried to make as bold a use of the LP as what we hear on this record. Orbison, his collaborator Joe Melson, and producer Fred Foster turned the singer's debut long-player into a huge canvas for a sound that combined rock & roll's beat, Nashville's countrypolitan sound, and the singer's unique multi-octave range and operatic intensity into something unique in music. The single 'Only the Lonely' may have been the most accessible and commercial side of this new sound, but the whole album was packed with great moments and different permutations of that sound...' (AMG)

Recorded from September 1959 - September 1960
Engineered by Bill Porter
Produced by Fred Foster

Mastered by Bernie Grundman from the Original Analog Master Tapes

Roy Kelton Orbison
was born on April 23, 1936 at 3:30 pm, in Vernon, Texas. Nadine, his mother, was a nurse. Orbie Lee, his father, a worker. Roy was their second child. For his sixth birthday, Roy asked for a harmonica, but fortunately his daddy gave him a guitar. Orbie Lee is generally credited with teaching Roy to play guitar. However, he also learned from Charlie Orbison, Orbie Lee's brother, and Kenneth Schultz, brother of Nadine's. Together with Clois Russell, Orbie Lee's neighbor and workmate, they would often play and sing. The first song Roy ever played was the classic "You Are My Sunshine". He learned very quickly, so that way he could stay up late with the grown-ups and sing.

The Orbison family moved to Forth Worth sometime in 1942. In Forth Worth, they found employment in the munitions and aircraft factories that had been expanded due to America's entry into World War II. But due to epidemic polio in 1944, Roy and his elder brother Grady were sent back to live with their maternal grandmother, a divorcee, in Vernon. Roy Orbison wrote his first song "A Vow of Love", in front of his grandmother's house the same year. In 1945 he entered and won a contest on KVWC in Vernon and this led to his own radio show singing the same songs every Saturday. In 1946 a medicine show came to town and Roy entered the talent contest singing "Mountain Dew" and "Jole Blon", and tied for first place with a 15-year-old kid. The total prize was $15, so he got $7.50 and gave his buddy half of that for carrying his guitar.

When the War was over, the family re-united in Vernon and soon moved out west to Wink, Texas, in late 1946. He formed his first band when he was thirteen, in 1949. They called themselves The Wink Westerners.

In 1951 Roy had been appearing regularly on KERB radio in Kermit. By 1953 the band, got their own show on KERB sponsored by local businessmen one day a week before school. The Wink Westerner's first appearance was at one of the school assemblies. They were also featured on the KERB Jamboree on Saturday afternoons with local Country & Western bands. The first songs they played were "Kaw-liga", "Mexican Joe", "Caribbean", and "Under the Double Eagle". But they were not only country, little by little they began playing and making string arrangements for Big-Band standards and instrumentals like "In The Mood" or "Little Brown Jug" as well as Pop standards. During the summer, Orbison would work for the County shoving tar, or work in the oil fields chopping steel or painting water towers. He used to be part of the marching band and singing octet, and at some point or another tried to play the baritone horn. He even had become the manager of Wink High school's Kittens football team in 1952.

At one of the band's gigs in McCamey's Lions Club, somebody offered them to play a dance and pay them for it. The pay for that gig was as good as a hard working week's pay, so they agreed to do it even though they only knew 4 or 5 songs. They learned some more tunes in a rush practicing at the Community Center, and started getting paid for what they liked doing. They were invited to tour West Texas with R. A. Lipscomb who was running for the office of district governor of the Lions Club in 1953. They attended the 36th International Lions Club Convention in Chicago from July 3rd to July 11th of that year... Together with Mr. Lipscomb, they all stayed at the Conrad Hilton Hotel and the Wink Westerners performed in the front lobby. Roy graduated from Wink High in June 1954 and signed up to attend the fall seminar at the North Texas State College in Denton, returned home for Christmas and played the New Year Dance on December 31st 1954 with the Wink Westerners.

Wade Lee Moore and Dick Penner where two college friends of Roy's at Denton and they had written "The Ooby Dooby". Dick Penner arranged for them to record his song at Jim Beck's studio in the outskirts of Dallas, Texas, which is South-East of Denton. Beck had been instrumental in the discovery of Lefty Frizzell and Marty Robbins for Columbia Records, so the band headed for Dallas to record "Ooby Dooby" and "Hey, Miss Fannie" which appears to be a duet of Roy Orbison and James Morrow. The session took place at some point during the summer of 1955 before the boys returned to West Texas. Roy was convinced that they would be signed to Columbia Records, which never happened. … Visit: www.royorbison.com

This album contains no booklet.