Tricycles Larry Coryell with Paul Wertico & Marc Egan

• 1 Immer geradeaus 06:38
• 2 Dragon Gate 08:30
• 3 Good Citizen Swallow 06:11
• 4 Tricycles 06:23
• 5 Stable Fantasy 04:30
• 6 Spaces Revisited 08:54
• 7 Round Midnight 08:37
• 8 Three Way Split 03:43
• 9 Well You Needn't 05:29
• 10 She's Leaving Home 03:02
• Total Runtime 01:01:57

Info for Tricycles

„Tricycles“ sees virtuoso guitarist Larry Coryell - the one-time associate of Miles Davis, Sonny Rollins and Dizzy Gillespie and many other jazzstars - in an intimate jazz setting. He is teamed with two stellar musicians, bassist Mark Egan and drummer Paul Wertico.

„Jazz über-guitarist Larry Coryell has been hinting at a studio set like this for a long time now: a solid, top-to-bottom six-string jazz date with a crack rhythm section. Drummer Paul Wertico was on board for the dates that produced the Power Trio album, but the addition of bassist Mark Egan in the studio balances this equation perfectly. Interestingly, Wertico and Egan are both former sidemen from the Pat Metheny Group (albeit at different times). One thing both players have in common, and makes them so integral here, is their love of lyricism. Coryell, who has an astonishing variety of styles at his ready disposal, concentrates on it here in spades. Whether the tune is a smoking, bluesy swinger like the opener 'Immer Geradeaus,' the ultramodern 'Good Citizen Swallow,' that graces the edge of soft jazz-rock but never goes there, or the edgy arpeggiattic workout in 'Spaces Revisited,' the deeply haunting read of Monk's 'Round Midnight,' Coryell is virtually singing through his instrument. His focus on sonority and lush harmonic extrapolations is given weight by his rhythm section, who dance and weave around one another as a unit. The balance of Tricycles is its most startling aspect. These cats sound like they've been playing together for decades. Nuance, impression, and subtle suggestion are all incorporated in the mix for a wonderful melodic approach to modern creative jazz. The other Monk tune here, 'Well You Needn't,' is given an entirely new dimension by this approach because Coryell can concentrate on Monk's extrapolated harmonic ideas in his solo, yet roots the entire thing in a deft, gritty, bluesy frame. This is a straight-ahead date that is full of fresh ideas and compositions, as well exciting playing that points toward a new era for Coryell, and it numbers among his finest recordings.“ (Thom Jurek, AMG)

Larry Coryell, guitar
Mark Egan, bass
Paul Wertico, drums

Recorded October 31st & November 1st 2002
Engineered by Winnie Leyh
Mixed and mastered March 25th & 26th 2003 at Klangstudio Leyh, Sandhausen, Germany
Produced by Frank Kleinschmidt

Digitally remastered

Larry Coryell
(April 2, 1943 – February 19, 2017) was an American jazz guitarist known as the "Godfather of Fusion".

Coryell was born in Galveston, Texas. He graduated from Richland High School, in Richland, Washington, where he played in local bands the Jailers, the Rumblers, the Royals, and the Flames. He also played with the Checkers from nearby Yakima, Washington. He then moved to Seattle to attend the University of Washington. He played in a number of popular Northwest bands, including the Dynamics, while living in Seattle.

In September 1965, Coryell moved to New York City, where he attended the Mannes School of Music, and then became part of Chico Hamilton's quintet, replacing Gabor Szabo. In 1967 and 1968, he recorded with Gary Burton. Also during the mid-1960s he played with the Free Spirits, his first recorded band. His music during the late-1960s and early-1970s combined the influences of rock, jazz, and eastern music. He married Jewish writer-actress Julie Nathanson before the release of his first solo album, Lady Coryell, which like Coryell, At the Village Gate, and, The Lion and the Ram featured her photos on the cover (there is a 'ghost' nude of her descending a staircase on the Aspects album cover). Julie's poetry was featured on the back cover of Ram. She was an important part of his career, as inspiration, management, and appearance at recording sessions. She wrote a book based on interviews with jazz-rock musicians, including John Abercrombie, and Jaco Pastorius.

In the early 1970s, he led a group called Foreplay with Mike Mandel, a childhood friend, although the albums of this period—Barefoot Boy, Offering, and The Real Great Escape—were credited only to "Larry Coryell." He formed the group The Eleventh House in 1973. The album sold well in college towns and the ensemble toured widely. Several of the group's albums featured drummer Alphonse Mouzon.

Following the breakup of this band, Coryell played mainly acoustic guitar but returned to electric guitar later in the 1970s. He released an album credited with Mouzon and an album with the Brubeck Brothers that was recorded direct-to-disc, a recording method revived for a time. He made several acoustic duet albums, two with Belgian guitarist (and former Focus member) Philip Catherine. Their album Twin House (1977), which contained the song "Miss Julie", drew favorable reviews.

In 1979, Coryell formed The Guitar Trio with fusion guitarist John McLaughlin and flamenco guitarist Paco de Lucía. The group toured Europe and released a video recorded at Royal Albert Hall in London entitled Meeting of Spirits. In early 1980, Coryell's drug addiction led to him being replaced by Al Di Meola. Julie Coryell sang on one track of Comin' Home (1984). The couple divorced in 1986. She died in 2009. Coryell recorded an album with (and was briefly romantically involved with) Emily Remler before her death from a heroin overdose while on tour in Australia. (Source: timenote.info)

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