Bruckner: Symphony No. 6 in A Major, WAB 106 (1881 Version) Bergen Philharmonic Orchestra & Thomas Dausgaard

• Anton Bruckner (1824 - 1896):
• 1 Symphony No. 6 in A Major, WAB 106 (1881 Version): I. Majestoso 15:08
• 2 Symphony No. 6 in A Major, WAB 106 (1881 Version): II. Adagio. Sehr feierlich 16:51
• 3 Symphony No. 6 in A Major, WAB 106 (1881 Version): III. Scherzo. Nicht schnell - Trio. Langsam 08:10
• 4 Symphony No. 6 in A Major, WAB 106 (1881 Version): IV. Finale. Bewegt, doch nicht zu schnell 13:11
• Total Runtime 53:20

Info zu Bruckner: Symphony No. 6 in A Major, WAB 106 (1881 Version)

Anton Bruckner wrote his Symphony No. 6 over a period of two years, completing it in September 1881. And for once with this composer, the word ‘completing’ can be used without qualification: known for his habit of reworking and revising his works, Bruckner for once seems to have been satisfied with the result of his efforts. That doesn’t mean that the Sixth has enjoyed a smoother passage to the concert stage than other Bruckner symphonies, however. The only performance in Bruckner’s lifetime was a partial one, of the two middle movements, and when Gustav Mahler conducted the first ‘full’ performance in 1899, he made a number of substantial cuts and other amendments. In fact, the true premiere of the Sixth as Bruckner wrote it had to wait until 1935, almost 40 years after the composer’s death. And the work is still something of a Cinderella in the Bruckner catalogue, with far fewer outings in concert halls or on disc than for instance the Fourth or the Seventh. Bruckner called the Sixth his ‘boldest’ symphony – with a duration of ‘only’ some 55 minutes it is at any rate one of the shorter, but possibly the composer was thinking of the remarkably expansive Adagio or the ambiguous Scherzo, or of the way the so-called ‘Bruckner rhythm’ (different combinations of a duplet and a triplet) pervades the work. The present release is the first in a Bruckner ‘mini-series’ from Thomas Dausgaard and the Bergen Philharmonic Orchestra, appearing together on disc for the first time.

Bergen Philharmonic Orchestra
Thomas Dausgaard, conductor

Bergen Philharmonic Orchestra
One of the world’s oldest orchestras, the Bergen Philharmonic Orchestra dates back to 1765, and will celebrate its 250th anniversary in 2015. Edvard Grieg had a close relationship with the orchestra, serving as Artistic Director from1880–82.

Appointed Chief Conductor in 2003, Andrew Litton is the current Music Director, a post he will hold until October 2015. Principal Guest Conductor is, from August 2013, Edward Gardner. Under Litton’s direction the orchestra has raised its international profile considerably through recordings, extensive touring, and international commissions. Edward Gardner takes over as Chief Conductor in October 2015.

The Bergen Philharmonic has in recent seasons played at the Concertgebouw, Amsterdam, the BBC Proms at the Royal Albert Hall, the Wiener Musikverein and Konzerthaus, Carnegie Hall, New York and the Philharmonie, Berlin. The orchestra toured Sweden, Austria and Germany in 2011, and in 2012 they appeared at the Rheingau Festival and returned to the Concertgebouw. In February 2013 the orchestra toured the United Kingdom, with concerts in Usher Hall, Edinburgh, The Sage, Gateshead and Bridgewater Hall, Manchester.

The orchestra has an active recording schedule for three record companies; BIS, Chandos and Hyperion. Critics worldwide acknowledge its energetic playing style and full-bodied string sound. Recent and ongoing projects include Messiaen’s ‘Turangalîla-Symphonie’, ballets by Stravinsky, Barber’s Cello Concerto and a Prokofiev-cycle for BIS with Andrew Litton. The orchestra’s recording of the complete orchestral music of Grieg remains the reference point in a competitive field.

Currently recording Tchaikovsky’s three great ballets for Chandos with Neeme Järvi, the orchestra has also recorded works by Rimsky Korsakov, four critically acclaimed volumes of works by Johan Halvorsen, a series of the music of Johan Svendsen, and a recording of orchestral realisations by Berio conducted by Edward Gardner.

Enjoying longstanding artistic partnerships with some of the world’s finest musicians, the orchestra has recorded with Leif Ove Andsnes, James Ehnes, Alban Gerhardt, Vadim Gluzman, Stephen Hough, Freddy Kempf, Truls Mørk, Steven Osborne, and Lawrence Power, amongst others.

Thomas Dausgaard
Renowned for his creativity and innovation in programming, the excitement of his live performances, and an extensive catalogue of critically acclaimed recordings, Thomas Dausgaard has been the chief conductor of the Swedish Chamber Orchestra since 1997. He is also the principal guest conductor of the Seattle Symphony and honorary conductor of the Danish National Symphony Orchestra, having served as its principal conductor from 2004 until 2011, and will become chief conductor of the BBC Scottish Symphony Orchestra in 2016. He regularly appears with many of the world’s leading orchestras including the Leipzig Gewandhaus Orchestra, Bavarian Radio Symphony Orchestra, Vienna Symphony Orchestra, Chamber Orchestra of Europe, Philharmonia Orchestra, London Symphony Orchestra and the Orchestre Philharmonique de Radio France.

Dausgaard began his North American career assisting Seiji Ozawa, and has since appeared with the Cleveland Orchestra, Boston Symphony Orchestra, Los Angeles Philharmonic, Washington National Symphony Orchestra, Toronto Symphony Orchestra and Montreal Symphony Orchestra. He is also a regular visitor to Asia and Australia. Festival appearances have included the BBC Proms, the Salzburg Festival, Mostly Mozart and Tanglewood. Thomas Dausgaard has been awarded the Cross of Chivalry in Denmark, and is a member of the Swedish Royal Academy of Music.

Booklet für Bruckner: Symphony No. 6 in A Major, WAB 106 (1881 Version)