Big Blue Ball Big Blue Ball

• 1 Whole Thing 05:27
• 2 Habibe 07:12
• 3 Shadow 04:28
• 4 Altus Silva 06:07
• 5 Exit Through You 05:52
• 6 Everything Comes from You 04:42
• 7 Burn You Up, Burn You Down 04:31
• 8 Forest 06:17
• 9 Rivers 05:45
• 10 Jijy 04:00
• 11 Big Blue Ball 04:52
• Total Runtime 59:13

Info for Big Blue Ball

Almost eighteen years in the making, Big Blue Ball grew from three extraordinary Recording Weeks at Real World Studios in the summers of 1991, 1992 and 1995. The project’s originators and curators were Real World founder Peter Gabriel and Karl Wallinger of World Party and The Waterboys.

A huge number of artists came to the village of Box in Wiltshire to take part in these Recording Weeks, and contributed to writing the songs, making the music, and being part of that powerful sense of community that made the Recording Weeks so creative and so fruitful. The focus was as much on writing together as playing together, and the final tracks stand as an extraordinary testament to the common elements that bind so many different forms of music and music making together. Though not everyone who was there is present on the finished album, each artist’s input was invaluable to the spirit of the enterprise.

“One week in the middle of summer this craziness exploded in our Real World Studios. We had this week of invited guests, people from all around the world, fed by music and a 24 hour café. It was a giant playpen, a bring your own studio party. There’d be a studio set up on the lawn, in the garage, in someone’s bedroom as well as the seven rooms we had available. We were curators of sorts of all this living mass. We had poets and songwriters there, people would come in and scribble things down, they’d hook up in the café. It was like a dating agency, then they’d disappear into the darkness and make noises – and we’d be there to record it.” (Peter Gabriel)

Peter Gabriel, vocals, keyboards, bass
Sinead O’Connor, vocals
Natacha Atlas, vocals
Papa Wemba, vocals
Joseph Arthur, vocals
Iarla Ó Lionáird, vocals
Karl Wallinger, guitars
Paul Allen, guitars
Vernon Reid, guitar synth
Juan Cañizares, guitar
Francis Bebey, flutes
Alexis Faku, nord bass
Billy Cobham, drums
Tim Finn, backing vocals
Andy White, backing vocals
Reddi Amisi, backing vocals
Justin Adams, backing vocals
Chuck Norman, programming
Tim Whelan, saz
Stephen Hague, keyboards
Tchad Blake, toms
Hossam Ramzy, drums & percussion
Neil Sparkes, drums & percussion
Laurent Coatalen, bongos
Tchad Blake, frame drums
Tchad Blake, shaker, tambourine, bass
The Hossam Ramzy Ramzy Egyptian Ensemle
The Papa Wemba Band
The Holmes Brothers

Peter Gabriel
was born in Woking, Surrey, and raised on his family’s 150-acre dairy farm. His father, Ralph Gabriel, was an electrical engineer and inventor who commuted to London while employees tended the farm. Peter’s mother, Irene, played the piano and came from a highly musical family. Peter was given piano lessons at an early age, but by age nine, he had rebelled against formal musical training. He rediscovered music as a boy of 11 when he became fascinated by the drummer in a small combo playing at a resort in Spain where the family had gone on holiday. He began writing songs and finding his own path in music, teaching himself drums, piano, and the flute.

At age 13, he was sent to Charterhouse, one of England’s historic private boarding schools. Although shy, he sought out friends to play music with, and after drumming for a few bands in school, he moved from behind the drums to the front of the stage as the singer. Gabriel and his friends were inspired by American soul music, and he fondly remembers going to see the soul singer Otis Redding at a club in London. In his last year at Charterhouse, Gabriel formed a relatively stable group with schoolmates Tony Banks, Anthony Phillips, and Mike Rutherford, and they began writing original songs together. Gabriel’s band, called Garden Wall, played school dances and private parties in the neighborhood. At one school dance, Gabriel met Jill Moore, a student at a local girls’ school and the daughter of Lord Moore of Wolvercote. They began dating, although Gabriel’s focus on music now dominated his life.

