Mahler: Symphony No. 3 in D Minor Jennifer Johnston, Minnesota Chorale, Minnesota Boychoir, Minnesota Orchestra & Osmo Vänskä

• Gustav Mahler (1860 - 1911): Symphony No. 3 in D Minor:
• 1 Mahler: Symphony No. 3 in D Minor: I. Kräftig. Entschieden 36:07
• 2 Mahler: Symphony No. 3 in D Minor: II. Tempo di Menuetto (Sehr mäßig) 09:41
• 3 Mahler: Symphony No. 3 in D Minor: III. Comodo (Scherzando.) 19:07
• 4 Mahler: Symphony No. 3 in D Minor: IV. Sehr langsam (Misterioso) 10:26
• 5 Mahler: Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck 04:24
• 6 Mahler: Symphony No. 3 in D Minor: VI. Langsam (Ruveholl) 24:17
• Total Runtime 01:44:02

Info for Mahler: Symphony No. 3 in D Minor

The Minnesota Orchestra and Osmo Vanska bring us Gustav Mahler's Third Symphony, an extraordinary work by any standards. Scored for extended Wagnerian woodwind and brass sections, posthorn, a large array of percussion, women's chorus, alto soloist and boys' choir, the symphony has a duration of over 100 minutes and is filled with extreme emotion, revealing what the composer wanted to say about his own connection with nature and humanity's place in it: 'My symphony will be something the world has never heard before! The whole of nature will have a voice in it...' he wrote about this mammoth work.

The recording was made following a concert performance in November 2022. In this musical communion with nature, we hear the beautiful voices of English mezzo-soprano Jennifer Johnston, the Minnesota Boychoir and women of the Minnesota Chorale. The symphony's finale, a deeply absorbing adagio, might simply be some of the most beautiful music ever written. The last work recorded by the Minnesota Orchestra and it's conductor laureate, Osmo Vanska, Mahler's Third Symphony is a fitting culmination to this complete cycle, which began in 2016.

Jennifer Johnston, mezzo-soprano
Minnesota Orchestra
Minnesota Boychoir
Minnesota Chorale
Osmo Vänskä, conductor

Jennifer Johnston
Winner of the Royal Philharmonic Society's Singer Award, Jennifer Johnston is a former BBC New Generation Artist, and a graduate of Cambridge University and the Royal College of Music. She is particularly well-known for her interpretations of the works of Mahler, Wagner, Britten, and Elgar. She is closely associated with both the Bayerische Staatsoper, where she has sung over 80 performances as a guest artist and with whom she won Recording of the Year at the Gramophone Awards for Korngold's Die Tote Stadt, and the Royal Liverpool Philharmonic Orchestra, for whom she was their Artist-In-Residence. She has appeared in leading roles at the Teatro alla Scala, Salzburg Festival, Glyndebourne Festival, English National Opera, and Festival d’Aix-en-Provence.

