Ives: Piano Sonata No. 2 “Concord, Mass., 1840–1860” • The St. Gaudens (“Black March”) Donald Berman

• Charles Ives (1874 - 1954): The St Gaudens ("Black March"):
• 1 Ives: The St Gaudens ("Black March") (48 kHz) 06:17
• Piano Sonata No. 2, "Concord, Mass., 1840–1860":
• 2 Ives: Piano Sonata No. 2, "Concord, Mass., 1840–1860": I. Emerson 17:44
• 3 Ives: Piano Sonata No. 2, "Concord, Mass., 1840–1860": II. Hawthorne 11:52
• 4 Ives: Piano Sonata No. 2, "Concord, Mass., 1840–1860": III. The Alcotts 05:37
• 5 Ives: Piano Sonata No. 2, "Concord, Mass., 1840–1860": IV. Thoreau 10:54
• Total Runtime 52:24

Info for Ives: Piano Sonata No. 2 “Concord, Mass., 1840–1860” • The St. Gaudens (“Black March”)

Celebrating the sesquicentenary of Charles Ives’ birth, New England-based pianist and Ives scholar nonpareil Donald Berman releases a recording of the composer’s “Concord Sonata” using his own newly prepared edition which reveals fresh insights into the iconic work. Berman’s immersion into Ives’ sound world began under the tutelage of pianist John Kirkpatrick who gave the New York premiere of the “Concord Sonata” in 1939. Throughout many years of study and reflection, Berman discovered numerous notes and alterations that Ives made within the Concord’s manuscript pages, each one “a step toward realising his vision for a three-dimensional auditory experience.” Berman concluded that the first movement of the Concord, as Ives imagined it, is quite different than today’s commonly accepted version; his new edition includes two pages worth of material, masterfully recorded here for the first time.

The album opens with the elegiac “The St. Gaudens (Black March)”, referring to the eponymous sculpture in the Boston Common that depicts the Massachusetts 54th, the first Union army regiment of African American soldiers, that is known widely in its orchestral version as the first movement of Ives’ Three Places in New England.

Donald Berman, piano

Recorded: 3 & 4 January 2022, Abeshouse Productions, Pelham, New York
Edited, Mixed and Mastered by Adam Abeshouse
Producer and Engineered by Adam Abeshouse

Donald Berman
A multidimensional pianist, pedagogue, and scholar, Donald Berman has won tremendous acclaim for his "stupendous abilities, both athletic and intellectual" (Boston Sunday Globe) and performances hailed as "stunning, adventurous, and substantive" (New York Times).

With an emphasis on presenting American music of the 20th and 21st centuries, Berman has brought recital programs both technically challenging and exceptionally innovative and insightful to some of the most important stages for new music — from Carnegie's Weill and Zankel Halls to National Sawdust and Le Poisson Rouge in the U.S., as well as major venues across Europe, Asia, and the Middle East. An enthusiastic commissioner of new music, he has added more than 200 works to the contemporary canon — many of which he performs alongside classical repertoire to provoke new and fascinating revelations and connections across periods and styles.

Berman's body of work as a recording artist demonstrates the breadth and depth of his engagement with the music of our time. His albums have included numerous world-premiere recordings, as well as illuminating performances of previously unknown works of 20th-century American composers, including Charles Ives (The Unknown Ives, Vols. I & II), Carl Ruggles (The Uncovered Ruggles), and Elliott Carter and Roger Sessions (Americans in Rome). As concerto soloist and chamber musician, Berman's discography includes collaborations with the Boston Modern Orchestra Project (George Perle: Serenades), soprano Susan Narucki (This Island, The Light That Is Felt: Songs of Charles Ives, and the Grammy-nominated The Edge of Silence), and the Borromeo Quartet (The Worlds Revolve). Upcoming albums include a survey of Elena Ruehr songs with baritone Stephen Salters and a new recording of Ives's Concord Sonata, to be released during the composer's sesquicentennial celebrations in 2024 by Avie Records. Mr. Berman's other recordings can be found on Naxos, ARSIS Audio, Bridge, New World, CRI, Koch, Centaur, Newport Classics, Accurate,Capstone Records and BMOP Sound.

A fellow of the Radcliffe Institute for Advanced Studies, Berman currently serves as Chair of Keyboard Studies at Longy School of Music of Bard College and leads Tufts University's New Music Ensemble. He is also the General Editor of three volumes of Ives's Shorter Works for Piano — a titanic project representing 30 years of scholarship and editing — and President and Treasurer of the Charles Ives Society, where he is leading an extensive expansion of the Society's digital archives on charlesives.org.

Berman's trajectory as a musician and scholar was set in motion by four important teachers: Mildred Victor, George Barth, John Kirkpatrick (who premiered Ives's Concord Sonata in 1939), and legendary pedagogue Leonard Shure.

Booklet for Ives: Piano Sonata No. 2 “Concord, Mass., 1840–1860” • The St. Gaudens (“Black March”)