Klavierwerke von Prokofjew & Bartok Mark Taratushkin

• Sergei Prokofjew (1891-1953): Sarcasms op. 17
• 1 I. Tempestoso 02:09
• 2 II. Allegro rubato 01:22
• 3 III. Allegro precipitato 01:52
• 4 IV. Smanioso 02:28
• 5 V. Precipitosissimo 02:59
• Béla Bartók (1881-1945): Three Studies op. 18 Sz 72
• 6 I. Allegro molto 02:17
• 7 II. Andante sostenuto 03:09
• 8 III. Rubato – Tempo giusto 02:35
• Improvisations on Hungarian Peasant Songs op. 20 Sz 74
• 9 I. Molto moderato 01:17
• 10 II. Molto capriccioso 01:06
• 11 III. Lento, rubato 02:32
• 12 IV. Allegretto scherzando 00:44
• 13 V. Allegro molto 00:54
• 14 VI. Allegro moderato, molto capriccioso 01:42
• 15 VII. Sostenuto, rubato 01:53
• 16 VIII. Allegro 02:00
• Out Doors Sz 81
• 17 I. Mit Trommeln und Pfeifen - With Drums and Pipes – Pesante 01:47
• 18 II. Barcarolla – Andante 02:19
• 19 III. Musettes – Moderato 02:59
• 20 IV. Klaenge der Nacht - The Nights Music – Lento 05:40
• 21 V. Hetzjagd - The Chase – Presto 02:16
• Sergei Prokofjew (1891-1953): Four Studies op. 2
• 22 I. Allegro 02:31
• 23 II. Moderato 03:00
• 24 III. Andante semplice 03:38
• 25 IV. Presto energico 01:43
• Visions fugitives op. 2226
• 26 I. Lentamente 01:09
• 27 II. Andante 01:12
• 28 III. Allegretto 00:53
• 29 IV. Animato 01:05
• 30 V. Molto giocoso 00:27
• 31 VI. Con eleganza 00:29
• 32 VII. Pittoresco 01:34
• 33 VIII. Commodo 00:59
• 34 IX. Allegretto tranquillo 01:04
• 35 X. Ridicolosamente 01:07
• 36 XI. Con vivacità 01:07
• 37 XII. Assai moderato 01:11
• 38 XIII. Allegretto 01:05
• 39 XIV. Feroce 01:02
• 40 XV. Inquieto 00:51
• 41 XVI. Dolente 01:36
• 42 XVII. Poetico 01:06
• 43 XVIII. Con una dolce lentezza 01:07
• 44 XIX. Presto agitatissimo e molto accentuato 00:42
• 45 XX. Lento 02:04
• Total Runtime 01:18:42

Info for Klavierwerke von Prokofjew & Bartok

Russian pianist Mark Taratushkin combines early works of two of the most important composers of the first half of the 20th century on this CD. These six works by Sergei Prokofiev and Béla Bartók illustrate the evolutionary thinking and the use of new forms and ideas. Here all the methods of the masterful composers are clearly seen: the forms and artistic themes, which will later receive their continuation in operas, symphonies, concerts and other great works.

The beautiful 'Four Etudes, Op. 2' by Sergei Prokofiev are filled with grotesque fantasies, jaunty lyrics and stinging irony. The 'Sarcasms' are an expression of bitter smile and scornful irony of the young composer, a slap to social sensibility of his time. A completely different aspect shows the miniature cycle 'Visions fugitives', twenty small pieces, different in character and mood: Lyricism, dazzling humor, and tenderness; sorrow, angst, disquiet and determination — the composer used the entire palette of musical colors to reflect his perceptions of the world during this complex period of turbulent change.

Béla Bartók's 'Three Etudes, Op. 18' are some of the most outstanding examples of the composer’s attempt to work out his own piano style which strictly rejected the standards of romantic and impressionistic doctrines. Instead of folkloric citations or borrowings, which are characteristic of Bartok’s work on the whole, there is an accumulation of rhythmical and structural elements. The musical language is extraordinarily complicated and individualistic. In the multilayered structure, polyrhythm and use of diverse modes, it displays the composer’s striving to leave the traditional understanding of harmony in favor of new means of musical expression. In the 'Improvisations on Hungarian Peasant Songs' folkloric themes are boldly interpreted by the composer. Traditional peasant songs are elaborated in an exaggeratedly pictorial fashion. The program cycle 'Outdoors' paints five landscapes in which the composer portrays nature following the Cubists in their sharply dissonant style. Bartók conveys a lively sensation of the space in which one hears the drumming, the bagpipes, the sounds of the water, the rustling of the forest, the cry of the birds and the folk songs.

Mark Taratushkin, piano

Mark Taratushkin
ist Preisträger zahlreicher Klavierwettbewerbe und trat als Solist und Kammermusik erfolgreich in Russland und weiten Teilen Europas auf. In den letzten Jahren konzentrierte er sich vor allem auf Aufführungen des Repertoires der deutschen Romantik und der Musik des 20. Jahrhunderts. Seine Interpretationen zeitgenössischer Musik verhalfen ihm zur Auszeichnung mit dem Lutoslawski-Preis beim Normandy European Piano Competition und zum 1. Preis beim Tel Hai Israeli Music Competition. Im September 2014 erschien seine Debüt-CD mit Werken von Bartók und Prokofiev.

Booklet for Klavierwerke von Prokofjew & Bartok