Coral Dusk Reworked Sohnarr

• 1 Tiptoe (Reworked by Ansatz Der Maschine) 04:06
• 2 The Road (Reworked by Avondlicht) 05:11
• 3 The Mermaids of Bergsjøn (Reworked by Outer) 03:29
• 4 Radar (Reworked by Benjamin Desmet) 04:12
• 5 Playing Hard To Get (Reworked by Chantal Acda) 07:24
• 6 Melomania (Reworked by Brueder Selke) 07:07
• 7 11.10 (Reworked by Paulette Verlée) 03:04
• 8 Östmark (Reworked by Justin Lockey) 16:26
• Total Runtime 50:59

Info for Coral Dusk Reworked

In May 2020 Patricia Vanneste released her debut album Coral Dusk under the name Sohnarr. A record that she composed and recorded in the most remote places in Sweden and Norway. Back in the civilized world, Patricia seized the opportunity to give her music an additional meaning. Out of a deep conviction that human interaction is permeated by inspiring and being inspired, Patricia not only invited various visual artists over the past year to use her music as a starting point for new work, but also each track of the record was given a new musical life thanks to the hands and minds of 8 diverse artists. Each of them was asked to use one song from Coral Dusk as a source of inspiration for a personal reworking. No rules, no formats, but complete carte blanche. The artwork also received a complete rework thanks to artist Kasper Baele. For his paintings, he drew inspiration from both the music of the record and the original artwork, photos drawn by Patricia Vanneste at the place where every song came to life during her journey.

Sohnarr

Sohnarr
Four years ago Patricia Vanneste decided to leave BALTHAZAR, the band she had started together with Jinte Bernardt and Maarten Devoldere 15 years ago. She made that decision in order to create space for another calling that needed answering.

By leaving Balthazar, the search to turn this desire into something real had started. This is something many artists will recognize but the method is a very personal and individual discovery, different for every one of them. After trying out a few locations and different ways to evoke through music what was inside of her, intangible and invisible, she came to realise that the concept of nature would take on an important or even crucial role. This was about more than quiet and silence, space and focus. She had to be away from anything with a human trait whether that would be a sound, a gaze or a relationship. With no distraction or outside influence affecting her, going away seemed to be the only way to strip away her own self conscience in order to find the essence from which music would flourish. It was during this awareness, Patricia realised that she herself as an individual, would almost have to be disregarded too so she could make visible what was still invisible. She had to step away from herself to be able to express where words failed before and to make the invisible, visible.

A name is not some one’s essence but a definition of yourself on constant repeat and a reminder of who you appear to be. So she left Patricia behind and let Sohnarr in.

This album contains no booklet.