Berlioz: Harold in Italy, Op. 16, H 68 (Remastered) Daniel Barenboim

• Hector Berlioz (1803-1869): Harold in Italy, Op. 16, H 68:
• 1 I. Harold in the Mountains 16:14
• 2 II. March of the Pilgrims 08:27
• 3 III. Sérénade 07:30
• 4 IV. Orgy of the Brigands 12:54
• Total Runtime 45:05

Info for Berlioz: Harold in Italy, Op. 16, H 68 (Remastered)

Can there be a more prodigiously gifted and versatile musician in the world today than Daniel Barenboim? Symphonic and opera conductor as well concert pianist, recitalist, chamber musician, Lieder accompanist par excellence, the Argentinian-born Israeli Renaissance man of music is also one of the most extensively recorded artists of all time. Sony Classical is proud to present the first complete retrospective collection of his albums for CBS/Sony Classical and RCA Red Seal.

Barenboim the pianist made his first commercial recordings in 1958 and soon began documenting his refreshing, vital interpretations of Mozart and Beethoven on disc. Before long he had added conducting to his already intensive musical activities, in 1965 beginning a close relationship with the English Chamber Orchestra. Much of that collaboration is to be found in Sony’s vast new set, notably Mozart concerto recordings in which Barenboim’s deep understanding of the composer is placed in the service of violinists Isaac Stern and Pinchas Zukerman.

Soon Barenboim was conducting virtually all the leading European and American symphony orchestras. Among the ensembles spotlighted in the new collection is the London Philharmonic, with whom he made a series of distinguished Elgar recordings, including “a red-blooded passionate performance” (Penguin Guide) of the Second Symphony: “The playing of the LPO is superb throughout and the orchestra responds to Barenboim’s every whim … Music seldom brings actual tears to my eyes, but I confess that the playing of the very soft last bars, from the molto lento, did” (Gramophone).

Another treasurable Barenboim/LPO project found him partnering the legendary Arthur Rubinstein in the complete Beethoven Piano Concertos (when his own recording as a soloist accompanied by Otto Klemperer had already become a catalogue landmark). Of this 1977 Grammy winner for “Best Classical Album”, Gramophone wrote: “Have the Beethoven concertos ever been better accompanied, if accompaniment is the right word? … In each work [Barenboim and the orchestra] provide an opening tutti of such weight, richness of characterization and beauty of sound that the entry of the soloist, so splendidly prepared for, comes almost as an anti-climax. It is a little while before even Rubinstein's personality can match the splendour of the scene which has been set for him.”

The list of Barenboim’s other remarkable collaborations in this set is too long to be detailed here. A few examples must suffice: with Itzhak Perlman, the Brahms Violin Sonatas – not only on CD, but now for the first time on DVD; with Isaac Stern, Beethoven’s Violin Concerto (New York Philharmonic) and Saint-Saëns Third Concerto (Orchestre de Paris); with Jacqueline du Pré, the Elgar Cello Concerto with the Philadelphia Orchestra; with Pinchas Zukerman, the Elgar Violin Concerto (London Philharmonic) – “a reading which gloriously combined the virtuoso swagger of a Heifetz with the tender, heartfelt warmth of the young Menuhin. Barenboim is a splendid partner” – and viola soloist in Berlioz’s Harold in Italy (Orchestre de Paris); with John Williams, guitar concertos by Rodrigo and Villa-Lobos (English Chamber Orchestra); and with Dietrich Fischer-Dieskau, Mahler song cycles (Berlin Philharmonic).

The wide range of symphonic works in this collection finds Daniel Barenboim conducting Tchaikovsky’s Fourth (New York Philharmonic); Beethoven’s Seventh from the legendary 1989 Berlin Wall concert , Schubert’s “Unfinished” and Berlioz’s “Fantastique” (Berlin Philharmonic); and Schoenberg’s Pelleas und Melisande (Orchestre de Paris). Barenboim the soloist can also be heard in piano concertos by Brahms (with Zubin Mehta and the New York Philharmonic) and Beethoven (conducting the Berlin Philharmonic himself from the keyboard). There’s also a large-scale choral work, the Berlioz Te Deum, in an imposing recording made in St. Eustache with Orchestre de Paris forces.

