Les Amours d'un Rossignol - Musique pour le flageolet français La Simphonie du Marais & Hugo Reyne

• Anonymous:
• 1 A la claire fontaine 00:54
• Thomas Greeting (1640 - 1682):
• 2 Nightingale 01:45
• 3 "The flageolet is an instrument…" 00:34
• John Banister (1630 - 1679):
• 4 A division on a ground 02:29
• Mr. Hills:
• 5 "The Bird Fancyer's Delight…" 00:29
• 6 Flourish & air for the Bull Finch 00:38
• 7 Flourish & air for the Canary Bird 00:33
• 8 Flourish & air for the Linnet 00:39
• 9 Flourish & air for the Woodlark 00:40
• 10 Air for the Est India Nightingale 01:43
• 11 « This instrument is not only delightful... » 00:43
• Jean-Pierre Freillon-Poncin (1655 - 1720):
• 12 « La Véritable Manière d'apprendre... » 00:26
• 13 Passacaille 03:42
• Jean-Claude Hervieux de Chanteloup (1683 - 1747):
• 14 « Nouveau Traité des Serins de Canarie... » 00:57
• Jacques-Martin Hotteterre (1635 - 1712):
• 15 Prélude et Marche de Surlaube 00:45
• Georg Friedrich Haendel (1685 - 1759):
• 16 Concerto The Cuckoo & the Nightingale: I. Larghetto 02:42
• 17 Concerto The Cuckoo & the Nightingale: II. Allegro 03:41
• 18 Concerto The Cuckoo & the Nightingale: III. (Larghetto) 02:59
• 19 Concerto The Cuckoo & the Nightingale: IV. (Allegro) 03:03
• Anonymous:
• 20 "Le rossignol charme toujours…" 01:36
• François-Adrien Toulan (1761 - 1794):
• 21 Prélude & Le Rossignol 01:26
• Michel Yost (1754 - 1786):
• 22 Quatuor No. 1, Op. 2: I. Allegro 04:56
• 23 Quatuor No. 1, Op. 2: II. Cantabile con variaitoni 03:26
• 24 Concerto No. 5 en Mi Bemol Majeur: I. Allegro Maestoso 11:39
• 25 Concerto No. 5 en Mi Bemol Majeur: II. Andantino 04:08
• 26 Concerto No. 5 en Mi Bemol Majeur: III. Rondeau Allegretto 06:06
• Nicolas Pfeilsticker (1780 - 1820):
• 27 Concerto en Sol Majeur: I. Allegro 07:53
• 28 Concerto en Sol Majeur: II. Pastorale 03:38
• 29 Concerto en Sol Majeur: III. Rondeau 03:43
• Anna-Friedrike Heinel (1753 - 1808):
• 30 Quatuor: I. Allegro assai 02:09
• 31 Quatuor: II. Adagio 02:02
• 32 Quatuor: III. Rondeau 01:18
• Hector Berlioz (1803 - 1869):
• 33 « Berlioz, Mémoires. Mes premières leçons... » 01:00
• 34 Le Dépit de la Bergère 01:40
• Edme Collinet (1765 - 1841):
• 35 « Collinet. Virtuose sur le flageolet... » 00:35
• 36 Sérénade No. 1: Introduction. Andantino-Variations 1 à 4 04:23
• Eugène Roy (1790 - 1827):
• 37 Quadrille: I. L'Aglaë 01:11
• 38 Quadrille: II. La Zoé 00:52
• 39 Quadrille: III. La Lucie 01:36
• 40 Quadrille: IV. L'Arsène 01:13
• 41 Quadrille: V. L'Amélie 01:19
• Anonymous:
• 42 « Une nouvelle constellation vient d'apparaître... » 01:22
• Louis Jullien (1812 - 1860):
• 43 Le Rossignol: I. Introduction. Valse 1 à 3 03:52
• 44 Le Rossignol: II. Valse 4 et Coda 02:54
• Philippe Musard (1792 - 1859):
• 45 Galops Nos. 1, 2 & 3: Galop 1 01:28
• 46 Galops Nos. 1, 2 & 3: Galop 2 01:14
• 47 Galops Nos. 1, 2 & 3: Galop 3 01:13
• Jean Carnaud (1781 - 1861):
• 48 Air varié: Introduction. allegro maestoso-Thème. Andante-sostenuto-Ritournelle. 1ère Variation-Ritournelle. 2ème Variation Animato-Ritournelle 03:20
• 49 Air varié: 3ème Variation. Bolèro-Ritournelle. 4ème Variation. Andante [Minore]- Ritournelle. 5ème Variation; Coda 03:12
• Narcisse Bousquet (1800 - 1869):
• 50 Air varié: Introduction. Moderato-Thème. Moderato-1ère Variation-2ème Variation; Brillant 04:03
• 51 Air varié: Bolèro. Finale. Presto 02:34
• Eugène Damaré (1840 - 1919):
• 52 Fleurs et papillons: Polka.Trio-Polka. Coda 04:32
• Anonymous:
• 53 A la claire fontaine [2] 00:52
• Total Runtime 02:07:47

