Tales from Sardinia: Music for Flute and Guitar Cordas et Bentu Duo, Francesca Apeddu, Maria Luciani

• Cristiano Porqueddu: Janas:
• 1 Porqueddu: Janas: I. Risveglio 02:42
• 2 Porqueddu: Janas: II. Volo segreto 01:24
• 3 Porqueddu: Janas: III. Incanto 04:11
• 4 Porqueddu: Janas: IV. Fili dorati 01:34
• 5 Porqueddu: Janas: V. Pulviscolo d'aurora 03:08
• Roberto Piana (b. 1971): Contos de foghile:
• 6 Piana: Contos de foghile: I. La principessa di navarra 00:52
• 7 Piana: Contos de foghile: II. Sa filonzana 01:14
• 8 Piana: Contos de foghile: III. Janas 01:27
• 9 Piana: Contos de foghile: IV. Su mortu mortu 01:35
• Cristiano Porqueddu: Concertino di Alghero:
• 10 Porqueddu: Concertino di Alghero: I. Contas de dolças rondallas 06:16
• 11 Porqueddu: Concertino di Alghero: II. En l'alba clara 03:55
• 12 Porqueddu: Concertino di Alghero: III. Les fulles més no tremolen 04:52
• Alfredo Franco: Memorie di Nora:
• 13 Franco: Memorie di Nora 06:52
• Franco Cavallone (b. 1957): Ammentos de sidhàdos et janas:
• 14 Cavallone: Ammentos de sidhàdos et janas: I. Bentu - Janas 02:29
• 15 Cavallone: Ammentos de sidhàdos et janas: II. Ácua - Pozzo di Santa Cristina 01:41
• 16 Cavallone: Ammentos de sidhàdos et janas: III. Térra - Nuraghe 02:18
• Francesco Morittu: Attítus:
• 17 Morittu: Attítus: I. Prologo 01:39
• 18 Morittu: Attítus: II. Movida 03:02
• 19 Morittu: Attítus: III. Boghe d'ànghelu 04:34
• 20 Morittu: Attítus: IV. Maténna 02:26
• Total Runtime 58:11

Info for Tales from Sardinia: Music for Flute and Guitar

For the Cordas et Bentu Duo, Sardinia has always been a source of inspiration; the ensemble’s name, Sardinian for “strings and wind”, is an homage to the island’s culture. Apeddu and Luciani’s mission to find original compositions connected to their roots began after hearing the stunning Acabbadora for guitar by Francesco Morittu, and the Duo would commission a new work from him: Attítus for alto flute and guitar. That was the first step in a project that went on to see them commission a range of composers from Sardinia and beyond to write music celebrating Sardinia. Traditionally, families would gather in front of the fire after dinner to tell each other stories from legends and ancient myths. Contos de foghile (Tales from the fireside), by the Sardinian composer Roberto Piana, is divided into four short episodes, each dedicated to a different story. The island’s fascinating mythology includes epic tales, monstrous creatures and legendary beings, and without a doubt the key players in these fables are the Janas, beautiful little creatures with a dark side – at times fairies or witches – who have extremely delicate skin that must avoid sunlight. These five short compositions depict a few moments from the lives of these mythological creatures, from the moment they wake until the dawn, when they go back into their caves to avoid being burned. According to Sardinian tradition, the Attítus are laments sung by wailers at a funeral. These dirges are highly repetitive in nature but can change suddenly and take on a very different tone depending on what the singer wants to express about the deceased. This piece is made up of four episodes. Composed at the height of lockdown in March 2020, it came from the need to give grant some mental space to death, understood in cultural rather than biological terms. As the title suggests, Memorie di Nora is a piece that takes inspiration from the archaeological site of the same name and is intended to evoke a possible imagined past for it. The composition, formally a fantasia, is made up of several parts that flow seamlessly from one to the next, invoking ancient rituals and dances as if to celebrate their survival in the traces of temples and mosaics overlooking the sea. Ammentos de siddhàdos et janas (Memories of treasures and fairies) is a short suite, originally titled Three Sardinian impressions, that expresses the composer’s emotions, thoughts and memories from his brief stay on the island. A unique piece inspired by the birthplace of the musicians to whom it is dedicated, Concertino di Alghero is an homage to Maria Chessa Lai, a primary school teacher and poet who wrote predominantly in Algherese. This dialect, an ancient branch of Catalan, is a linguistic island within an island. The work’s three movements trace a musical outline of one of many possible readings of Maria Chessa Lai’s Algherese poem En Dins De Mi.

Cordas et Bentu Duo:
Francesca Apeddu, flute
Maria Luciani, guitar

Cordas et Bentu Duo
Francesca Apeddu, flutist, and Maria Luciani, guitarist, debuted as Cordas et Bentu Duo in 2013, choosing a Sardinian name, “strings and wind” as a tribute to their homeland. Since then they have performed in Italy, Germany, Switzerland, Croatia and Spain.

Both obtained the diploma with honors at the Sassari Conservatory of Music, with Carmelita Scano and Roberto Masala.

As a duo they received the Diploma of Merit, reserved for the best students of Oscar Ghiglia, at the Chigiana Music Academy in Siena. They recently obtained with honors a Master's Degree in Chamber Music II level at the Parma Conservatory, where they studied with the Parma Trio (Enrico Bronzi, Ivan Rabaglia and Alberto Miodini) together with Pierpaolo Maurizzi and Danusha Waskiewicz.

Maria and Francesca owe their musical growth to the many Maestros they met during their training: Michele Nurchis (their first chamber music teacher), Giampaolo Bandini, Massimo Felici, Frédéric Zigante, Arturo Tallini, Lucia Pizzutel.

They have won several international competitions, such as the 1st Prize in the “IX International Chamber Music Competition with Guitar “Ciutat d'Elx” (Spain) and the 1st Prize in the “20th Transilvania Guitar Festival – Chamber Music Section, Dumitru Capoianu Competition” in 2022, 1st Prize at the Bale-Valle International Competition (Croatia) in 2017, 1st Prize at the “Nilo Peraldo Bert” International Competition in Piedicavallo (Biella) in 2017, 2nd Prize at the Paganini International Competition in Parma in 2019 and others.

Booklet for Tales from Sardinia: Music for Flute and Guitar