Dialogos: the music of John Psathas Chris Mason-Battley Group

• 1 Fragment: Dialogos 04:18
• 2 Demonic Thesis: Dialogos 04:54
• 3 Minos: Dialogos 03:28
• 4 His Second Time: Dialogos 06:16
• 5 Drum Dances, Pt. 4: Dialogos 07:02
• 6 Calenture, Pt. 1: Dialogos 06:35
• 7 Calenture, Pt. 2: Dialogos 03:44
• 8 Calenture, Pt. 3: Dialogos 06:26
• 9 Calenture, Pt. 4: Dialogos 04:59
• 10 Calenture Reprise: Dialogos 07:43
• 11 Inferno: Dialogos 05:59
• Total Runtime 01:01:24

Info for Dialogos: the music of John Psathas

“Dialogos is a revelation. I don’t know what the language is that properly describes what the guys are doing, but they’re somehow creating new works. This isn’t ‘arranging’ or ‘adapting’ – I feel it’s better described as continuing the composing process.” (John Psathas)

Dialogos is a conversation between the very precise complexities of the original compositions of John Psathas and the intuitive impulse of collaborative improvisation and re-composition. With influences as diverse as classical, world, drum’n’bass, jazz, and the avant-garde, this music pushes the boundaries and expectations of generic idioms to create entirely contemporary, yet wholly accessible new music, rich in colour, texture, and space, and with wide dynamic and emotional ranges.

Chris Mason-Battley, soprano and tenor saxophone
Graeme Webb, acoustic and electric guitar
David Lines, keyboard
Sam Giles, bass
Stephen Thomas, drums

The Chris Mason-Battley Group
records and performs music that explores and reflects the open untamed beauty of Aotearoa/New Zealand. Their musical influences include artists such as Pat Metheny, John Schofield, Keith Jarrett and Jan Garbarek.

Two Tides brings together two distinct musical sensibilities, exploring the similarities and differences of European jazz and Maori instrumentation through improvisation, forging new paths within the ever evolving musical landscape of Aotearoa/New Zealand.

Their music has been very well received internationally, with more than one million internet downloads of their material to date. In 2000, they were the most downloaded New Zealand group, and one of the top 25 artists on major international download websites. Their debut, Karakia was a finalist in the Jazz Album category of the 2000 NZ Music Awards, and in 2001 they released their second album. Unspoken was a double disc CD that built on the spacious sound of their first album (disc one) while exploring the new groove-based acid-jazz directions of the time (disc two).

In 2004, one of their songs was included on an American jazz compilation CD along with tracks by artists such as Miles Davis, Herbie Hancock and Sarah Vaughan. Their music has appeared in various short films, multimedia projects, and compilation albums. The Chris Mason-Battley Group manage to push the boundaries of jazz while producing music that is attractive, appealing and accessible in the best possible way.

John Psathas
is a composer and Professor of composition at Te Kōkī New Zealand School of Music. His music has achieved a level of international success unprecedented in New Zealand history, and his concert works are performed regularly on the international stage by some of the world’s top musicians. These include Dame Evelyn Glennie, Joanna MacGregor, The Halle Orchestra, Michael Brecker, Joshua Redman, Kristjan Jarvi, Sir Mark Elder, Pedro Carneiro, and many others.

Originally of Greek heritage, John is also now widely considered one of the three most important living composers of the Greek Diaspora. He has a natural inclination toward mega-projects. Since writing much of the ceremonial music for the 2004 Athens Olympic Games, John’s music has been on the radar of a wider public than that normally associated with contemporary classical music.

John is in extremely high demand as a composer in many genres and media. His musical style brings together the languages of jazz, classical, Eastern European and Middle Eastern, avant-garde, rock, and electronica.

This album contains no booklet.