Hummel: Piano Quintets, Op. 74 & 87 Nepomuk Fortepiano Quintet

• :Johann Nepomuk Hummel (1778 - 1837): Quintet in D Minor, Op. 74:
• 1 Hummel: Quintet in D Minor, Op. 74: I. Allegro con spirito 14:59
• 2 Hummel: Quintet in D Minor, Op. 74: II. Menuetto o scherzo. Allegro 05:56
• 3 Hummel: Quintet in D Minor, Op. 74: III. Andante con variazioni 08:31
• 4 Hummel: Quintet in D Minor, Op. 74: IV. Finale. Vivace 08:33
• Quintet in E-Flat Minor, Op. 87:
• 5 Hummel: Quintet in E-Flat Minor, Op. 87: I. Allegro e risoluto assai 09:49
• 6 Hummel: Quintet in E-Flat Minor, Op. 87: II. Menuetto - Allegro con fuoco 05:53
• 7 Hummel: Quintet in E-Flat Minor, Op. 87: III. Largo 02:08
• 8 Hummel: Quintet in E-Flat Minor, Op. 87: IV. Allegro agitato 05:14
• Total Runtime 01:01:03

Info for Hummel: Piano Quintets, Op. 74 & 87

Lively and colourful period-instrument accounts of pioneering works in the genre that later gave us masterpieces by Schubert, Schumann and Brahms. This album brings together the two great piano quintets by Hummel, substantial works written on a large scale, counting among the best works in their genre.

As a pupil of Mozart and contemporary of Beethoven, Hummel was esteemed for the elegance of both his playing and his music. His tone was clear and pure, his touch accurate, equal and refined, and Goethe is said to have remarked that ‘Hummel handles the piano as Napoleon handles the world.’

The opus numbers of these appealing quintets are misleading. The piano quintet had barely been invented as a genre – its principal forebears being the piano quartets of Mozart – when Hummel wrote this powerful E flat minor piece in 1802, later catalogued as Op.87 when he adapted it 20 years later for a piano with a larger range. Thus the piece itself belongs to his early period, much more Classical and Mozartian in manner than the powerful Op.74 which opens with a powerful D minor statement and continues in turbulent fashion as a work belonging to 1815, by which time the composer had achieved both fame and security.

A quartet of Dutch string players, experienced in the early-music scene, forms the core of the Nepomuk quintet, named after the composer on this album; they are joined by the pianist Riko Fukuda, who contributes an authoritative essay on Hummel and his piano quintets to the booklet.

When this recording of the Op.87 Quintet was first released in 2008, it received an enthusiastic welcome from Fanfare magazine: ‘This is a very valuable release… The manner in which all five musicians construct musical phrases throughout is quite impressive. And their sound blends superbly… The refinement with which these musicians rediscover this relatively unknown music is simply astonishing… The sound of this recording is quite impressive too; the level of detail is amazing, and the spatial depth is compelling.’

Johann Nepomuk Hummel (1778-1837) was an Austrian composer and virtuoso pianist. His music reflects the transition from the Classical to the Romantic musical era. He was one of the most celebrated and successful composers of his time. The name of Hummel usually is related to two other musical giants of his period: Mozart and Beethoven. Hummel was a pupil of the former and a rival of the later, both being piano virtuosos in Vienna. Hummel’s piano style is influenced by Mozart in its adherence to the Classical Viennese Style and the grace and charm of his melodies. Beethoven’s influence is seen in the dramatic and sometimes stormy character of his music, whereas Hummel himself invented and developed his own personal pianism of unprecedented virtuosity and brilliance, which had great influence on piano composers after him (Chopin, Liszt and Schumann).

Nepomuk Fortepiano Quintet