Finding My Way Home Yazz Ahmed

• 1Embarkation01:51
• 2Wah-Wah Sowahwah07:30
• 3Al Muharraq02:20
• 4Flip Flop05:22
• 5Affirmation05:45
• 6Conciliation05:20
• 7So What05:06
• 8Birthdays, Birthdays05:43
• 9The Birth of the Fool01:33
• 10Finding My Way Home10:03
• Total Runtime50:33

Info for Finding My Way Home

Finding My Way Home is the debut release from British-Bahraini trumpet player, Yazz Ahmed.

The album is a collection of original compositions and improvisations, exploring the sounds and rhythms of Yasmeen’s Arabic heritage, revisiting memories from her early childhood in Bahrain. These are contrasted with pieces reflecting the classic British jazz from the 1950s and 60s, which was the soundtrack to her teenage years and was her gateway into improvised music.

Yazz’s Grandfather, Terry Brown, was a jazz trumpeter who played alongside Tubby Hayes, Ronnie Scott and as a member of the original John Dankworth Seven. He went on to become a successful record producer for Pye and Philips Records. Yazz picked up the trumpet inspired by the music and the stories that Terry shared with her.

Finding My Way Home also features the sublime talents of bass guitar virtuoso, Janek Gwizdala. Now widely regarded as one of the finest players in the world, Janek was actually a nineteen-year-old beginner on the trumpet when he and Yazz first met in the brass ensemble at the Merton Music Foundation. After a ten-year gap, their friendship was renewed, thanks to the power of Facebook. Noticing he would be visiting London during November 2008, Yazz asked Janek if he would be interested in recording a session of duets. Janek was delighted to accept, even though they had last played together when Yazz was just fourteen years old.

These intimate tracks, specially arranged for flugelhorn and bass guitar, recorded at the Cowshed in London, form the main body of the album. In addition to Yazz’s Affirmation, Stan Sulzmann’s Birthdays, Birthdays and the Miles Davis classic So What, the pair also recorded four spontaneous compositions, utilizing Arabic scales. These evocative and mysterious pieces, Embarkation, Al Muharraq, Birth of the Fool and Finding My Way Home, bind the album together but also become the vehicles for a musical journey of self-discovery.

Whist at the Guildhall School of Music and Drama, Yazz began writing for her first quintet. Two of her original compositions for this band, the poignant ballad, Conciliation and the Joe Henderson inspired Flip Flop, are performed here by Alam Nathoo tenor sax, John Bailey piano, Jay Darwish double bass and George Hart on drums.

Yazz also met Shabaka Hutchings while at the Guildhall. His bass clarinet playing is featured on Wah-Wah Sowahwah, the first of Yazz’s Arabic flavoured compositions, inspired by the session with Janek. The other musicians on this track are Simon Hale, playing Fender Rhodes, cellist, Chris Fish, Corrina Silvester - an expert in North African and Arabic hand drumming - and bass guitarist, Laurence Cottle.

The album closes with Finding My Way Home, which draws elements from the various recordings together to frame the most expansive of the improvised duets. The arc of this title track is a miniature version of the whole album. From the opening notes of the lone trumpet, crying out in the wilderness, it conjures images of a vast desert landscape and takes the listener on a sensuous journey. The caravan finally comes to rest at an oasis of cool calmness with Noel Langley’s orchestration, for the large ensemble, of Janek’s improvised coda, taken from the very first recording day.

Working on Finding My Way Home has inspired Yazz to form two new ensembles to reflect these recordings and the new compositions that have blossomed from this album. Ahmed’s new quintet had the pleasure of making their debut performance when opening the 2010 Brit Jazz Fest at Ronnie Scotts Jazz Club, London.

Subsequently the band received an array of positive reviews with Jazzwise Magazine highlighting Yazz’s flugelhorn playing and tipping her as a star of the future. Gary Crosby OBE includes Finding My Way Home in his top five releases of 2011.

Yazz Ahmed, trumpet & flugelhorn
Janek Gwizdala, bass
Shabaka Hutchings, bass clarinet & clarinet
Alam Nathoo, tenor saxophone
Chris Fish, cello
John Bailey, piano
Simon Hale, Fender Rhodes
Jay Darwish, bass
Laurence Cottle, bass
George Hart, drums
Corrina Silvester, drum kit, darbuka, rigg & sagat

Yazz Ahmed
Through her music, British-Bahraini trumpet player, Yazz Ahmed, seeks to blur the lines between jazz and electronic sound design, bringing together the sounds of her mixed heritage in what has been described as ‘psychedelic Arabic jazz, intoxicating and compelling’.

Over the last decade, Yazz has led her ensembles in performances across the UK & Europe, and further afield in Algeria, Bahrain, Beirut, Kuwait, Tunisia, Turkey, Ukraine, USA & Canada. She has also enchanted audiences at major festivals such as WOMAD, Love Supreme, NYC Winter Jazz Fest & Pori Jazz.

Her career is studded with high profile collaborations, which have seen her record and perform with the likes of Radiohead, Lee Scratch Perry, Transglobal Underground, Arturo O’Farrill, Natacha Atlas, and Obongjayar, including a world tour with These New Puritans.

It was Yazz’s self-released debut album, Finding My Way Home, 2011, which saw her first explorations of Arabic music, introduced her as an innovative performer and composer, and led Jazzwise Magazine to mark her out as ‘one to watch’. However, it was her second album, La Saboteuse, (Naim Records, 2017), which made a global impact, clocking up multiple rave reviews and making many ‘best of 2017’ lists around the world, including Jazz Album of the Year in The Wire magazine, and achieving the number 18 spot in Bandcamp’s top 100 albums (all genres).

