The Day I Had Everything Malija

• 1Squared05:26
• 2Mr Wrack04:23
• 3Unknown04:23
• 4The Pianist04:47
• 5Wheels05:49
• 6Malija05:40
• 7Amost A Tango06:42
• 8Blues03:33
• 9One For Us04:10
• 10Wayne's World06:58
• 11With One Voice04:13
• Total Runtime56:04

Info for The Day I Had Everything

If New Orleans was the first city of jazz; New York, the city that never sleeps: the home of bebop; Paris the city of 50s cool, then, arguably, that dynamic, cosmopolitan, constantly self-reinventing megacity London is the jazz burg of the 21st century.

To a visitor, London is overwhelming – a monster that consumes all in its path, grimey, overcrowded and intense. But it’s been said that London is a collection of villages and to the resident, subtle differences emerge between boroughs, within districts, even along streets. The yearly cycle brings its own complexity. The constant movement of people, wealth and cultures within the smoke create new patterns that are ever changing but are hugely influential on Londoners in obscure and cryptic ways.

The interlinking, interconnectedness of this jazz trio mimics the narrative of the great city. Individual musicians with their own geography, architecture and psychology, their connections with each other pulse in the same dynamic and energetic way that the city’s blood vessels continually pump. The rhythm of the city is a subtle undercurrent in the rhythmic interplay of Malija. The city has got under their skin and become part of what they play.

As Mark Lockheart explains: ‘The Day I Had Everything is about many musical things, often styles and influences that have come from our many diverse musical experiences working and devloping in London’s vibrant jazz scene. The melting pot of London’s multi-faceted music scene is reflected in the compositions ,to me this is London jazz music , distinct and different from the American sound”.

“The London music scene of the 1980’s and 90’s had a big impact. I was gigging with Reggae and African bands as well recording with some of the many London indie groups around at that time- all these things influenced my music making.”

Their first collaboration was back in 2009, when the three musicians recorded and toured with Mark Lockheart’s acclaimed album ‘In Deep’, a record that not only bought these three musicians together as part of a quintet but initiated a long term collaboration between Edition and Jasper Høiby’s Phronesis. Since then, each of them has developed so great a mutual respect and friendship that to form a trio seemed the most logical and natural next step.

‘The Day I Had Everything’ magnifies what is beautiful about great jazz. The subleties and sophisticated group interaction offers countless rewards. The original material by all three members has many diverse influences including bluegrass, tango , a 1930’s jungle feel and even references to English classical music. Jasper describes the music as “simple, weird, complicated, free, tight, beautiful, ugly and heartfelt depending on your mood”.

’The Day I Had Everything’ is a reference to the sheer excitement one has as a child getting up in the morning and not being able to decide what to do first – everything seems so shiny and new . The coming together of Malija was like this – the three of us bringing in our compositions and developing them into something tangible , then the sheer fun of exploring the music in the recording studio”

“Malija delivers the expected deliciously abstruse riches a-plenty, peppered with humour, melodic wit, irregular groove and a vivid descriptive quality.” (MOJO, UK)

Mark Lockheart, saxophones, bass clarinet
Jasper Høiby, double bass
Liam Nobel, piano

Recorded at Fieldgate Studios, Cardiff, 19/20 May 2015
Recorded and mixed by Alex Kilpartrick
Mastered by Andrew Tulloch at The Blue Studio
String arrangements by Mark Lockheart
Strings on track 2 and 11 by Ligeti Quartet
Ligeti Quartet recorded at Trinity/Laban Studio, London by Andrew McDonnell

Malija
was formed in 2014 as a result of an invite play at the Xerox Rochester International Jazz Festival in New York. All highly respected and innovative bandleaders in their own right, this all-star trio brings together three of the most exciting and original jazz musicians/composers in the UK. Featuring original material by all three members, the trio’s diverse influences include bluegrass, tango and old-fashion jungle grooves. It’s hard to describe this music but perhaps Jasper put it brilliantly when he described the trio’s music as “weird, simple, complicated, free, tight, floaty, ugly, beautiful and heartfelt depending on your mood”.

Their first collaboration was back in 2009, when the three musicians recorded and toured with Mark Lockheart’s acclaimed album ‘In Deep’, a record that brought these three musicians together as part of a quintet. Since then, each of them has developed a huge mutual respect and friendship, that to form a trio seemed the most logical and natural next step.

Malija has just recorded its debut album and the eleven varied tracks will be released on CD and Vinyl on the Edition label on 27th November 2015.

Mark Lockheart irst came to prominence in the mid 1980s with the influential big band Loose Tubes. In 1992 Mark formed the eclectic co-led quartet Perfect Houseplants, a group that released six albums and collaborated with classical artists such as the Orlando Consort, Andrew Manze and Pamela Thorby.

Mark has toured and recorded with many artists from the jazz, folk and pop world including: Django Bates, Kenny Wheeler, June Tabor, Stereolab, Mark Anthony Turnage, Orlando Consort, John Pattitucci, Peter Erskine, Robert Wyatt, Don Um Romao, Jah Wobble, Thomas Dolby and Radiohead.

In 2003 Mark joined Seb Rochford’s Polar Bear, which has recorded six ground-breaking albums. The band’s second CD, ‘Held On The Tips Of Fingers,’ was nominated for the 2005 Mercury Award and later appeared in Jazzwise’s ‘100 Albums That Shook the World.’ The band’s fifth album ‘In Each And Every Way’ was also nominated for a Mercury award in 2013.

In 2009 Mark released his influential ‘In Deep’ album (Edition Records). The Manchester Evening News gave it five stars and said it was “the key record of the second golden age of British jazz.” In 2010 Mark was awarded APPJC Parliamentary Jazz Musician of the Year and released his first big band album ‘Days Like These’ with the Hamburg- based NDR big band.

In 2013 Mark’s ‘Ellington In Anticipation’ was released to critical acclaim with BBC Music Magazine describing it as “Ellington for the 21st Century” and MOJO listing it as the best jazz album of 2013.

“Lockheart is a consummate saxophonist and an original composer.” - The Rough Guide to Jazz

Liam Noble has worked towards developing a personal style formed from his experience of playing everything from standards, new composition, free improvisation and, most recently, electronics. His CD releases include “Close Your Eyes” (1994), “In The Meantime” (2001), “Romance Among The Fishes” (2004) and “Brubeck” (2007). In addition to his own projects, he has regular associations with saxophonists Julian Siegel and Bobby Wellins, singer Christine Tobin and the improvising trio “Sleepthief” with Tom Rainey and Ingrid Laubrock. He has performed with many musicians from the UK and US including trumpeter Peter Evans, rhythm team Larry Grenadier and Eric Harland, and improvising viola master Mat Maneri.

His new quintet, in which his trio with Dave Whitford and Dave Wickins is augmented by the twin horns of Chris Batchelor and Shabaka Hutchings, features new material that veers in and out of hard bop, bluegrass and tuneful ballads via a deliberately loose approach to improvisation within carefully honed structures.

This album contains no booklet.