A prolific concert performer, she has performed with many of the world’s greatest orchestras and conductors, including Jocaste in Stravinsky’s Oedipus Rex (Gardiner/Berlin Philharmonic & London Symphony Orchestras, released as an LSO Live disc), Beethoven’s Missa Solemnis (Gardiner/Orchestre Revolutionnaire et Romantique at the BBC Proms, Carnegie Hall and on disc), Beethoven’s Ninth Symphony (Welser-Möst/Cleveland and Royal Concertgebouw Orchestras), Waltraute in Wagner’s Die Walküre (Sir Simon Rattle/Bayerische Rundfunks Symphony Orchestra and on disc), Wagner’s Wesendonck Lieder (Madaras/Halle Orchestra), Mahler’s Second Symphony (Zinman/Vienna Symphony Orchestra,), Mahler’s Third Symphony (Makela/Oslo Filharmonien, Welser-Möst/Cleveland Orchestra), Mahler’s Eighth Symphony (Welser-Möst/Vienna Philharmonic Orchestra), Mahler’s Rückert Lieder (Zinman/Vienna Symphony Orchestra), Mahler’s Das Lied Von Der Erde (Marin/Hamburg Symphony Orchestra), Mahler's Lieder Eines Fahrenden Gesellen (V.Petrenko/Royal Liverpool Philharmonic Orchestra), Elgar’s Sea Pictures (Slatkin/Irish National Symphony Orchestra), Elgar’s The Dream of Gerontius (Brabbins/BBC Scottish Symphony Orchestra), Verdi’s Requiem (Oramo/BBC Symphony Orchestra at the First Night of the Proms, Slatkin/Orchestra National de Lyon), Schumann’s Das Paradies und die Peri (Gatti/Accademia Di Santa Cecilia), Schumann’s Faustszenen (Harding/Gewandhausorchester, Schonwandt/Danish Radio Symphony Orchestra), Adès’s Totentanz (Adès/Royal Concertgebouw Orchestra) ,Janacek's Glagolitic Mass (Kanellakis/BBC Symphony Orchestra at the First Night of the Proms), Britten's Phaedra (Brabbins/Royal Liverpool Philharmonic Orchestra), Chausson's Poeme de l'Amour et de la Mer (De Billy/London Philharmonic Orchestra), Respighi's Il Tramonto (Petrenko/Royal Liverpool Philharmonic Orchestra), and Pasqualita in Adams’ Doctor Atomic (Adams/BBC Symphony Orchestra, recorded for Nonesuch).

She has appeared extensively in recital with Malcolm Martineau, Joseph Middleton, Alisdair Hogarth and James Baillieu for BBC Radio 3, Wigmore Hall, the Concertgebouw, Leeds Lieder and the Aldeburgh Festival. Her extensive discography includes the release of her debut solo album 'A Love Letter To Liverpool' (Rubicon Classics) including You'll Never Walk Alone, which was released as a single and reached #1 in the iTunes Classical Chart, and Anthony Payne’s arrangement of Vaughan Williams’ Four Last Songs with the BBC Symphony Orchestra under Martyn Brabbins for Albion Records, which she premiered at the BBC Proms (Vänska/BBCSO) and which was nominated for a Grammy Award.

Osmo Vänskä
the Minnesota Orchestra’s conductor laureate, is renowned internationally for his compelling interpretations of the standard, contemporary and Nordic repertoires. His 19-year tenure as music director came to a close at the end of the 2021-22 season, a year in which the Orchestra celebrated his lasting impact through performances of Jean Sibelius symphonies and other signature repertoire, reconnections with favorite guest soloists and the continuation of a project to perform and record all ten Gustav Mahler symphonies.

During his tenure, Vänskä led the Orchestra on five major European tours, as well as a 2018 visit to London’s BBC Proms, and on historic tours to Cuba in 2015 and South Africa in 2018. The Cuba tour was the first by an American orchestra since the normalization of Cuban-American diplomatic relations, while the five-city South Africa tour—part of a celebration of Nelson Mandela’s centennial—was the first-ever visit to the country by a professional U.S. orchestra. He also led the Orchestra in appearances at New York’s Carnegie Hall and Lincoln Center, Chicago’s Symphony Center and community venues across Minnesota.

Vänskä’s recording projects with the Orchestra have been met with great success, including the initiative to record all ten of Mahler’s symphonies—the series concluded during the 2022-23 season with the Third Symphony. Thus far, eight discs have been released, most recently the Ninth Symphony, issued in April 2023 on the BIS Records label. The first release in the series, Mahler’s Fifth Symphony, earned a 2017 Grammy Award nomination for Best Orchestral Performance. His earlier recording projects with the Orchestra included a three-disc cycle of the complete Sibelius symphonies, of which one disc won the 2014 Grammy Award for Best Orchestral Performance. Other projects for BIS included a live in-concert recording of Sibelius’ Kullervo and Finlandia and the world premiere recording of Olli Kortekangas’ Migrations; Beethoven and Mozart piano concertos featuring soloist Yevgeny Sudbin; a disc of Bruckner’s Fourth Symphony; the oratorio To Be Certain of the Dawn, composed by Stephen Paulus with libretto by Michael Dennis Browne; and a particularly widely-praised cycle of the complete Beethoven symphonies. Also acclaimed was a two-CD set featuring pianist Sir Stephen Hough in live, in-concert recordings of Tchaikovsky’s piano concertos and Concert Fantasia on the Hyperion label.

