Puccini: Love Affairs Jonas Kaufmann

• Giacomo Puccini (1858 - 1924): La Bohème, Act I:
• 1Puccini: La Bohème, Act I: "O soave fanciulla"03:55
• Manon Lescaut, Act II:
• 2Puccini: Manon Lescaut, Act II: "Tu, tu, amore? Tu?"07:47
• Tosca, Act I:
• 3Puccini: Tosca, Act I: "Mario!" - "Son qui!"07:02
• 4Puccini: Tosca, Act I: "Ah, quegli occhi!" - "Qual occhio al mondo"05:39
• La Fanciulla del West, Act I:
• 5Puccini: La Fanciulla del West, Act I: "Mister Johnson, siete rimasto indietro"05:18
• 6Puccini: La Fanciulla del West, Act I: "Quello che tacete"08:17
• Il Tabarro, Act I:
• 7Puccini: Il Tabarro, Act I: "O Luigi! Luigi!"06:54
• Madama Butterfly, Act I:
• 8Puccini: Madama Butterfly, Act I: "Viene la sera"03:46
• 9Puccini: Madama Butterfly, Act I: "Bimba dagli occhi"03:35
• 10Puccini: Madama Butterfly, Act I: "Vogliatemi bene"07:02
• La Bohème, Act I:
• 11Puccini: La Bohème, Act I:"Che gelida manina"04:49
• Tosca, Act III:
• 12Puccini: Tosca, Act III: "E lucevan le stelle"03:01
• Total Runtime01:07:05

Info for Puccini: Love Affairs

Following on from his phenomenally successful Grammy-nominated first Puccini album in 2015, “Nessun Dorma”, Jonas Kaufmann now presents a new album of Puccini highlights to mark the composer’s 2024 anniversary year. He has selected for the new recording six great duets and scenes with six outstanding sopranos – legendary love scenes, emotionally-charged Love Affairs.

“What really appealed to me was recording these very different duets with different partners,” says Kaufmann. “With almost all of them I’ve experienced unforgettable moments on stage.”

Manon Lescaut is sung by Anna Netrebko, with whom he has appeared many times over the course of his career. This year alone audiences have heard them together in two productions of Ponchielli’s La Gioconda. Tosca is sung by Sonya Yoncheva, who recently partnered with him at the Arena di Verona. The part of Butterfly is sung by Maria Agresta, who will be touring with Kaufmann this October to mark the Puccini centenary and performing some of the repertoire on this album. In the wake of their stunning success in the new Vienna production of Turandot in December 2023, Asmik Grigorian and Jonas Kaufmann now portray the tragic lovers in Il Tabarro. And as in the performances of the opera at the Bavarian State Opera in Munich, Malin Byström is here once again his partner in La Fanciulla del West. The album also has a debut, with Jonas Kaufmann and Pretty Yende heard together for the first time, in the famous love duet from La Bohème.

Asher Fisch, the album’s conductor, is a regular collaborator of Kaufmann’s: “We’ve known each other for many years. This is also now our second album, after Dolce Vita, which we recorded in Palermo in 2016. This time we went to Bologna, and the brilliant orchestra of the Teatro Comunale, whom I gave a concert with a few years ago.”

The new album also features two of Puccini’s tenor hits that didn’t appear on the first album in 2015: “Che gelida manina” from La Bohème and “E lucevan le stelle” from Tosca.

For Jonas Kaufmann, Puccini’s music is and remains a unique phenomenon: “The buttons he pushes with his music still work, a hundred years after his death – and do so in a modern society that is completely jaded from an endless flood of bad news and experiences. Much has been written about Puccini, but as I see it, no one has ever yet been able to explain how he managed to evoke such unbelievably powerful emotions with just a few notes. That is a mystery that probably no AI in the world can comprehend.”

Jonas Kaufmann, tenor
Pretty Yende, soprano
Anna Netrebko, soprano
Sonya Yoncheva, soprano
Malin Byström, soprano
Asmik Grigorian, soprano
Maria Agresta, soprano
Orchestra del Teatro Comunale di Bologna
Asher Fisch, conductor

Jonas Kaufmann
Born in Munich, Germany, tenor Jonas Kaufmann is now internationally recognized as one of the most important artists of our day. He has made sensational débuts in recent seasons at many of the world’s leading opera houses, appearing at the Royal Opera Covent Garden in La Rondine opposite Angela Gheorghiu and in the 2007 new pro-duction of Carmen under Antonio Pappano. He has also appeared as Alfredo in La Traviata at the Metropolitan Opera and the Lyric Opera of Chicago, as well as in the new productions of the work at Paris’s Opéra-Bastille in 2007 and at the Teatro Alla Scala in Milan. He has sung Tamino in Die Zauberflöte at the Bavarian State Opera in Munich. the Vienna State Opera and the Metropolitan Opera, as Belmonte in Die Entführung aus dem Serail at the Salzburg Festival, and as Faust in La Damnation de Faust at the Theâtre Royal de la Monnaie in Brussels. Highlights of the 2007/2008 season included La Traviata opposite Anna Netrebko and his first Cavaradossi in Tosca under Antonio Pappano, both at the Royal Opera House, Covent Garden, Rodolfo in La Bohème at both the Berlin State Opera under Gustavo Dudamel and at the Zurich Opera, where he was also heard in new productions of Humperdinck’s Koenigskinder and Carmen as well as in La Traviata and Don Carlos. In January of 2008 Jonas Kaufmann’s first solo album for DECCA titled “Romantic Arias” became an immediate international best seller. The release was followed in February of 2008 by solo operatic concerts in Munich and Hamburg. In July of 2008 he sang a tremendously acclaimed recital at the Prinzregententheater in Munich.

