My Shame Is True Alkaline Trio

• 1 She Lied To The FBI 02:49
• 2 I Wanna Be A Warhol 03:07
• 3 I'm Only Here To Disappoint 02:46
• 4 Kiss You To Death 03:21
• 5 The Temptation Of St. Anthony 03:35
• 6 I, Pessimist 02:11
• 7 Only Love 04:36
• 8 The Torture Doctor 03:38
• 9 Midnight Blue 02:45
• 10 One Last Dance 03:29
• 11 Young Lovers 03:31
• 12 Until Death Do Us Part 04:14
• 13 Balanced On A Shelf 04:06
• 14 Pocket Knife 02:43
• 15 Broken Wing 03:28
• 16 Sun Burns 03:42
• Total Runtime 54:01

Info for My Shame Is True

Cult punk rock heroes, Alkaline Trio return with 'My Shame Is True', their most dynamic album to date. I

Recorded with Bill Stevenson of punk legends The Descendents and Black Flag and with Jason Livermore at the producers’ Blasting Room Studios in Colorado, My Shame Is True pushes the band into new musical terrain while embracing their classic Trio sound. The album contains 40 minutes of passionate punk-filled rock that showcases guitarist/vocalist Matt Skiba, bassist/vocalist Dan Andriano and drummer Derek Grant at their absolute best.

'We're very proud of it,” says Matt Skiba. “Once we got in the studio, the songs really took on a shape of their own.”

From the album’s first melodic opener “She Lied To The FBI” to the first single, “ I Wanna Be A Warhol” the Trio waste no time setting the tone for their energetic, hook-filled, eighth studio album. For the first time ever on an Alkaline Trio record, My Shame Is True finds a guest appearance from Rise Against’s Tim Mcllarth on rousing punk rock anthem, “I , Pessimist”, while songs like “I’m Only Here to Disappoint” and album closer, “Till Death Do Is Part” remind fans of classic Trio, with stellar song-writing and catchy choruses.

Determined to never make the same record twice, Alkaline Trio have preserved the most electric elements of their collaborative songwriting abilities while pushing ahead creatively and as a band. With multiple world tours, numerous chart successes, and over fifteen years under their belt, the dark punk trio have cemented their legacy with My Shame Is True.

'It's never been about being rich or famous,” continues Skiba. “We always wanted to have the band be our career… to have that longevity… that should be the goal. We are going to do it until it stops being fun. If it ever feels like a job, why would you be involved in the arts at all? We have the right chemistry as a band and with crowds, big or small. We have community within a community.”

“Rockers show their punk bite is as strong as ever…” (Rolling Stone)

“ A gnarled, zeitgeisty gem from the beloved Chicago outfit's forthcoming 'My Shame Is True...' (Spin)

“...the band finds itself in its most vital place in years.” (Billboard)

Matt Skiba, guitar & vocals
Dan Adriano, bass & vocals
Derek Grant, drums

Alkaline Trio’s
iconic Heart & Skull symbol has come to represent more than the viscerally creative band and their deeply connective albums. While it does symbolize those things, the instantly recognizable logo tattooed on the bodies, hearts and minds of supporters worldwide also denotes a diverse but decisive lifestyle equal parts passion and dedication. It’s a commitment to the triumph of the outsider.

Those who display the emblem do so as a badge, a show of unity in individuality. Like the skeleton-with-a-martini attached to Social Distortion, the Crimson Ghost associated with the Misfits or the “bars” intrinsically linked to Black Flag, Alkaline Trio’s logo is representative of subculture itself; a type of victory, through longevity and purpose, that transcends arbitrary commercial appeal and celebrity groupthink.

Now more than 15 years into their career, the dark punk trio has cemented their legacy with their eighth studio album. Feverishly determined to never make the same record twice, Alkaline Trio nevertheless have preserved the most electric elements of their collaborative songwriting abilities, as their most diehard listeners have come to expect, while ever broadening their palette with new colors and extremes.

The raw energy of ‘70s proto-punk, the darkly romantic sensibility and tongue-in-cheek wordplay of ‘80s new-wave, the upbeat melodicism of the underground power-pop movement of the ‘90s and the eclectic individualism of the new millennium all have a home in the Alkaline Trio sound, which is stunningly contemporary in execution yet as timeless as the hook-infused Top 40 of Midcentury America.

The downtrodden, the dispossessed, the ill-at-ease; they have all found something to identify with in Alkaline Trio’s creative output, vociferously declaring their dedication and the life-preserving encouraging power of the songs across social media. The new material furthers the building story, adding new twists to the diverse elements strewn throughout 2010’s intimately reimagined collection Damnesia with the energized promise befitting a band whose continued position in the fabric of the underground community has been assured since their 1998 debut.

Recorded with Bill Stevenson of punk legends The Descendents (and Black Flag) at the drummer/producer’s Blasting Room Studios in Colorado, Alkaline Trio’s latest offering exhibits the hard-won anthems of an album made while sequestered away from home surrounded by the inspiration of desert sunsets bright nighttime stars.

Alkaline Trio formed in 1996 in the Midwest, looking for neither fame nor fortune, but instead working toward a potential future where their music would be meaningful to likeminded and/or disenfranchised people. Once, on tour, they optimistically imagined someday averaging crowds of 300 people from city to city, never dreaming that they would, in fact, someday hit #11 on the Billboard charts.

An early “trio” of albums comprised of Goddamnit (1998), Maybe I’ll Catch Fire (2000) and From Here to Infirmary (2001) steadily built the Alkaline Trio story, connecting with people on levels much deeper than the sounds of fly-by-night pop-punk bands more concerned with tabloid culture than authentic expression. Good Mourning (2003) songs like “Blue in the Face” further explored the darkness while Crimson (2005) tracks like “Mercy Me” greatly expanded upon the band’s past, as did the entirety of Agony & Irony (2008). What began on indie labels and flirted with the twists-and-turns of the corporate majors returned to its roots with the band’s own imprint through Epitaph in 2010 and the release of the powerful This Addiction, which ably used the drug heroin as a metaphor for love in its title track.

Band co-founder Matt Skiba (vocals/guitar), Dan Andriano (vocals/bass) and drummer Derek Grant have established a chemistry together that is uniquely their own. There’s a combustible magic in the room when they perform on stage, when they collaborate in the studio and when they interact with fans at their shows.

The band may sometimes celebrate the dark, the macabre, the reckless; they may tackle the underbelly of modern existence and the tragedy of man’s inhumanity to man; but there’s a light in the darkness, much like the heart that surrounds the skull, to be found in their expression. Alkaline Trio represents strength from adversity, armor from scar tissue, and the resolve to overcome. No matter how dark times can get, there’s a sinister smile, a sly twist of phrase and a sweet melody to survive with.

This album contains no booklet.