Reflection Brian Eno

• 1 Reflection 01:05:24
• Total Runtime 01:05:24

Info for Reflection

"Reflection is the most recent of my Ambient experiments and represents the most sophisticated of them so far. My original intention with Ambient music was to make endless music, music that would be there as long as you wanted it to be. I wanted also that this music would unfold differently all the time - ‘like sitting by a river’: it’s always the same river, but it’s always changing.

"My job as a composer is to set in place a group of sounds and phrases, and then some rules which decide what happens to them. I then set the whole system playing and see what it does, adjusting the sounds and the phrases and the rules until I get something I'm happy with. Because those rules are probabilistic ( - often taking the form 'perform operation x, y percent of the time') the piece unfolds differently every time it is activated. What you have here is a recording of one of those unfoldings. Reflection is so called because I find it makes me think back. It makes me think things over. It seems to create a psychological space that encourages internal conversation. And external ones actually - people seem to enjoy it as the background to their conversations. When I make a piece like this most of my time is spent listening to it for long periods - sometimes several whole days - observing what it does to different situations, seeing how it makes me feel. I make my observations and then tweak the rules. Because everything in the pieces is probabilistic and because the probabilities pile up it can take a very long time to get an idea of all the variations that might occur in the piece. One rule might say 'raise 1 out of every 100 notes by 5 semitones' and another might say 'raise one out of every 50 notes by 7 semitones'. If those two instructions are operating on the same data stream, sometimes - very rarely - they will both operate on the same note...so something like 1 in every 5000 notes will be raised by 12 semitones. You won't know which of those 5000 notes it's going to be. Since there are a lot of these types of operations going on together, on different but parallel data streams, the end result is a complex and unpredictable web. Perhaps you can divide artists into two categories: farmers and cowboys. The farmers settle a piece of land and cultivate it carefully, finding more and more value in it. The cowboys look for new places and are excited by the sheer fact of discovery, and the freedom of being somewhere that not many people have been before. I used to think I was temperamentally more cowboy than farmer... but the fact that the series to which this piece belongs has been running now for over 4 decades makes me think that there's quite a big bit of farmer in me." (Brian Eno)

"Reflection is a product for everyone; not just the music lover. Yes, the music alone can be easily appreciated for its virtuosity; however, the whole package assists people with their day-to-day lives and provokes mindfulness and interaction with the wider world." (The Line of Best Fit)

"In 2016, as he was preparing for the release of Reflection, Brian Eno admitted that he wasn't quite sure what the term "ambient music" even means anymore. It's been used to describe everything from atmospheric techno to tense, foreboding sound sculptures. For him, it's always referred to generative compositions, unrestricted by time constraints or rhythmic structures, and often left to chance. Reflection continues with the type of albums he initiated with 1975's untouchable Discreet Music. The piece slowly unfolds over the course of an hour, with notes calmly being suspended in mid-air, only to drift away and pop up later at their leisure. Occasionally, there's a cosmic sweep that wisps away in the background at infrequent intervals, providing the biggest element of surprise to the album. Reflection is languid and relaxed, but it's still somewhat somber -- it's meant to be relaxing, but it's not entirely relaxed itself. In terms of similar Eno albums, it's not as sparse or glacial as Neroli, not quite as vivid as Lux, and clearer than Thursday Afternoon. As with all of his ambient works, it's minimal and non-distracting, but there are subtle alterations and changes, and it does reward any amount of attention paid to it. In its recorded form, Reflection has a proper ending -- the last few minutes fade out very slowly. However, with this work, Eno took advantage of technology and also released it as an app, endlessly generating music and visuals that continue changing throughout the day for as long as the listener cares to have it going on." (Paul Simpson, AMG)

Brian Eno

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