Rhythm, Melody and Harmony Cyrus Chestnut

• 1 Cured and Seasoned 05:32
• 2 Autumn Leaves 05:30
• 3 Ami's Dance 06:36
• 4 Prelude for George 06:41
• 5 Twinkle Tones 05:13
• 6 Song for the Andes 06:06
• 7 Big Foot 05:21
• 8 Moonlight in Vermont 03:16
• 9 There Is a Fountain 05:16
• Total Runtime 49:31

Info for Rhythm, Melody and Harmony

Jazz pianist par excellence, Cyrus Chestnut, returns to the HighNote catalog with this superb piano quartet recording. This highly anticipated album showcases Chestnut's rhythmic precision, emotive touch, and improvisational flair complemented by an ensemble that provides both subtlety and drive. The combination of Chestnut's expressive piano playing with the string bass of Gerald Cannon and the propulsive beats of Chris Beck creates a sound that provides a luxurious background of vibrant colour for the saxophone of Stacy Dillard.

Cyrus Chestnut, piano
Stacy Dillard, tenor and soprano saxophone
Gerald Cannon, bass
Chris Beck, drums

Cyrus Chestnut
Composer, pianist and educator Cyrus Chestnut is a musical force that utilizes his classical, Gospel and jazz influences to entertain and capture his audiences. Born in 1963, Chestnut started his musical career at the age of three, playing piano at the Mount Calvary Star Baptist Church at the age of five in his hometown of Baltimore, MD. In the fall of 1981, Cyrus began jazz education in Boston, MA at the Berklee College of Music, where he earned a degree in jazz composition and arranging.

After Berklee, Cyrus began further honing his craft as a sideman with some of the legendary and leading musicians in the business. Some of these great people include; Jon Hendricks, Michael Carvin, Donald Harrison, Terence Blanchard, Wynton Marsalis, Branford Marsalis, Delfeayo Marsalis, Freddie Hubbard, Benny Golson, Curtis Fuller, Regina Cater, Chick Corea, Jimmy Heath, James Moody, Joe Williams, Isaac Hayes, Kathleen Battle, Betty Carter and, Dizzy Gillespie just to name a few. Even the Queen of Soul, Aretha Franklin, asked him to join her on one of her Christmas Concerts in 2013. His association with Betty Carter, which began in 1991 significantly affected his outlook and approach to music, confirming his already iconoclastic instincts. Carter advised him to “take chances” and play things I’ve never heard,” Chestnut says.

As Cyrus was absorbing experiences as a sideman, he was also developing as a leader, recording and playing live around the world. There’s a Brighter Day Coming was his first self-released album, followed by The Nutman Speaks (1992), The Nutman Speaks Again (1992), Another Direction (1993). The records received the prestigious Gold Disk award from Japan’s leading jazz publication, Swing Journal. As a bandleader, Cyrus Chestnut’s repertoire is vast and his work has been featured in films such as Robert Altman’s Kansas City (in which Chestnut also made his big screen debut portraying a Count Basie-inspired pianist) and Piano Grand: A Smithsonian Celebration.

In the fall of 2014, Cyrus was appointed professor of Jazz Piano and Improvisation at the prestigious Howard University in Washington, offering lectures to the next generation of musical artists. Devoted to education and community engagement, Chestnut’s new appointment builds upon his career as one of jazz’s most celebrated performers.

In November 2015 Cyrus got together with two other giants of jazz, Buster Williams on bass and Lenny White on drums and recorded a beautiful collection of classic trio material. ‘Natural Essence’ (Highnote Records) was released in May 2016 and garnered many accolades. The next release, ‘There’s a Sweet, Sweet Spirit’, also with Highnote Records, accomplished the same success, receiving a 4-star review from The Observer and reaching #1 on the Jazz Week charts two weeks running. Cyrus’s next August 2018 release, Kaleidoscope, features newly arranged jazz interpretations of classical pieces by Debussy, Ravel, Mozart and Satie.

With more than a dozen studio albums in his discography, Cyrus continues to experiment with his familiar integration of jazz, spiritual and classical sound that reflect his heritage and identity as an artist. His most recent composition, “The Saga Of The Cross”, was created for jazz quintet and choir and premiered at the Abyssinian Baptist Church in Harlem on Good Friday 2017.

Booklet for Rhythm, Melody and Harmony