1974: Genesis lead singer Peter Gabriel and guitarist Steve Hackett performing at Colston Hall. (Fin Costello/Getty) A Charterhouse graduate named Jonathan King had scored a hit single with “Everyone’s Gone to the Moon” in 1965. When King returned to the school for a visit, Gabriel’s friends gave him a tape the boys had made over their vacation. King was impressed with the songs, and the singer, and secured them a one-year contract with Decca Records. He also selected the group’s new name, Genesis. He produced their first single, “Silent Sun,” released in February 1968, but the record made little impact at the time. Later that year, King produced their first album, From Genesis to Revelation. The band’s music had evolved away from the soul-inspired numbers they had originally played to more elaborate and ambitious compositions, reflecting Gabriel’s interest in folklore and mythology. A pastoral fantasy scored with acoustic 12-string guitars, vocal harmonies, and a string section, their first album failed to make an impression on the rock-buying public. Jonathan King lost interest in the group and Decca did not renew their contract.

After graduating from Charterhouse, Gabriel and his mates began looking for a new record label and new management. With contributions from their families, they acquired professional equipment and began playing bars and youth clubs up and down England. Most audiences failed to respond to the dreamy acoustic music of their first record, and they began to develop a more aggressive, rock-oriented sound. Music business entrepreneur Tony Stratton-Smith signed the group to his new label, Charisma Records, for the lordly sum of £15 a week. In 1970, Genesis recorded Trespass, their first album for Charisma, featuring a mixture of acoustic and electric material. Not long after recording the album, original guitarist Anthony Phillips left the band. Guitarist Steve Hackett joined the group, and the group’s drummer was replaced by 19-year-old Phil Collins.

1982: Peter Gabriel wearing monkey make-up for the song “Shock the Monkey,” in Rome, Italy. (Luciano Viti/Getty) In 1971, Peter Gabriel and Jill Moore married, with the blessings of their families. Although the sales of Genesis records were disappointing, the group’s live performances attracted better reviews, and they prepared to record a third album, Nursery Cryme. Although this album, too, did not sell well in Britain, it was a surprise hit in continental Europe. As the front man, Gabriel took the responsibility of entertaining the audience with improvised stories and tall tales during the band’s frequent tuning breaks and equipment failures. He later augmented these tales by appearing in a series of fanciful costumes, and the audience for the band’s live shows attracted increased attention from the music press.

On May 19, 1986, Gabriel released his fifth studio album, So. So was a watershed release in his career. Its marriage of the artistic and the commercial made for an indisputable success, with the album quickly sitting atop the album charts on both sides of the Atlantic. Aside from some intriguing collaborations – with Laurie Anderson on “This Is The Picture,” Kate Bush on “Don’t Give Up” and Youssou N’Dour on “In Your Eyes” – it was the unity of singer, band and producer that made So such a crucial record in the Gabriel canon.

The next Genesis record, Foxtrot, added a supernatural element to the group’s fairy-tale themes. It was the group’s first album to sell well in Britain, and the band booked their first American shows, including a well-received performance at New York’s Avery Fisher Hall. Besides his singing and storytelling, Gabriel made other contributions to the band’s sound, playing flute solos, shaking the tambourine, and kicking a bass drum alongside his microphone. Gabriel’s costumes became more extravagant, with face paint, masks, capes, elaborate headgear, and glittering jumpsuits. Genesis had now become one of the most popular live attractions in Britain.

In 1973, Genesis recorded their most successful album to date, Selling England by the Pound, which included their first hit single, “I Know What I Like (In Your Wardrobe).” Gabriel’s leadership of Genesis peaked with the creation of an ambitious concept album, The Lamb Lies Down on Broadway, in 1974. The record was released with a booklet containing an original story by Gabriel, which provided a dreamlike narrative informing the songs. To support the album, the group undertook a highly profitable North American tour, which featured one of Gabriel’s most outrageous costumes to date, the notorious Slipperman outfit.

