Cover Brunetti: Divertimenti

Album info

Album-Release:
2022

HRA-Release:
31.12.2021

Label: Brilliant Classics

Genre: Classical

Subgenre: Chamber Music

Artist: Proyecto Brunetti, Fernando Pascual, Pere Joan Carrascosa, Isabel López

Composer: Gaetano Brunetti (1744-1798)

Album including Album cover Booklet (PDF)

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  • Gaetano Brunetti (1744 - 1798): Divertimento No. 1, L.127:
  • 1 Brunetti: Divertimento No. 1, L.127: I. Andante 03:46
  • 2 Brunetti: Divertimento No. 1, L.127: II. Allegretto 06:25
  • Divertimento No. 2, L.128:
  • 3 Brunetti: Divertimento No. 2, L.128: I. Larghetto pastorale 02:55
  • 4 Brunetti: Divertimento No. 2, L.128: II. Allegretto con moto 03:42
  • Divertimento No. 3, L.129:
  • 5 Brunetti: Divertimento No. 3, L.129: I. Largo 03:27
  • 6 Brunetti: Divertimento No. 3, L.129: II. Rondeau. Allegretto 03:43
  • Divertimento No. 4, L.130:
  • 7 Brunetti: Divertimento No. 4, L.130: I. Larghetto staccato 07:21
  • 8 Brunetti: Divertimento No. 4, L.130: II. Allegretto 03:42
  • Divertimento No. 5, L.131:
  • 9 Brunetti: Divertimento No. 5, L.131: I. Cantabile 02:25
  • 10 Brunetti: Divertimento No. 5, L.131: II. Allegretto 04:07
  • Divertimento No. 6, L.132:
  • 11 Brunetti: Divertimento No. 6, L.132: I. Larghetto 03:15
  • 12 Brunetti: Divertimento No. 6, L.132: II. Allegro di molto. Scherzando 03:09
  • Total Runtime 47:57

Info for Brunetti: Divertimenti



New recordings of little-known but exquisite string-trio divertimenti from the high-noon of the Classical era.

Proyecto Brunetti is a flexible ensemble formed with the aim of promoting the chamber music of Gaetano Brunetti (1744-1798). Its founder-cellist is Pere Joan Carrascosa, who has also edited the manuscripts of this divertimento collection for publication and written the authoritative booklet essay on the composer’s life and work.

The album can be considered a first port of call for anyone looking to investigate the figure of Brunetti. When they do so, they will find music of elegant gestures and appealing gentility, clear-cut melodies and subtle innovation. The greater part of his surviving music is cast in the genre of string trio which was a reliable source of entertainment for both amateur musicians and audiences in the latter half of the 18th century.

There are 47 such trios in eight collections of six (minus one in the last case), and this album presents the third such collection. Brunetti probably wrote it between 1772 and 1774 while in service to the Prince of Asturias, later to become Charles/Carlo IV of Spain. The Prince himself probably played second fiddle to the composer in those pieces scored with two violins, with the composer’s son Francesco on the cello.

Structurally straightforward, each divertimento comprises two movements cast in either a basic sonata or rondo form. It is their melodic freshness, harmonic invention and the stylishness of their writing, treating all three parts as equals, that elevates them beyond the value of ephemeral entertainment.

The Italian Gaetano Brunetti, sadly neglected for many years, was during his lifetime a prolific composer and violinist of international fame, and a major influence both on the development of the cultural life of the courts of Charles III and Charles IV of Spain and on other musicians of his day. He left an extensive legacy of compositions, mostly for various chamber formations, since he himself performed most of the music he wrote. Brunetti was, notably, a member of the royal chapel orchestra, an ensemble that drew on the finest European musicians of the day. He also played an active part in the chamber concerts organized in the royal palace for the amusement of, among others, the Prince of Asturias: the future Charles IV.

Stylistically, Brunetti’s work reflects the aesthetics of Classicism: he uses typical structures such as sonata or rondo form, although elements of the late Baroque and the style galant are also present. He creates melodic lines of exquisite simplicity based on small motifs and considerably embellished by means of modulations and chromatic writing. He treats each instrument equally, demonstrating a good understanding of its qualities and potential, knowledge he acquired from his experience as a performer.

Fernando Pascual, violin
Isabel López, viola
Pere Joan Carrascosa, cello

No biography found.

Booklet for Brunetti: Divertimenti

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