“This is enchanting, late-night music that floats on the liminal space between dreams and reality. And for sheer, unconquered beauty, there are few albums of any genre that reach these heady heights. Ahmed, in diving deep within herself, comes back up for air with a mysterious, wondrous artefact humming in her hands,”the2010s.net

In between releasing Finding My Way Home and La Saboteuse, Yazz received support from Jazzlines at Town Hall Symphony Hall Birmingham, to write her suite, Alhaan al Siduri, premiered in October 2015 at CBSO Centre, Birmingham. This music is influenced by Yazz’s Bahraini roots, drawing from the folk music of the Bahraini pearl divers and traditional wedding songs sung by the women drumming groups. The second performance of this suite marked Yazz’s debut in her paternal homeland, at the Bahrain International Music Festival, 2016.

During 2016, Yazz was accepted on the LSO Soundhub composer scheme, giving her the opportunity to explore writing music for her newly developed quarter-tone flugelhorn. This unique instrument enabled her to get closer to the spiritual nature of the ‘blue notes’ in Arabic music, deeply infusing her sound with that of her heritage.

In 2018 Yazz received two commissions with a cosmic theme. The Planets 2018, a work created especially for a tour of planetariums, is a celebration of the centenary of Holst’s suite and modern astronomy. Commissioned by the Ligeti Quartet, Yazz’s composition Saturn was featured and performed around the UK that October.Yazz was later commissioned by the Open University to write a solo piece inspired by the moon, Earth’s Reflection was performed at the OU Moon Night in December 2018.

Illustrating her growing fascination with electronic music, La Saboteuse Remixed, (Naim, 2018) features collaborations with three of Europe’s eminent electronic DJ’s – Hector Plimmer, DJ Khalab and Blacksea Não Maya. Four of the pieces from the original album have been reimagined, taking her music to a new realm.

June 2019 saw the coda to La Saboteuse revealed: A Shoal of Souls (IXCHEL Records). Composed as a reaction to Sophie Bass’s striking artwork for La Saboteuse, the piece, commissioned by the EFG London Jazz Festival, is dedicated to the thousands of lives lost in recent years by those attempting to cross the Mediterranean Sea in search of a better future. A Shoal of Souls was also featured as the soundtrack to an Apple iPhone 11 advertising campaign.

Yazz’s 2019 album, Polyhymnia, (Ropeadope Records) built on her growing reputation as a notable composer with a strong individual voice, a figure at the heart of the exciting UK scene. Evolving from a performance on International Women’s Day in 2015, commissioned by Tomorrow’s Warriors, the music takes the form of a suite written in celebration of courageous and inspiring women and features an extended ensemble of 25 musicians.

“Rich, powerful, colourful, exciting, and highly evocative. Ahmed’s most ambitious and most successful work to date has the feel of a ‘major statement’ about it.” –thejazzmann.com

The album was also picked up by Apple and has been highlighted in their 2020 Apple Music advertising campaigns.

In January 2020 Downbeat Magazine named Yazz as one of 25 artists set to shape the future of jazz over the next decade.

At the 2020 Jazz FM Awards, Polyhymnia was voted Album of The Year, with Yazz also winning UK Jazz Act of the Year.

The year culminated with the receipt of the highly prestigious Ivor Novello Award for Innovation.

During the pandemic, Yazz composed and recorded music for American streaming channel, Adult Swim, the Festival of New Trumpet Music – New York, and a sound installation commission by WOMAD to accompany Luke Jerram’s, Museum Of The Moon sculpture. She also performed ‘isolated sessions’ for the Boiler Room and streaming gigs for WOW! Istanbul, the Jazzed app, The EFG London Jazz Festival, Sage Gateshead and Tim Garland’s Spring Encounters series.

In November 2020 Yazz released Polyhymnia Remixed, teaming up with fast-rising underground producers, DJ Plead, Asmara and Surly. The EP expands on the themes of Polyhymnia, reflecting on the important stories of the women it celebrates, told by other voices, with a fresh perspective.

2021 saw the release of Solo 7”s Vol.1, a single featuring two tracks recorded at home, inspired by Yazz’s experience of performing solo sets during the pandemic.

As live work returned in 2021, she began performing again on the continent, but the year culminated in a spectacular collaboration with Yazz’s quintet and the BBC Concert Orchestra at the Queen Elizabeth Hall, performing new orchestrations of her works as part of the EFG London Jazz Festival for BBC Radio 3.

In 2022, Yazz was commissioned by Blue Note Records to arrange and record a track for the second Blue Note Re:imagined series. Yazz’s Turkish-proggy-jazz take on Chick Corea’s It, which featured his long-time collaborator, Tim Garland, on bass clarinet.

In December 2022, Yazz curated an evening at the Barbican Hall, London, where she shared the stage withlegendary Lebanese oudist, Rabih Abou-Khalil (whose album Blue Camel was a seminal influence on Yazz) and Emel – the avant-garde Tunisian-American singer and producer, whose soaring voice was a soundtrack to the Arab Spring and who has long been crafting a unique sonic universe, crushing stereotypes and forging a path all her own.

“I hope that through my music I can bring people together, building bridges between cultures, and changing perceptions about women in jazz and people of Middle Eastern heritage”

This album contains no booklet.