Info for Les Amours d'un Rossignol - Musique pour le flageolet français

The present recording is the first to be entirely dedicated to the French flageolet and its repertoire. I made this little whistle flute’s acquaintance in 1980. When visiting the musical instruments Museum of the National Music Conservatory in Paris, still then on rue de Madrid, I was fascinated by these kinds of whistle flutes that were for the most part fitted with keys. I was studying the recorder which then was not even regarded as a real musical instrument, and so to be dealing with a keyed instrument, passed down through the 19th century, seemed to be an assurance of modernity and reliability, hence my emergent passion for this instrument. And it was also interesting to understand what the whistle principle had become at the end of the 18th century.

In England there had been the English flageolet, a successor to the «common flute» (recorder) with some innovations as the double and triple flageolet, in Austria the csakan, in Italy the ocarina... All these instruments have generated a written repertoire which I attempt to bring out in my concerts. After the CD Viennoiseries Musicales (Musiques à la Chabotterie Ref. 605007) dedicated to the csakan, and the present one dedicated to the French flageolet, I do hope I’ll be able to offer an English flageolet CD, and another for the ocarina. ...

Hugo Reyne, recorder, oboe, conductor
La Simphonie du Marais

Hugo Reyne
The French flutist, oboist and conductor, Hugo Reyne, started playing the recorder and the oboe at a very early age. Within a short space of time, he received numerous diplomas and the highest awards from several conservatoires, to say nothing of the many first prizes he obtained at national level. In 1981, he was awarded first prize at the Hurtebise international recorder competition and in 1984, he won the chamber music award at the Concours International de Bruges.

As a solo flautist, Hugo Reyne has recorded George Frideric Handel’s sonatas (Harmonia Mundi), Arcangelo Corelli concertos (Opus 111), the Dieupart suites (EMI), the sonata for recorder by Anne Philidor (Musique à Versailles - Virgin) and a collection of works by Purcell (Virgin), Gautier (Astrée-Naïve), Dornel (Tempéraments-Radio-France) and Fiocco (Musique en Wallonie).

For many years, Hugo Reyne was a highly valued performer with the leaders of the Baroque movement (Frans Brüggen, William Christie, Philippe Herreweghe, Gustav Leonhardt and Jordi Savall) and had a successful orchestral career before founding his own company, La Simphonie du Marais, in 1987. In the 1980's, he played both flute and oboe in most of the baroque ensembles in Paris, notably 1st flute at Les Arts Florissants from 1983 to 1996. He has performed in the USA, Canada, South America, Australia, and Japan and throughout Europe. He has also worked as musical director for other orchestras including the Orchestre National de Bordeaux-Aquitaine.

Hugo Reyne, who has been awarded the Certificat d’Aptitude de Musique Ancienne, has taught in a number of music academies and conservatoires, particularly the Conservatoire National de Région de Bordeaux from 1990 to 2000, and has also shared his passion during training courses held for young musicians. He has been teaching at the Conservatoire National de Région de Marseille since 2001.

Hugo Reyne also devotes a considerable amount of time to musicology research and to publishing early scores. In 1998, he was made Chevalier de l’Ordre des Arts et des Lettres by the ministry for culture for his work on France’s musical heritage. Hugo Reyne has been the artistic director of the "Musiques à la Chabotterie" festival since 2003 and lives in Vendee.

Booklet for Les Amours d'un Rossignol - Musique pour le flageolet français