Gabriel’s wife, Jill, had a difficult first pregnancy, and their newborn daughter, Anna, required intensive medical care. In these circumstances, Gabriel was unwilling to leave his family’s side for rehearsals and recording sessions, exacerbating the existing friction between him and the other band members. In 1975, with the band enjoying its greatest success to date, Gabriel left Genesis.

At age 25, he faced the prospect of carrying on his career without the only collaborators he had ever known. He spent some months in relative seclusion with his wife and child at their home in Bath. After a year of preparation — and the birth of his second daughter, Melanie — he was ready to return to the music scene as a solo artist. His first solo album, titled simply Peter Gabriel, appeared in 1977. It featured a lush instrumental sound and produced the hit single Solsbury Hill.

Gabriel declined to provide titles for his first four solo albums, which are generally referred to as Peter Gabriel I, II, III, and IV, or by nicknames derived from their cover graphics — Car, Scratch, Melt, and Security. Gabriel toured extensively in the United States and Europe to support these albums. Shorn of the long locks he had worn in the early ‘70s, he adopted a more austere look, and by and large eschewed the flamboyant theatricality of his performances with Genesis.

His second album was produced by King Crimson guitarist Robert Fripp, whom Gabriel had long admired, and featured a darker, leaner sound but produced no hits. His third solo album, which featured Genesis drummer Phil Collins and an innovative “gated drum” sound, produced the hits “Games Without Frontiers” and “Biko.” The album, released in 1980, was a much-admired artistic and commercial success, selling half a million copies in both the United States and in Britain, where it reached number one on the album charts.

The song “Biko,” a tribute to the murdered South African human rights activist Stephen Biko, marked a turning point in Gabriel’s career. For the first time, he directly addressed political and social issues — in this instance, the struggle against the apartheid system of racial segregation in South Africa. Gabriel had long admired the work of African and Middle Eastern musicians, and his own music increasingly reflected their influence. In 1980, he founded the WOMAD (World of Music, Arts, and Dance) festival to foster appreciation of the world’s diverse musical cultures.

Peter Gabriel’s fourth solo album, his first for Geffen Records, was titled Security for its U.S. release in 1982. Like its predecessor, it sold more than half a million copies in both Britain and the U.S. It featured the hits “I Have the Touch” and “Shock the Monkey,” and was notable for its creative use of digitally sampled sounds, reproduced with the Fairlight CMI sampling computer. The technique had previously been the province of experimental musicians, but Gabriel’s use was the first to reach a mass audience. Digital sampling has played a prominent role in popular recorded music ever since. The singer’s theatrical flair was once again on display in the video for “Shock the Monkey.” It became a favorite on the music video channel MTV, and the song became Gabriel’s first Top 40 hit in the U.S.

Four years elapsed between the success of Security and Peter Gabriel’s next solo album, but when it came, it would be the greatest success of his career. His 1986 album So featured the songs “Sledgehammer,” “In Your Eyes,” “Big Time,” and “Don’t Give Up the Fight,” a duet with singer Kate Bush. The album reached number one on the UK album chart, while the song “Sledgehammer” was the top-selling single in the United States. Gabriel received four Grammy nominations for his work on the record, which sold more than eight million copies worldwide, including two million in the UK and five million in the U.S. It has been estimated that the video of the album’s single, “Sledgehammer,” is the most played selection in the history of MTV.

Over the years, Peter Gabriel’s song “Biko” had spread around the world and become an informal anthem for human rights activists. Gabriel was invited to perform in the “Conspiracy of Hope” tour, a series of benefit concerts for the international rights organization Amnesty International. He would play an even larger role in organizing subsequent concert tours to benefit Amnesty. A year of commercial success and escalating humanitarian commitments, 1986 also saw the end of Gabriel’s marriage to Jill Moore.

