![Cover Beethoven: Piano Concerto No. 1](https://storage.highresaudio.com/web/imgcache/00e59dd1e02e01ad6fb655abaa67eedf/5ku2p4-beethovenp-preview-m3_550x550.jpg)
Beethoven: Piano Concerto No. 1 Martha Argerich, Bavarian Radio Symphony Orchestra & Seiji Ozawa
Album info
Album-Release:
2024
HRA-Release:
21.06.2024
Label: BR-Klassik
Genre: Classical
Subgenre: Concertos
Artist: Martha Argerich, Bavarian Radio Symphony Orchestra & Seiji Ozawa
Composer: Ludwig van Beethoven (1770–1827)
Album including Album cover
- Ludwig van Beethoven (1770 - 1827): Beethoven: Piano Concerto No. 1:
- 1Beethoven: Beethoven: Piano Concerto No. 1 - Allegro con brio14:12
- 2Beethoven: Beethoven: Piano Concerto No. 1 - Largo10:57
- 3Beethoven: Beethoven: Piano Concerto No. 1 - Rondo. Allegro scherzando08:48
Info for Beethoven: Piano Concerto No. 1
Beethoven’s Piano Concerto No. 1 in C major, Op. 15, was written in 1795, then revised in 1800. The first performance took place on 18 December 1795 in Vienna with Ludwig van Beethoven himself as soloist. Although this was Beethoven’s first piano concerto to be published, it was actually his third attempt at the genre, following an unpublished piano concerto in E-flat major of 1784 and the Piano Concerto No. 2. The latter was published in 1801 in Leipzig after the Piano Concerto No. 1, but was composed over a period of years, perhaps beginning ca. 1788. (Martha Argerich)
Martha Argerich, piano
Bavarian Radio Symphony Orchestra
Seiji Ozawa, conductor
Martha Argerich
was born in Buenos Aires (Argentina). She began her first piano lessons at the age of five with Vincenzo Scaramuzza. Considered a child prodigy, she soon performs in public. In 1955, she moved to Europe and continued her studies in London, Vienna and in Switzerland with Bruno Seidlhofer, Friedrich Gulda, Nikita Magaloff, Madeleine Lipatti and Stefan Askenase.
In 1957, she won the Bolzano and Geneva Piano Competitions, and in 1965 the Warsaw International Chopin Competition. Since then, she has been one of the most prominent pianists in the world both in popularity and ability.
Martha Argerich has been rated highly for her performance of the virtuoso piano literature of the XIX and XX centuries. Her large repertoire includes Bach and Bartók, Beethoven and Messiaen, as well as Chopin, Schumann, Liszt, Debussy, Ravel, Franck, Prokofiev, Stravinski, Shostakovitch, Tchaikovski.
Though she is permanently invited by the most prestigious orchestras, conductors and music festivals in Europe, Japan and America, chamber music takes a significant part of her musical life. She regularly plays and records with Nelson Freire, Ivry Gitlis, Mischa Maisky, Gidon Kremer and Daniel Barenboim: “This harmony within a group of people gives me a strong and peaceful feeling.”
Martha Argerich has recorded for EMI, Sony, Philips, Teldec, DGG and many of her performances were broadcasted on television worldwide. She has received many awards: »Grammy Award« for Bartók and Prokofiev Concertos, »Gramophon – Artist of the Year«, »Best Piano Concerto Recording of the Year« for Chopin Concertos, »Choc« of the Monde de la Musique for her Amsterdam’s recital, »Künstler des Jahres Deutscher Schallplatten Kritik«, »Grammy Award« for Prokofiev’s Cinderella with Mikhael Pletnev and lately a »Grammy Award« for Beethoven Concertos 2 & 3 with the Mahler Chamber Orchestra under Claudio Abbado (DGG/»Best Instrumental Soloist Performance«), »The Sunday Times – Record of the Year« and »BBC Music Magazine Award« for her Shostakovitch recording (EMI, 2007). Last recordings include Mozart Concertos K466 and K503 with Orchestra Mozart and Claudio Abbado and a Duo Recital with Daniel Barenboim (Deutsche Grammophon).
Since 1998 she is the Artistic Director of the Beppu Festival in Japan. In 1999 she created the »International Piano Competition and Festival Martha Argerich« in Buenos Aires, and in June 2002 the »Progetto Martha Argerich« in Lugano.
Martha Argerich has received numerous distinctions: »Officier de l’Ordre des Arts et Lettres« in 1996. »Commandeur de l’Ordre des Arts et des Lettres« in 2004 by the French Government, »Accademica di Santa Cecilia« in Rome in 1997, »Musician of the Year« by Musical America 2001, »The Order of the Rising Sun, Gold Rays with Rosette« by the Japanese Emperor and the prestigious »Praemium Imperiale« by the Japan Art Association in 2005.
This album contains no booklet.