Good Together Lake Street Dive

• 1Good Together03:21
• 2Dance With a Stranger03:35
• 3Far Gone02:03
• 4Get Around02:51
• 5Help Is On the Way03:03
• 6Walking Uphill03:16
• 7Better Not Tell You03:12
• 8Seats At the Bar03:55
• 9Twenty-Five03:02
• 10Party On the Roof03:41
• 11Set Sail (Prometheus & Eros)04:27
• Total Runtime36:26

Info for Good Together

The album "Good Together" finds Lake Street Dive working once more with Grammy-winning producer Mike Elizondo (Fiona Apple, Sheryl Crow, Gary Clark Jr.), also marking the first time all of the members of the band collaborated in the earliest, most vulnerable stages of songwriting together, creating a unique approach to the sessions. The group gathered in Calabrese’s Vermont home, where bandmembers would each contribute, expanding the band’s musical palette and expressive range. “At first it was terrifying to write together in the same room,” says Price. “But as soon as we got started it felt so fun. We very quickly realized, ‘Oh, we need to do this again and again.’”

Since forming in 2004, Lake Street Dive have matched their sophisticated musicianship with a fearless refusal to limit their sound. As shown on their most recent full-length album, 2021's critically acclaimed Obviously, the Boston-bred band also possess a keen talent for combining sociopolitical commentary with immediately catchy pop gems. With their current lineup comprised of founding members Rachael Price (vocals), Bridget Kearney (bass), and Michael Calabrese (drums) — as well as keyboardist/vocalist Akie Bermiss and touring guitarist James Cornelison — Lake Street Dive continue to create joyously soulful

Lake Street Dive

Lake Street Dive
How is it that something so unlikely can also be so infectious, so naturally exhilarating? Pulling in familiar elements and irreverently scrambling and recombining them, Lake Street Dive are at once jazz-schooled, DIY-motivated, and classically pop obsessed. Beginning with catchy songs that are by turns openhearted and wryly inquisitive, this northeastern quartet proceeds to inject them with an irresistible blend of abandon and precision. Composed of drummer Mike Calabrese, bassist Bridget Kearney, vocalist Rachael Price, and trumpet-wielding guitarist Mike "McDuck" Olson, Lake Street Dive encompasses a myriad of possibilities within its members’ collective experiences, and the resultant music is a vivid, largely acoustic, groove-driven strain of indie-pop. “It seems the only limitation we have,” Kearney explains, "is that we try to make music that we would like listening to."

Hailing from such disparate locales as Tennessee (Price), Iowa (Kearney), Minneapolis (Olson), and Philadelphia (Calabrese), Lake Street Dive first gathered in a room together when they were students at Boston’s New England Conservatory. "Mr. McDuck assembled the four of us, said we were now Lake Street Dive, and we were a 'free country' band," Bridget Kearney remembers. "He wrote this on a chalkboard in the ensemble room that we had our first rehearsal in. We intended to play country music in an improvised, avant-garde style – like Loretta Lynn meets Ornette Coleman. It sounded terrible! But the combination of people and personalities actually made a lot of sense and we had a great time being around each other and making music together."

Lake Street Dive makes the most of pop music virtues: solid, evocative song craft; propulsive grooves; and Price’s disarming, forthright vocals. However, it’s a personal strain of pop that is refracted through the band members' rich backgrounds: a sinewy Motown bass line is reborn with woody heft on Kearney’s upright, Calabrese’s drumming mixes timekeeping with more adventurous jazz-inflected outbursts, McDuck’s nimble trumpet is an unexpectedly warm counterpoint to Price’s singing. It all makes for a sound with familiar roots, but with a slant that is entirely their own. Lake Street Dive's eventual artistic breakthrough came not without struggle, and still surprises original instigator Mike “McDuck” Olson. "Now we’re a pop band, leaning very heavily on soul and rock, with hook-y writing, which I never expected," he concludes. "If I could travel through time, I'd go back six years and play the new record for my younger self, just to assure him that the awkward, new-band phase doesn’t last forever."

This album contains no booklet.