Jonas Kaufmann began the 2008/2009 with his first performances of Des Grieux in Manon at the Lyric Opera of Chicago opposite Natalie Dessay, followed by his return to Paris as Florestan in the new production of Fidelio for the Opéra National de Paris and a recital, both at the Palais Garnier. In January of 2009 Kaufmann sang the Italian Tenor in the production of Der Rosenkavalier under Christian Thielemann in Baden Baden. He will return to the Zurich Opera in a new production of Tosca staged by Robert Carsen and conducted by Christoph von Dohnányi. Kaufmann will also sing La Traviata in Zurich, after which he will return to the Vienna State Opera in Manon and Tosca. In July of 2009 Kaufmann will sing his first performances of the title role in Lohengrin in a new production at the Bavarian State Opera pro-duced by Richard Jones and conducted by Kent Nagano. He will also appear there in La Traviata opposite Angela Gheorghiu. The current season has included solo operatic concerts in January 2009 at the Mannheim Rosengarten, the Berlin Philharmonic Hall, at the Megaron in Athens, Greece, and at the Théâtre des Champs-Elysées in March. Kaufmann made his début in Moscow in December of 2008 in a concert along with Dmitri Hvorostovsky, and also sang Beethoven’s Symphony No. 9 with the Munich Philharmonic conducted by Christian Thielemann. He dedicates part of each year to song recitals and this season is partnered by renowned pianist, Helmut Deutsch, in recitals in Paris, at the Palais Garnier, the Opera House in Zurich, the Vienna Konzerthaus, the Glyptoteket in Copenhagen, The Nationaltheater in Munich, and at the Haus fur Mozart at the Salzburg Festival.

Jonas Kaufmann completed his musical studies in his native Munich, participated in masterclasses with James King, Hans Hotter and Joseph Metternich and subsequently perfected his vocal technique with Michael Rhodes. He began his professional career at the State Theatre in Saarbruecken in 1994 and was soon invited to make débuts in such important German theaters as the Stuttgart Opera, the Hamburg State Opera as well as international débuts at the Lyric Opera of Chicago, the Paris Opéra and the Teatro alla Scala in Milan.

He made his Salzburg Festival début in 1999 in a new production of Busoni’s Dr. Faust and returned there in 2003 as Belmonte and for concerts of Beethoven’s Ninth Symphony with the Berlin Philharmonic. Kaufmann has been closely associated with the Zurich Opera since 2001; he has appeared there in several new productions which have included Idomeneo, La Clemenza di Tito, Schubert’s Fierrabras, Humperdinck’s Koenigskinder, izet’s Carmen and Monteverdi’s L’Incorozione di Poppea. Other roles in Zurich have included the Duke in Rigoletto, the title role in Gounod’s Faust, Florestan in Fidelio, Tamino in Die Zauberflöte and Belmonte in Die ntführung aus dem Serail. In 2006 he sang his first performances of the title role of Wagner’s Parsifal in Zurich followed by his début in 2007 there as Don Carlos. In 2006 Kaufmann also sang his first Walther von Stolzing in a concert performance of Die Meistersinger at the Edinburgh Festival conducted by David Robertson. He had previously been heard in Edinburgh as Max in Der Freischütz under Sir Charles Mackerras.

Jonas Kaufmann has appeared with some of the world’s leading conductors and orchestras. Among these engagements are performances with the Berlin Philharmonic under both Sir Simon Rattle and Nikolaus Harnoncourt, the Cleveland Orchestra under Franz Welser-Möst and the Vienna Philharmonic under Helmuth Rilling. In the summer of 2007 he sang Beethoven’s Symphony No.9 in Lucerne under Claudio Abaddo and subsequently made his Carnegie Hall début in October of 2007 in the same work.. In 2008 he also performed with the Cleveland Orchestra in Mahler’s Das Lied von der Erde with Franz Welser-Möst, in Verdi’s Requiem in Zurich under Daniele Gatti. His recitals of the song Literature have received high praise throughout Europe as well as in Japan.

In the autumn of 2009 Jonas Kaufmann will return to the Royal Opera House, Covent Garden in Don Carlos under Semyon Bychkov. He will open the 2009 season at the Teatro alla Scala in a new production of Carmen under Daniel Barenboim and will also sing the Verdi Requiem with La Scala in Milan, Paris and Moscow. Kaufmann will sing the new production of Tosca at the Bavarian State Opera where he also sings Lohengrin and Carmen. He will add the title role in Massenet’s Werther to his repertoire for the Opéra National in Paris and returns to the Metropolitan Opera in Tosca and Carmen. In July of 2010, Kaufmann will make his Bayreuth Festival début in a new production of Lohengrin.

This album contains no booklet.