Digitally remastered

Daniel Barenboim
one of the outstanding musical figures of our time, was born in Buenos Aires to parents of Russian-Jewish descent. He began piano lessons at the age of five with his mother, continued musical studies with his father, and gave his first official concert in Buenos Aires when he was seven. In 1952, the family moved to Israel, and two years later his parents took Daniel to Salzburg to take part in Igor Markevitch’s conducting classes. In 1955 and 1956, he studied harmony and composition with Nadia Boulanger in Paris.

Following his debut in Vienna and Rome in 1952, Barenboim soon became known as one of the most versatile pianists of his generation. Major debuts followed in Paris (1955), London (1956) and New York (1957), where he performed with Leopold Stokowski. His recording career began in 1954. In the 1960s, he set down the Beethoven concertos with Otto Klemperer, the Brahms concertos with Sir John Barbirolli, and, as both pianist and conductor, all the Mozart with the English Chamber Orchestra. Always active as a chamber musician, he performed most frequently with his late wife, cellist Jacqueline du Pré, and violinists Itzhak Perlman and Pinchas Zukerman. In song recitals, he has accompanied such artists as Dietrich Fischer-Dieskau, Dame Janet Baker, Thomas Quasthoff, Anna Netrebko, Jonas Kaufmann and Magdalena Kožená.

From the mid-1960s, Barenboim began to devote more time to conducting. From 1975 to 1989 he was chief conductor of the Orchestre de Paris, with whom he often performed contemporary works by composers such as Lutosławski, Berio, Boulez, Henze, Dutilleux and Takemitsu. In 1973 he made his opera debut at the Edinburgh Festival and in 1981 his debut at the Bayreuth Festival, where over 18 consecutive summers he conducted Tristan und Isolde, Ring, Parsifal and Die Meistersinger. In 1991, he succeeded Solti as music director of the Chicago Symphony and in 2006 was named “honorary conductor for life”. In 1992, he became general music director of Berlin’s Deutsche Staatsoper, and in 2000, the Berlin Staatskapelle appointed him “chief conductor for life”. He also appears regularly with the Berliner Philharmoniker and the Wiener Philharmoniker, with whom he led the 2014 New Year’s Concert.

In 1999, together with the late Palestinian-born writer and Columbia University professor Edward Said, Barenboim founded the West-Eastern Divan workshop and orchestra, bringing together talented young musicians from Egypt, Syria, Lebanon, Jordan, Tunisia and Israel to make music under the guidance of some of the world’s finest musicians. The workshop seeks to enable dialogue between the various cultures of the Middle East and promote the experience of playing music together. In summer 2005, the West-Eastern Divan Orchestra presented a concert of historic significance in the Palestinian city of Ramallah, which was telecast and recorded for DVD. In summer 2013, the orchestra and Barenboim toured Europe, performing in Lucerne and Salzburg, among other major festivals, and at the Berlin Waldbühne. In summer 2014 they will be giving concerts at the Teatro Colón of Buenos Aires as well as the Salzburg and Lucerne Festivals, including concert performances of Tristan und Isolde. Musicians of the Berlin Staatskapelle have participated as teachers in this project since its inception. Barenboim also initiated a project for music education in the Palestinian territories, which includes a music kindergarten as well as a youth orchestra.

In 2007, Barenboim began a close relationship with the Teatro alla Scala in Milan, where he conducts opera and concerts as well as playing chamber music. In 2011 he was appointed music director of the legendary Milan institution. Both there and in Berlin, beginning in 2010, he has conducted Guy Cassier’s new staging of the Ring (he also conducted the complete cycle with the Berlin Staatskapelle during the 2013 BBC Proms at London’s Albert Hall). With the Orchestra Filarmonica della Scala his projects have included the Verdi Requiem in Milan and on tour to the Lucerne and Salzburg festivals and the Berlin Philharmonie, as well as at the Bolshoi Theatre in Moscow, where he also conducted Don Giovanni with the Scala forces.