As a guest conductor, Vänskä has led major North American and European orchestras. He has appeared with the orchestras of Boston, Chicago, Cleveland, Houston, Los Angeles, New York, Philadelphia, Pittsburgh, San Francisco and Washington, D.C. Abroad he has led the Berlin Philharmonic, London’s BBC Symphony, London Philharmonic, Royal Concertgebouw Orchestra, Vienna Symphony, Leipzig Gewandhaus Orchestra, Orchestre de Paris, Czech Philharmonic, Helsinki Philharmonic, Orchestre Symphonique de Montréal, Israel Philharmonic Orchestra, Hong Kong Philharmonic, Yomiuri Nippon Symphony Orchestra, National Symphony Orchestra in Taipei and other major ensembles. During the 2023-24 season, he will conduct the orchestras of Atlanta, Bergen, Detroit, Netherlands Radio, Antwerp, Pittsburgh, Seattle, Tokyo Metropolitan, Sydney, Adelaide and Toronto, amongst others. In February 2024, he will revisit Orchestra Hall for a program that features compelling new orchestral music, including two Orchestra commissions by Anders Hillborg and Kevin Puts, Lotta Wennäkoski’s Flounce and Eduard Tubin’s Double Bass Concerto.

Vänskä continues to develop a visiting and touring relationship with the Curtis Institute of Music Symphony Orchestra, leading conducting seminars as well as tours in Europe, the United States and Asia. In 2023, alongside soloist Yefim Bronfman, he led the ensemble’s first-ever tour of the West Coast.

From 2020 until 2023, Vänskä served as music director of the Seoul Philharmonic, and led the ensemble’s European tour in fall 2022. He also holds positions as honorary conductor of the Iceland Symphony Orchestra and conductor laureate of the Lahti Symphony, where he served as music director from 1988 to 2008, transforming it into one of Finland’s flagship orchestras during his tenure. Under his leadership, the Lahti Symphony received international attention for performances in London, Birmingham and New York, and for its Sibelius recordings on the BIS label that amassed numerous awards, with the original version of the Sibelius Violin Concerto featuring Leonidas Kavakos winning 1991 Gramophone Awards for Record of the Year and Best Concerto Recording.

Vänskä, who began his music career as a clarinetist, held the co-principal chair of the Helsinki Philharmonic (1977-82) and the principal chair of the Turku Philharmonic (1971-76). Following conducting studies under Jorma Panula at Finland’s Sibelius Academy, he was awarded first prize in the 1982 Besançon International Young Conductor’s Competition. Three years later he began his tenure with the Lahti Symphony as principal guest conductor, while also serving as music director of the Iceland Symphony Orchestra and the Tapiola Sinfonietta. In addition, Vänskä served as chief conductor of the BBC Scottish Symphony Orchestra of Glasgow (1997-2002). In 2016, Vänskä led the Minnesota Orchestra in a halftime show to inaugurate U.S. Bank Stadium, the new home of the Minnesota Vikings, performing selections by Beethoven and Prince for an audience of more than 66,000. A second collaboration with the Vikings took place in summer 2021, when Vänskä and the Orchestra recorded Symphony of the North, a new composition by Tommy Barbarella that was featured before each Vikings home game in the 2021 NFL season.

Honors and distinctions awarded to Vänskä include an honorary doctorate from the University of Glasgow, a Royal Philharmonic Society Award for his outstanding contributions to classical music; and the Ditson Award from Columbia University for his support of American music. Musical America named Vänskä 2005 Conductor of the Year; in 2008 he received an honorary doctorate from the University of Minnesota as well as a Champion of New Music Award from the American Composers Forum; and in 2010 the Minneapolis Star Tribune named him its Artist of the Year.

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