The Alehouse Sessions Bjarte Eike and Barokksolistene

• 1 Wallom Green (From The English Dancing Master) 02:03
• 2 Curtain Tune (From Timon of Athens) 02:42
• 3 Lead me (From Bonduca & The English Dancing Master) 07:49
• 4 Haul away Joe 03:52
• 5 Johnny Faa 04:02
• 6 Hole in the Wall (From Abdelazer) 02:46
• 7 The Virgin Queen set (From The English Dancing Master) 04:43
• 8 Pass around the grog 02:16
• 9 Travel set 06:59
• 10 I drew my ship 05:23
• 11 Carolan’s Cup 03:31
• 12 The Canadian set 04:15
• 13 Leave her Johnny 03:34
• Total Runtime 53:55

Info zu The Alehouse Sessions

The Alehouse Sessions – curated and devised by Bjarte Eike, is an ever changing and evolving insight into the music of the English 17th Century tavern. It gives audiences a window into this tumultuous period through Purcell overtures, English sea shanties, and Scandinavian folk songs thrown in for good measure. The atmosphere of a raucous port city pub in the 1690s is brilliantly evoked by Barokksolistene. These sessions have already been hailed as ‘irresistible’ (The Times), ‘superb’ (The Scotsman) and ‘fabulously unrestrained’ (The Guardian), and they have diverted away from the traditional concert model by ‘creating the effect of a late night jamming session“ (BBC Music Magazine).

„The signature of this project is the interaction on stage between the players and the audience. If it has to be put in a historical context, the project draws its inspiration from the Shakespearian theatre where there was a direct communication between stage and hall“ says Bjarte Eike.

Barokksolistene:
Bjarte Eike, violin, director
Milos Valent, viola, vocal
Kanerva Juutilainen, violin
Judith-Maria Blomsterberg, cello
Thomas Pitt, cello
Fredrik Bock, guitar, lute
Hans Knut Sveen, organ
Mattias Frostenson, bass
Berit Norbakken Solset, soprano
Jon Balke, organ, soundscapes

Recorded in Selbu church, Norway 2012
Engineered by Hans Peter L'Orange
Produced by Bjarte Eike, Malcolm Bruno

Bjarte Eike
Baroque violinist Bjarte Eike pushes boundaries in classical music, constantly looking for new projects in the borderland of genres and is reaching out to new audiences with his infectious playing and style.


As the artistic director of Barokksolistene, he has created new and innovative concepts such as "The Alehouse Sessions"; exploring 17th century music from the pubs and alehouses in England, "The Early Joke"; a musical travel through music history, exploring different aspects on humour and music and "The Image of Melancholy"; dealing with the sad songs and emotions through renaissance, folk and experimental music.

As a freelance violinist and concertmaster, he continues to explore alternative ways of approaching classical music. Although his musical foundation is thoroughly rooted in so-called Historically Informed Performance practice (HIP) he likes to include other artistic aspects in his performances, using visual arts, dance, story-telling, improvisation etc. He is experiencing a growing interest from European and American ensembles and orchestras, inviting him as a guest-leader and conductor.

Eike received his training from the Grieg Academy in Bergen, Norway and with Richard Gwilt in London, and has been Artist in residence at festivals for early music, classical music, folk music, experimental music and jazz. He has participated in a large number of recordings and is currently teaching baroque violin at the Norwegian Academy of Music in Oslo and as a guest-teacher at the Royal Danish Music Conservatory in Copenhagen.

Barokksolistene
founded and led by Norwegian violinist and Artistic Director Bjarte Eike, is a baroque ensemble that ‘brings the raw rhythms of Scandinavian folk music to…the high baroque’ [Financial Times].

They draw on their native influences and traditions to produce unique projects and programmes that range from their performances of Handel’s operas to their uniquely branded “Alehouse Sessions”. They are the ensemble in residence at the Bergen National Opera.

With recording all the music for the Shakespeare Globe’s 400th anniversary ‘The Complete Walk’ installation, to their first major UK tour, the recent season has seen the ‘uproariously talented Barokksolistene’ [The Arts Desk] bring their virtuosity and Scandinavian flare to a huge audience in a short space of time. With a debut tour in the USA in 2017, this is a group that will continue to expand that audience; with their projects bringing together elements of folk music and historically informed performance, and always with a passion for collaboration and new ideas.

Nowhere is this more evident in their signature project “The Alehouse Sessions”.

'‘Any group that can have a festival audience performing an Icelandic football chant has to be doing something right ’ [The Guardian].

“The Alehouse Sessions” – curated and devised by Bjarte Eike – is an ever changing and evolving look into the music of the English 17th Century tavern. The first major UK tour in 2016 of these Sessions were hailed as ‘irresistible’ [The Times], ‘superb’ [The Scotsman] and ‘fabulously unrestrained’ [The Guardian], and diverted away from the traditional concert model by ‘creating the effect of a late night jamming session’ [BBC Music Magazine]. This is a project that demonstrates the creativity and versatility of the group in a single set, and returns season after season; each time with new ideas.

Further projects and collaborations such as their performances of the Malcolm Bruno reconstruction of Bach’s St Mark Passion in Germany and their performances of Handel and Mozart operas with the Norwegian National Opera and the Den Ny Opera in Denmark respectively, only accentuate this versatility. Projects in the 2017 season not to be missed include a staged Messiah with Netia Jones and the Bergen National Opera in Norway.

“The Image of Melancholy”, one of the group’s first major records, was released on BIS and explores the use of melancholy in music throughout the centuries. In the same month it was released, it won “International Recording of the Year” at the Danish P2 Prisen Award. Adding to this growing recording catalogue, a disc of the Alehouse Sessions is to be released in 2017.

Bjarte Eike and Barokksolistene are based in Norway and were established in 2005. They are very grateful to receive support from the government via Kulturrådet and the community of Norway as proud ambassadors of Norwegian culture.

Booklet für The Alehouse Sessions