Other Barenboim appearances in 2013-14 include concerts with the Berlin Staatskapelle in Berlin, St. Petersburg, Dresden, Vienna, Istanbul, at the Enescu Festival in Bucharest and in Armenia; Rimsky-Korsakov’s opera The Tsar’s Bride at La Scala and Berlin, Così fan tutte at La Scala; and Wozzeck, Don Giovanni, Il trovatore, Simon Boccanegra and Tannhäuser in Berlin. His solo appearances include performances of the Brahms First Piano Concerto with Sir Simon Rattle and the Berliner Philharmoniker and the Second with Zubin Mehta and the Berlin Staatskapelle plus recitals throughout Germany as well as in Milan and Mallorca.

For his efforts towards reconciliation in the Middle East as well as his musical achievements, Barenboim has been the recipient of many prizes and honours, among them the titles of Grand Officier in France’s Légion d’Honneur and Knight Commander of the British Empire (KBE), Germany’s Grosses Verdienstkreuz mit Stern, Spain’s Príncipe de Asturias Prize (jointly with Edward Said), Japan’s “Praemium Imperiale” for art and culture, Israel’s Wolf Foundation Arts Prize, the Evangelische Akademie’s Tolerance Prize, the Buber-Rosenzweig Medal, Willy Brandt Prize, Ernst von Siemens Music Prize and Herbert von Karajan Music Prize.

Barenboim’s books include his autobiography A Life in Music (also published in German, French and Spanish), Parallels and Paradoxes (with Edward Said, also in French), Music Quickens Time (also in French, Italian, German and Spanish), An Orchestra Beyond Borders: Voices of the West-Eastern Divan Orchestra (with Elena Cheah), Dialogue sur la musique et le théâtre: Tristan et Isolde (with Patrice Chéreau; also in Italian) and La musica è un tutto (also in French).

Barenboim began his close association with Deutsche Grammophon in 1972. His vast discography on the Yellow Label features the artist as conductor of orchestral repertoire (by composers including Berlioz, Bruckner, Debussy, Elgar, Hindemith, Ravel, Saint-Saëns, Schumann, Tchaikovsky and Wagner) and opera (Cimarosa, Massenet, Saint-Saëns, Tchaikovsky and Wagner) and as pianist in concertos (Beethoven and Berg), chamber music (Brahms and Mozart), song recitals (with Dietrich Fischer-Dieskau, Christa Ludwig, Jessye Norman, Anna Netrebko and Thomas Quasthoff) and solo repertoire (Beethoven, Chopin, Mendelssohn and Schubert).

In 2010, Daniel Barenboim signed a wide-ranging new contract with Decca/Deutsche Grammophon. DG releases under the new agreement to date include Bruckner’s Seventh Symphony (with the Berlin Staatskapelle), the Chopin Concertos (with Andris Nelsons conducting the Berlin Staatskapelle), the Liszt Concertos (with Pierre Boulez and the Berlin Staatskapelle) and “The Warsaw Recital” (Chopin). Decca has issued the Tchaikovsky “Pathétique” Symphony and Schoenberg’s Variations for Orchestra (with the West-Eastern Divan Orchestra) and a vast project entitled “Beethoven for All”, including the complete cycle of Nine Symphonies with Barenboim conducting the West-Eastern Divan Orchestra, released in June 2012, followed in August by another new set containing the Five Piano Concertos, with Barenboim at the keyboard and conducting the Berlin Staatskapelle, and in October by the complete Piano Sonatas. 2013 audio releases included Berlioz’s Symphonie Fantastique and Liszt’s Les Préludes with the West-Eastern Divan Orchestra and the Verdi Requiem from La Scala (also on DVD and Blu-ray); video releases include Barenboim’s 70th Birthday Concert at the Berlin Philharmonie and the nine Beethoven Symphonies with the West-Eastern Divan Orchestra live from the BBC Proms 2012. Scheduled for 2014: audio releases of Schubert’s complete Piano Sonatas and Elgar’s Second Symphony with the Berlin Staatskapelle; and Berg’s Lulu from Berlin’s Schillertheater released on DVD.

This album contains no booklet.