Fulfilling a longtime interest in cinema, Peter Gabriel began composing film scores in the 1980s, starting with the film Birdy in 1985. His score for Martin Scorsese’s 1988 film The Last Temptation of Christ was released as the album Passion, which brought Gabriel a Grammy Award, his first, for Best New Age Performance.

Two members of the Academy Class of 2017: Award-winning English singer-songwriters Peter Gabriel and Sting at the reception at Claridge’s Hotel in London, England, during the 52nd annual International Achievement Summit.

Two years after his first Amnesty concerts, Gabriel led the 20-concert “Human Rights Now!” world tour. In 1990, he traveled to Chile for the “Embrace of Hope” tour, celebrating the country’s emergence from years of military dictatorship. Gabriel’s touring and activism had largely kept him out of the studio until 1992, when he released the album Us, in which he reflected on the failure of his marriage and his strained relationship with his children.

Academy Awards Council member and the violin virtuoso Joshua Bell presenting the Academy of Achievement’s Golden Plate Award to Peter Gabriel during the 2017 International Achievement Summit at Claridge’s in London.

Gabriel undertook a world tour to support the Us album and shot a series of innovative videos, winning Grammy Awards for the videos of “Digging in the Dirt” and “Steam” and for his concert film Secret World Live. The same year, he founded the nonprofit organization Witness, which equips activists with film and video technology to document human rights abuses. Like his inventor father, Peter Gabriel has a longstanding interest in new technology. In 1999, he co-founded OD2, one of the first online services for downloading music.

Ten years elapsed between Gabriel’s fifth and sixth studio albums. He returned to the studio in 2002 to complete Up, a self-produced collection of longer songs. The album produced no hit singles but sold well worldwide, due to Gabriel’s international popularity, bolstered by years of touring. That year, Gabriel married Irish costume designer Meabh Flynn; they now have two sons, Isaac Ralph and Luc. His daughters by his previous marriage, Anne-Marie and Melanie, have worked with him often over the years, Anne-Marie as a filmmaker documenting his performances, Melanie as a vocalist in his live shows.

Rated PG, released April 13, 2019, is a collection of Peter Gabriel songs from the movies. Having always loved the combination of film and music (aged 17 he gave up a place at film school to pursue a career in music), Gabriel’s first opportunity to really marry these twin interests came when he was asked to create the music for Birdy in 1985.

In 2006, Peter Gabriel sang John Lennon’s “Imagine” for the opening ceremonies of the Winter Olympics. Also that year, the World Summit of Nobel Laureates selected Gabriel for its Man of Peace Award, presented by Mikhail Gorbachev and the Mayor of Rome, Walter Veltroni. The following year, Gabriel and his friend, Virgin Records founder Richard Branson, recruited distinguished international statesmen, including former U.S. President Jimmy Carter, former Irish President Mary Robinson, and former UN Secretary General Kofi Annan, along with Archbishop Desmond Tutu and South African President Nelson Mandela, to form an organization they called The Elders, leveraging the moral authority of their long experience to resolve civil and international conflicts.

September 2019: Peter Gabriel presents the Golden Plate Award to The Who’s Pete Townshend and Roger Daltrey at the Banquet of the Golden Plate ceremonies during the International Achievement Summit in New York City.

Gabriel received another Grammy for the song “Down to Earth,” from the 2008 animated film WALL-E. Genesis was inducted into the Rock & Roll Hall of Fame in 2010. The same year, Gabriel released Scratch My Back, an album of songs by other writers. The following year, he produced New Blood, a collection of his old songs performed with full orchestra. Peter Gabriel was inducted into the Rock & Roll Hall of Fame as a solo artist in 2014. Today, he makes his home in Wiltshire, England, where he maintains a commercial recording studio and a record label, Real World Records. In April 2019, Real World Records released Rated PG, a compilation of songs Gabriel has composed or sung for motion picture soundtracks.

This album contains no booklet.